Sentences with phrase «illustrated in color»

New York, New Museum, Skin Fruit, March - June 2010, pp. 92 and 203 (illustrated in color).

D. Upright, Morris Louis: The Complete Paintings: A Catalogue Raisonné, Harry N. Abrams, Inc., New York, 1985, no. 303, p. 160, illustrated in color.

New York, Andre Emmerich Gallery, Things Recent, December 1990 - January 1991, n.p., illustrated in color; Paris, Centre Georges Pompidou, David Hockney: Espace / Paysage, January - April 1999, pp. 132 - 33, p. 201, illustrated in color; London, Tate Britain; Paris, Centre Georges Pompidou; and New York, The Metropolitan Museum of Art, David Hockney, February 2017 - February 2018, p. 146 (text), p. 155, illustrated in color

Baltimore, The Baltimore Museum of Art; Detroit, The Detroit Institute of Arts; Chicago, Museum of Contemporary Art; New York, The Metropolitan Museum of Art; Amsterdam, Stedelijk Museum; Paris, Musee National d'Art Moderne, Centre Georges Pompidou; Cologne, Museum Ludwig; and Basel, Kunstmuseum Basel, Barnett Newman: The Complete Drawings, 1944 - 1969, April 1979 - July 1981, pp. 132 - 133, no. 48, illustrated in color (Baltimore); n.p., no. 46, illustrated in color (Amsterdam); p. 16, no. 48, illustrated in color (Paris); p. 25, no. 47, illustrated in color (Cologne); n.p., no. 47, illustrated in color (Basel)

P. Vethman, «Als ik geen kunst zou maken zou ik sterven, an interview with Louise Bourgeois,» Elegance, no. 4, Jaargang 55 / April 1998, p. 111 (steel illustrated in color).

T. Choi, «Exhibition and Theme: Louise Bourgeois,» Art Magazine Wolgan, September 2000, p. 103 (bronze illustrated in color).

St. Petersburg, The State Hermitage Museum; Helsinki City Art Museum; Stockholm, Kulturhuset; Oslo, Museet for Samtidskunst and Humlebæk, Louisiana Museum of Modern Art, Louise Bourgeois at the Hermitage, October 2001 - June 2003, pp. 68 - 69 (bronze no. 4 exhibited and illustrated in color).

La Famille, March - June 2006, pp. 107 and 216 (another example exhibited and illustrated in color).

5 (illustrated in color; installation view and studio view illustrated in color).

Zurich, Daros Collection, Audible silence: Cy Twombly at Daros, May - September 2002, pp. 14 - 15 and 101, no. 17 (illustrated in color).

cat., Cologne, Galerie Karsten Greve, 1999, pp. 56 - 57 and 216 (another example illustrated in color).

,» Art in America, no. 52, April 1964, p. 69 (illustrated in color, inverted).

Cologne, Jablonka Galerie, Mike Kelley, memory ware, June — September 2001, p. 6 (illustrated in color).

23ª Bienal Internacional de São Paulo, Louise Bourgeois, October - December 1996, pp. 240 and 507 (illustrated in color).

M. Unterdörfer and M. Winzen, eds., (In Search of) the Perfect Lover, St. Gallen, Sammlung Hauser and Wirth, 2003, p. 22 (steel illustrated in color).

Rio de Janeiro, Centro Cultural Banco do Brasil, Louise Bourgeois, February - April 1997, pp. 10, 16 and 18 (illustrated in color).

Philadelphia Museum of Art, Philadelphia Collects: Art Since 1940, September - November 1986, p. 20 (illustrated in color).

New York, Dominque Lévy, Audible Presence: Lucio Fontana, Yves Klein, Cy Twombly, September - November 2013, pp. 137 - 139 (illustrated in color).

K. Cottong, Louise Bourgeois, Chicago, 1997, p. 11 (steel illustrated in color).

cat., Maeght Lelong Zürich, 1985 (installation view of wood version illustrated in color on the cover).

H. Bastian, ed., Cy Twombly: Catalogue Raisonné of the Paintings, Volume V 1996 - 2007, Munich, 2009, pp. 136 and 138, no. 38 (illustrated in color).

«Louise Bourgeois,» GQ Korea, April 2007, p. 290 (bronze illustrated in color).

London, Marlborough New London Gallery, Mark Rothko, February - March 1964, no. 4 (illustrated in color).

