The beautifully
illustrated publication includes an introduction by co-curators Alnoor Mitha, Artistic Director of Asia Triennial Manchester 11 and Research Fellow at MMU MIRIAD and Sarah Perks, Programme and Engagement Director, Cornerhouse; an essay by David Elliott, curator, writer and cultural historian; and an interview with Rashid Rana conducted by Hans Ulrich Obrist, curator, writer and Co-director at the Serpentine Gallery.
This fully
illustrated publication includes dialogues between the artist and critic Gavin Jantjes and some of Europe's most important visual artists — Carlos Capelán, Marlene Dumas, Chohreh Feyzdjou, Susan Hiller, Huang Yong Ping, Marie - Jo Lafontaine and David Medalla.
Published on the occasion of the exhibition Isaac Julien: «I dream a world» Looking for Langston, at Victoria Miro (18 May — 29 July 2017) this lavishly
illustrated publication includes texts by Isaac Julien and Pulitzer Prize winning critic Hilton Als, alongside rare archival material including storyboards by artist John Hewitt, colour polaroids taken during the making of the film and additional material relating to its original presentation and critical reception.
This fully
illustrated publication includes essays by Katherine Brinson, Suzanne Hudson, Richard Prince and James Rondeau, as well as a definitive bibliography and exhibition history.
The exhibition is accompanied by a fully -
illustrated publication includes new critical texts by curators and writers including Hal Foster, Jon Wood and others, alongside an artist's chronology and bibliography.
This fully
illustrated publication includes essays by James Oles, Josh Kun, Rúben Gallo, Jamillah James, and Harriet Stratis; a discussion with artists Jim Nutt and Gladys Nilsson, with introduction by Mark Pascale; and a foreword by the exhibition's curator Elsa Longhauser, Executive Director, Institute of Contemporary Art, Los Angeles.
Created in close collaboration with the artist, this fully
illustrated publication includes texts by Christopher Bedford, who curated the exhibition during his directorship at The Rose Art Museum, Suzanne Hudson, Catherine Lord, and Siddhartha Mukherjee, and features an interview with the artist by Katy Siegel.
This richly
illustrated publication includes an interview with Shannon Jackson and Tom Finkelpearl, is edited and contains an essay by Kari Conte and is co-published by Sternberg Press, Kunstverein Amsterdam, Grazer Kunstverein and Krist Gruijthuijsen, in collaboration with Arnolfini and Ronald Feldman Fine Arts.
The exhibition is accompanied by a fully -
illustrated publication including essays by David Campany, Sarah James and others, alongside a glossary and bibliography.
On the occasion of Julian Charrière's first UK solo exhibition, Parasol unit has published a beautifully
illustrated publication including images of all the works in this exhibition as well as other related works.
The exhibition is accompanied by a fully -
illustrated publication including essays by David Campany and Sarah Jones.
The exhibition will be accompanied by a fully
illustrated publication including an introductory text by Gaines; a scholarly essay by Michael Brenson, Senior Critic at the University of Pennsylvania School of Design; and newly commissioned poetry by Robin Coste Lewis, winner of the 2015 National Book Award for Poetry.
Not exact matches
With the notable exceptions of The Oxford Companion to the Book (2010) and Bettley's The Art of the Book (2001), most literature in the fields of book history and topics concerning the history of writing and digital textuality,
including studies of books as artistic objects and of the material page make no mention of comics at all, in spite of the fact they do refer to other forms of multimedia or text - and - image
publications such as collage books and
illustrated books.
Examples of these
publications include: BELIZE TRAVEL GUIDE, BELIZE
ILLUSTRATED MAP, BELIZE RIVER VALLEY, HEART OF TOLEDO ADVENTURE TRAIL to list a few.
In addition to the essays and
illustrated exhibition checklist, the
publication includes still images from Nancy Holt's film The Making of Amarillo Ramp, 1973 - 2013.
An accompanying, fully
illustrated publication will
include an essay by art historian and curator Camille Morineau; rarely seen photography by Bob Adelman that captured the creation of the original Greene Street Mural; and extensive documentation relating to Lichtenstein's twelve realised and four unrealised murals.
This
publication includes an essay by the exhibition's curator, Emma Enderby, charting the trajectory of Golub's life and practice through the selection of works in this exhibition, which are
illustrated in full.
In this fully
illustrated publication, Griffey situates Dial, Holley, and others within the historical institutional embrace of self - taught artists,
including Henri Rousseau and Jean Dubuffet, and the modernist practice of repurposing found and salvaged materials.
Andrea Büttner: The Poverty of Riches was accompanied by an
illustrated publication published by the Whitechapel Gallery
including an introductory essay, an interview with the artist and illustrations of works from the Maramotti Collection.
Fully
illustrated and beautifully designed, with illuminating texts,
including an extensive interview with the artist, Wayne Thiebaud: Draftsman is the first major
publication devoted to his lifelong engagement with drawing.
Introduced by art historian Cara Jordan, editor of this extensive research - based
publication, the book also
includes an
illustrated biography and an anthology of key texts written by the artist in the 1980s.
Victoria Miro is delighted to announce the
publication of Isaac Julien: Looking for Langston, a lavishly
illustrated, limited edition book by the internationally acclaimed artist and filmmaker, featuring newly - conceived photographic works, texts by the artist and Pulitzer Prize winning critic Hilton Als, in addition to storyboards from Julien's seminal 1989 film, Looking for Langston, never before published contemporary Polaroids and rare archival material
including storyboards by artist John Hewitt.
Drawing inspiration everywhere from 20th century French erotica to «70s American vintage magazines to «today's internet girls,» Feingold's watercolor nudes have caught the attention of fashion photographer Nick Knight, who commissioned her to
illustrate Paris Fashion Week for SHOWStudio; and
publications including Vogue, who called her «a trailblazing artist on a meteoric rise.»
