Sentences with phrase «illustrated color catalogue»
A fully - illustrated color catalogue to accompany the 2005 Michael Rosenfeld Gallery exhibition «Organic New York: 1941 - 1949», with an essay by Robert C. Morgan.
http://www.michaelrosenfeldart.com/
A 128 - page illustrated color catalogue featuring an introduction by Parrish Art Museum Director Terrie Sultan and essays by Karin Roffman, Deborah Rothschild, and Mimi Thompson.
This exhibition is accompanied by a fully - illustrated color catalogue featuring statements by the seven living artists included in the exhibition: Benny Andrews, John Biggers, Elizabeth Catlett, Eldzier Cortor, Herbert Gentry, Betye Saar and Richard Mayhew.
According to noted curator Lowery Stokes Sims who has contributed a preface to the fully - illustrated color catalogue that accompanies the exhibition, the modernist movement strongly influenced Bearden's work.
The exhibition, Falkenstein's second large - scale solo show at Michael Rosenfeld Gallery, is accompanied by a fully - illustrated color catalogue, featuring a reprint of an Archives of American Art oral history interview conducted between the artist and Paul Karlstrom in 1995.
Kurt Schwitters: Color and Collage is accompanied by a fully illustrated color catalogue featuring essays by Schulz, along with scholars Leah Dickerman and Gwendolen Webster and a chronology by Menil Assistant Curator Clare Elliott.
A fully illustrated color catalogue, with an introduction by Eliza Rathbone, curator of the Phillips Collection, Washington, D.C., and essays by Anne de Staël, the artist's daughter; André du Bouchet, well - known French poet; Dominique Levy and Simon Studer, co-organizers of the exhibition, is also available through the Gallery.
A fully illustrated color catalogue with an essay by Elisabeth Sussman is available.
Alfonso Ossorio: The Shingle Figures, 1962 - 1963 is accompanied by a fully illustrated color catalogue with an essay by B.H. Friedman and photographs of Ossorio by Hans Namuth.
The exhibition is accompanied by a fully illustrated color catalogue with an essay by noted scholar and professor George Lipsitz.
A fully illustrated color catalogue with an artist statement and essays by Whitfield Lovell, Tracye Saar - Cavanaugh, Lowery Stokes Sims, and Sean Ulmer accompanies the exhibition.
John Biggers: My America is accompanied by a fully illustrated color catalogue featuring a foreword by artist Whitfield Lovell, an introduction by Michael Rosenfeld, and a detailed artist chronology.
This exhibition is accompanied by a fully illustrated color catalogue with an essay Barry Schwabsky, a regular contributor to Artforum, and the author of The Widening Circle: Consequences of Modernism in Contemporary Art (Cambridge University Press, 1997), and Opera: Poems 1981 - 2002 (Meritage Press, 2003).
This exhibition is accompanied by a fully illustrated color catalogue, with a foreword by Frederic E. Ossorio, Jr., and an introduction by Harry Cooper, Curator of Modern Art at the Fogg Art Museum.
This exhibition is accompanied by a fully illustrated color catalogue with an essay by William C. Agee, Professor of Art History at Hunter College, NY.
Fully illustrated color catalogue with an essay by Dr. Nnamdi Elleh.
Bob Thompson: Meteor in a Black Hat will be accompanied by a fully - illustrated color catalogue with a contribution by Stanley Crouch.
The current exhibition will be accompanied by a fully illustrated color catalogue featuring a newly transcribed and previously unpublished oral history interview with the artist.
A fully - illustrated color catalogue with an essay by Martica Sawin to accompany the exhibition Seymour Lipton: Abstract Expresssionist Sculptor.
Organic New York, 1941 - 1949 is accompanied by a fully - illustrated color catalogue with an essay by Robert C. Morgan.
The exhibition will be accompanied by a fully illustrated color catalogue with an introduction by Helen Tworkov and an essay by Stephen Westfall.
Fully - illustrated color catalogue with an essay by William C. Agee, Professor of Art History at Hunter College.
The exhibition will be accompanied by a fully illustrated color catalogue.
The exhibition, Falkenstein's second large - scale solo show at Michael Rosenfeld Gallery, will be accompanied by a fully - illustrated color catalogue, featuring a reprint of an Archives of American Art oral history interview conducted between the artist and Paul Karlstrom in 1995.
... [while other images] celebrate Africa as a continent in which the geopolitical boundaries imposed by European colonial authorities were completely dissolved... [giving] artists the freedom to... borrow visual icons from any part of the continent... This exhibition has been organized with Pace Primitive, New York, and is accompanied by a fully - illustrated color catalogue with an essay by Dr. Nnamdi Elleh, Assistant Professor of Architecture History and Theory at the University of Cincinnati, Ohio.
A fully - illustrated color catalogue to accompany the exhibition Stroke!
Not exact matches
Exhibition Catalogues @Large will be accompanied by two richly illustrated, full - color publications: a hardbound edition available at museum shops and bookstores worldwide and a softcover catalogue sold at Alcatraz Island.
