Sentences with phrase «illustrated essay collection»

Not exact matches

[10] This is a comment made by Henry Chadwick in the Introduction to his collection of essays Heresy and Orthodoxy in the Early Church (Hampshire: Variorum, 1991), p. ix, on the writings of Père Yves Congar, which, he says, have «richly illustrated» this point.

That odd — crudely drawn yet o - so - expressive — little being represents Brosh in this amusing (often laugh - out - loud), honest and touching collection of illustrated essays about her life, from her childhood antics to living with dogs to her struggle with chronic depression as an adult — and lots of moments in between.

This collection of flash fiction, short stories, poems, and essays illustrate an imaginative new take on one of the most famous literary tales in history.

Alongside a wealth of reproductions of works from 1961 to 2007, it also features an illustrated chronology and list of works in U.K. public collections, an essay by Michael Bracewell, and a wonderful meditation by Riley, titled «Work,» in which she looks back on the curve of her art across the decades.

In celebration of the opening, a fully illustrated catalogue, A Family Affair: Modern and Contemporary American Art from the Anderson Collection at Stanford University, has been published in association with DelMonico Books / Prestel, and includes scholarly essays on the collectors, the collection, and individual artists and artworks represented in the collection.

He is the author of Lincoln Perry's Charlottesville, a collection of his paintings of that city, and a selection of his watercolors illustrates a 2012 edition of Henry David Thoreau's essay «October, or Autumnal Tints.»

Related Publication The Kongo across the Waters exhibition is accompanied by a 450 page publication available in the Museum Shop which presents a collection of richly - illustrated essays and a catalogue of the exhibition with superb photography.

This massive (644 - page) publication features 43 fully illustrated essays on the Museum's famous collection, and thereby provides an overview of over 150 years of international developments in the applied and visual arts, photography, and graphic and industrial design.

The exhibition is accompanied by a 160 - page, fully - illustrated catalogue edited by Cynthia Burlingham and Robert Gober with essays by Robert Gober, critic Dave Hickey, Hammer Deputy Director Cynthia Burlingham, Burchfield Penney Art Center Head of Collections and the Charles Cary Rumsey Curator Nancy Weekly, and Burchfield Penney Art Center Research Assistant Tullis Johnson.

Lavishly illustrated with installation photographs by Fredrik Nilsen, the book will include two scholarly essays: one by art critic, novelist, and filmmaker Chris Kraus, and the other by Los Angeles art writer, educator, and curator Jan Tumlir — as well as an interview with Israel by Kevin Salatino, Hannah and Russel Kully Director of the Art Collections at The Huntington.

The exhibition is accompanied by a 224 - page, fully - illustrated catalogue with essays by exhibition curator Allegra Pesenti and Ann Gallagher, Head of Collections (British Art) at the Tate.

The images in this lavishly illustrated volume are complemented by an essay about the nature of collecting by Chicago - based artist Kerry James Marshall; a thoughtful conversation with Cafritz conducted by Studio Museum Director and Chief Curator Thelma Golden; and commentary from New York gallery owner Jack Shainman, whose diverse roster includes many artists represented in the Cafritz collection.

Generously illustrated and handsomely produced, this book includes thematic essays that address the various collaborations between prominent artists and Peter Blum.and # 160; These essays are followed by detailed entries on the portfolios in the collection, including works by John Baldessari, Jonathan Borofsky, Louise Bourgeois, Sandro Chia, Francesco Clemente, Eric Fischl, Alex Katz, Barbara Kruger, Brice Marden, James Turrell, Terry Winters, Yukiori Yanagi, and others.

Private collectors, art galleries, and major museums lent work for this exhibition, which is accompanied by a fully illustrated catalogue, with essays, by Linda Ferber, Senior Art Historian and Museum Director Emerita, New - York Historical Society; Egyptologist Floyd Lattin; and, Laura Vookles, the Museum's Chief Curator of Collections.

A fully illustrated catalogue with an essay by Amy Schichtel, the Collections Curator of the Estate of Willem de Kooning, will be available through the Gallery.

A 176 - page exhibition catalogue features an essay by Elizabeth Siegel, associate curator of photography, The Art Institute of Chicago; an interview by Paul Martineau, associate curator of photography, J. Paul Getty Museum, Los Angeles; and an illustrated chronology by Brett Abbott, curator of photography and head of collections, High Museum of Art, Atlanta.

In his Melbourne talk and essay on collection illustrated law books, Mike lists many institutional reasons to enrich our rare book collections with images of the law, but I particularly like this one from Mike: «Ultimately, this sort of collecting promotes a sense of wonder and play, things that can be in short supply in today's world.