This richly
illustrated publication covers a wide range of artistic production —
including paintings, drawings, books, sculptures, film, photography, sound poetry, atonal music and non-narrative dance — to draw a cross-media portrait of these watershed years.
Additionally, the project will
include the production of a
publication, free
illustrated gallery guide, guided tours, and gallery talks.
Alongside writings on the burgeoning discipline of disability studies — which addresses the needs of marginalized groups and the extent to which society can accommodate them — this well -
illustrated publication presents work by over 80 artists,
including Marc Quinn, Marlene Dumas, the Chapman Brothers, Viktor & Rolf, Louise Bourgeois and Aernout Mik.
The
publication also
includes catalogue raisonne of the artist's Infinity Rooms, an
illustrated chronology and artist biography.
Exhibition Catalogue The exhibition is accompanied by a 200 - page, fully
illustrated publication bringing together a range of scholarly contributors
including curator Siri Engberg; Michael Lobel, associate professor of art history at the State University of New York at Purchase; Rochelle Steiner, dean of the Roski School of Art at the University of Southern California; and artist Josiah McElheny.
With 90 reproductions in color, this beautifully produced
publication presents significant works from five decades of the artist's career and also
includes a fully
illustrated chronology with selected biographical and bibliographical material.
The fully
illustrated exhibition catalogue features an essay, entitled «The Music of Invisibility,» by renowned art historian, critic, and curator David Anfam, whose numerous
publications include: Abstract Expressionism (1990), Franz Kline: Black & White: 1950 - 1961 (1994), Mark Rothko: The Works on Canvas — A Catalogue Raisonné (1998), and Abstract Expressionism: A World Elsewhere (2008).
Taylor has
illustrated for record labels and various
publications,
including a T.C. Boyle short story A Good Home for Playboy magazine.
An
illustrated publication which documents the breadth of Fagen's career,
including his presentation for Scotland + Venice 2015, will be published by Hospitalfield to coincide with the opening of the exhibition in Venice.
He has contributed to numerous art
publications,
including Raymond Pettibon: To Wit (2014), On Kawara: Date Painting (s) in New York and 136 Other Cities (2012), and recently translated Michael Ende's Momo into English, which was
illustrated by Marcel Dzama and published by McSweeney's McMullens in 2013.
Publication A fully
illustrated catalogue,
including essays by a variety of scholars, curators and artists, accompanied the exhibition.
The exhibition is accompanied by a fully
illustrated publication that
includes essays by Kelly Baum, Curator of Post War and Contemporary Art at the Metropolitan Museum of Art and Jennifer Tyburczy, author of Sex Museums: The Politics and Performance of Display, as well as an interview with the artist conducted by Dunbar.
A fully
illustrated hardcover
publication,
including a conversation with Jasper Johns and Terry Winters, accompanies the exhibition.
The exhibition is accompanied by a 200 - page, fully
illustrated publication, bringing together a range of scholarly contributors
including Walker Art Center Curator Siri Engberg; Michael Lobel, associate professor of art history at the State University of New York at Purchase; Rochelle Steiner, dean of the Roski School of Art at the University of Southern California; and artist Josiah McElheny.
Her
illustrated papers in this series have
included an essay on astronomical themes in Marcel Proust's novel In Search of Lost Time (published by an Italian scientific journal); an essay on astronomy and existentialism in the fiction of Albert Camus (
publication pending); and a photographic essay titled «Paris Solstice» inspired by Proust's novel and French astronomical history (Canopus Press, 2004).
Organized into chapters that correspond to distinct periods during which Picasso devoted himself to sculpture, the
publication features an introduction by the exhibition curators as well as an
illustrated documentary chronology focusing on the sculptures
included in the exhibition.
The first scholarly
publication on Howard, this fully
illustrated volume
includes essays by Apsara DiQuinzio, Robert Gober and Lauren Kroiz, a reprint of one of Howard's own essays from 1946, an
illustrated chronology and exhibition history.
This
publication serves as a catalog for «R.S.V.P. Los Angeles,» and it
includes individual sections devoted to each of the exhibiting artists, contextualizing essays, and an
illustrated chronology of the Project Series.
Publication A 128 - page, full - color
illustrated catalogue,
including an extended essay by Bassett, accompanied the exhibition.
SVA x Skowhegan will also
include a fully
illustrated publication, with entries on each artist and an essay by the curator, to be released on January 17, 2017.
The exhibition is accompanied by a fully
illustrated hardcover
publication that
includes an essay by Paul Galvez, a 1976 interview with the artist by Ed Howard, published here for the first time, and extensive documentation on each works featured in the exhibition.
The seven large canvases and thirteen works on paper
included in this exhibition, along with 21 smaller drawings begun in China that are
illustrated in the accompanying
publication, make up the largest cohesive body of work the artist has made since his 1991 Cold Mountain series.
It is accompanied by a fully
illustrated publication that
includes an interview with the artist conducted by Gioni and Christoffersen, a new essay on Eisenman's practice by writer Grace Dunham, and a contribution by poet Eileen Myles.
A fully
illustrated publication accompanying the exhibition
includes texts by Scott Rothkopf, Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Alexander Nagel, and James Surowiecki.
Fully
illustrated with 95 color images (and a plate section), the book
includes three essays,
including Charles W. Haxthausen on LeWitt's relationship to the grid and classical music, especially Bach; Christianna Bonin on LeWitt's relationship to Richard Serra and the wall drawing; and Erica DiBenedetto on LeWitt's 1980 artist's book, Autobiography, a
publication consisting solely of 1,101 photographs of LeWitt's New York studio, organized over 128 pages in nine - part grids.