CATALOGUES 2016 Marnie Weber, The Day of Forevermore: Synopsis, Script, Storyboard, introduction by Paul Bernard, 96 pages, Museum of Modern and Contemporary Art (MAMCO), Geneva, Switzerland 2015 Unicorn Girl, written by Darcey Steinke, illustrated by Marnie Weber, Spirit Sister Publication 2010 Marnie Weber, The Cinema Show A Film Retrospective and Installations, texts by Yves Aupetitallot, Doug Harvey, and Stephanie Moisdon, artist interview by Mike Kelley, 125 pgs, 73 color ill., Le Magasin Centre National d'Art Contemporain de Grenoble, France 2007 Sing Me A Western Song, text by Annie Buckley, 40 pgs., 24 color ill., Patrick Painter Gallery, Santa Monica, CA 2005 Marnie Weber, From The Dust Room, texts by Julie Joyce, Amy Gerstler, Darcey Steinke, 56 pgs., 37 color ill., Luckman Gallery, California State University, Los Angeles, CA SOLO ALBUM RELEASES 2008 Marnie Weber, Lonely Soundtracks, 1993 — 2008 2005 Songs Forgotten: Selections From Marnie Weber 1989 — 2004 1996 Cry for Happy.
Rounding out the catalogue are numerous details and installation views, atmospheric color photographs of the artist's studio and materials, and an illustrated visual appendix showing a selection of Frecon's reference sources for the comprised works, including insightful commentary written by the artist.
Richly illustrated with over 150 color plates, the catalogue features essays that touch on key aspects of her practice and historical reception, as well as an extensive annotated chronology that provides an in - depth exploration of the intersection of her life and art.
The four - color illustrated catalogue includes an essay by Natasha Boas, an art historian and independent curator based in Paris and San Francisco, and features a -LSB-...]
A full - color illustrated catalogue of the exhibition will be available.
A 112 - page, color - illustrated catalogue with essays by Richard Shiff and John Yau is available for $ 15 for museum members $ 25 for non-members (plus shipping / handling).
J. Livingston and A. Liguori, eds., Richard Diebenkorn: The Catalogue Raisonné, Volume Four, Catalogue Entries 3762 - 5197, New Haven and London, 2016, p. 350, no. 4568 (illustrated in color).
Fully illustrated, 76 page exhibition catalogue with 20 color plates and featuring an essay by Dr. David Anfam, Hardcover.
M. Harrison, ed., Francis Bacon: Catalogue Raisonné, Volume IV 1971 - 92, London, 2016, pp. 1126 - 1127, no. 77 - 03 (illustrated in color).
The Nasher Museum publishes richly illustrated, full - color catalogues on the occasion of exhibitions that originate at the Nasher Museum and travel internationally.
Fully illustrated, 104 page exhibition catalogue with 36 color plates, and featuring essays by Peter Selz and Jessica Scarlata.
A fully illustrated catalogue accompanies Donald Moffett: The Extravagant Vein, featuring essays by exhibition curator Valerie Cassel Oliver; Bill Arning, Director, Contemporary Arts Museum Houston; Douglas Crimp, Fanny Knapp Allen Professor of Art History at the University of Rochester; and Russell Ferguson, Chair of the Department of Art at the University of California, Los Angeles, as well as color reproductions, the artist's biography, and a bibliography.
Fully illustrated 64 page exhibition catalogue with 32 color plates and an essay by Joseph Jacobs, Softcover.
Exhibition Catalogue Inventing Downtown will be accompanied by a four - color, lavishly illustrated 296 - page book with a bibliography and index.
R. Shiff, C. Mancusi - Ungaro, and H. Colsman - Freyberger, Barnett Newman: A Catalogue Raisonné, New Haven and London, 2004, p. 426, no. 179 (illustrated in color).
This richly illustrated exhibition catalogue, published in conjunction with the artist's first major retrospective in North America, highlights both Dijkstra's large - scale color photographs and her video installations.
Fully illustrated, 48 page exhibition catalogue with 9 color plates, featuring a rare 1960s interview with the artist.
Exhibition Catalogue Baya: Woman of Algiers will be accompanied by a four - color illustrated catalogue with an essay by Natasha Boas, an art historian and independent curator based in Paris and San Francisco, and features a contribution by the Egyptian writer and director MenCatalogue Baya: Woman of Algiers will be accompanied by a four - color illustrated catalogue with an essay by Natasha Boas, an art historian and independent curator based in Paris and San Francisco, and features a contribution by the Egyptian writer and director Mencatalogue with an essay by Natasha Boas, an art historian and independent curator based in Paris and San Francisco, and features a contribution by the Egyptian writer and director Menna Ekram.
The exhibition is accompanied by a fully illustrated catalogue containing an introduction on the subject of the Surrealists» collecting practices, a scholarly two - part essay on the masks and the Surrealists» engagement with them, color plates with catalogue entries, and ample archival material documenting this rich art - historical narrative.
During the exhibition, Pace will produce a full - color catalogue, illustrating the new works installed in the gallery and including an essay by Matthew Simms, Professor of Art History at California State University, Long Beach.
Fully illustrated, 96 page exhibition catalogue with 8 color plates and 37 painting detail images.
Fully illustrated, 60 page exhibition catalogue with 16 color plates and an extensive, illustrated artist chronology.
Published by Michael Rosenfeld Gallery (2014), this fully illustrated, 96 page exhibition catalogue contains 8 color plates and 37 painting detail images.