Milwaukee, Marquette University, Haggerty Museum of Art and Museo de Arte Contemporaáneo de Monterrey, Matta: Surrealism and Beyond, September 1997 - May 1998, pp. 2 - 3 and 33, no. 43 (illustrated in color).

AP exhibited and illustrated in color).

D. Sylvester, ed., Modern Art: From Fauvism to Abstract Expressionism, New York, 1965, p. 303 (illustrated in color, inverted).

D. Anfam, Mark Rothko: The Works on Canvas, Catalogue Raisonné, New Haven, 1998, p. 550, no. 693 (illustrated in color).

Reykjavik, National Gallery of Iceland, Louise Bourgeois: Femme, May - September 2011, pp. 51 and 91, no. 5 (another example exhibited and illustrated in color).

Kunsthalle Basel, Von Twombly bis Clemente: Selected works from a private collection, July - September 1985, n.p., no. 25 (illustrated in color).

Cologne, Josef - Haubrich - Kunsthalle, Frauenmacht und Mannerherrschaft im Kulturvergleich, November 1997 - March 1998, p. 174 (another example exhibited and illustrated in color).

Santa Barbara, University Art Museum, University of California, Out of Site: Selections from the Marsha S. Glazer Collection, January - February 2005, n.p. (another example exhibited and illustrated in color).

Milan, Prada Foundation, Louise Bourgeois: Blue Days and Pink Days, May - July 1997, pp. 232 - 233 (steel exhibited and illustrated in color).

Chicago, Museum of Contemporary Art, Matta in America: Paintings and Drawings of the 1940's, July - October 2002, pp. 38 - 39, no. 1 (illustrated in color).

R. Storr, P. Herkenhoff and A. Schwartzman, Louise Bourgeois, London, 2003, p. 18 (steel illustrated in color).

Bordeaux, Musée d'Art Contemporain; Lisbon, Foundation Belem and Malmö Konsthall, Louise Bourgeois, February - November 1998, p. 33 (steel exhibited and illustrated in color).

New York, National Academy Museum and Phoenix Art Museum, Surrealism USA, February - September 2005, p. 166, no. 125 (another example exhibited and illustrated in color).

cat., Bilbao, Guggenheim Museum, 2008, n.p., no. 61 (illustrated in color).

Kunstmuseum Basel, Painting on the Move, May - September 2002, p. 123 (illustrated in color).

M. Lash, The Sydney and Walda Besthoff Sculpture Garden, Louisiana, New Orleans Museum of Art, 2012, p. 49 (bronze illustrated in color).

Berlin: Hatje, 1997, illustrated in color, cat.

Cologne 2008, pp. 299 (installation view, Galerie Max Hetzler, 1988), 304 - 305 (detail), 306, illustrated in color.

Amsterdam, Stedelijk Museum; Ghent, Gewad; Bristol, Watershed Gallery; Highfield, University of Southampton, John Hansard Gallery; Erlangen, Palais Stutterheim; West Berlin, Haus am Waldsee; Geneva, Centre d'Art Contemporain; Copenhagen, Sonja Henie - Niels Onstadt Foundation and Humlebaek, Louisiana Museum of Modern Art, Cindy Sherman, December 1982 - April 1984, no. 56 (another example exhibited and illustrated in color).

Cologne, 2008, p. 287, illustrated in color, p. 579, illustrated in color (installation view).

Athens: DESTE Foundation Centre for Contemporary Art, 2004, p. 421, illustrated in color (installation view, DESTE Foundation for Contemporary Art, Athens, 1990).

Milan, 2006, pp. 54 - 55 and cover, illustrated in color.

Financial Times 4 January 2011, illustrated in color.

11th ed., Orlando, 2001, p. 1132, Fig. 34 - 79, illustrated in color.

cat., Amsterdam: Stedelijk Museum; Denmark: Aarhus Kunstmuseum and Staatsgalerie Stuttgart, 1992, p. 70, illustrated in color (Amsterdam & Stuttgart catalogue; not illustrated in Aarhus catalogue).

cat., New York, Museum of Modern Art, 2007, p. 32, no. 22 (another example illustrated in color).

New York, Skarstedt Fine Art, Cindy Sherman Centerfolds, May - June 2003, pp. 8 - 9 and 49, no. 8 (another example exhibited and illustrated in color and on the cover).