James «Son Ford» Thomas: The Devil and His Blues A fully
illustrated publication surveying the sculpture of James «Son Ford» Thomas Co-Edited by Jonathan Berger and Jessica Iannuzzi Garcia.
This illustrated publication surveys the work of filmmakers and artists who have pushed the material and conceptual boundaries of cinema.
Not exact matches
Works on view, drawn from the Morgan's collections,
survey illustrated publications from 1890 to 1935, contextualizing them within their idealized past — in touchstones of medieval and Renaissance book design — and mapping potential trajectories in experimental animation, the fine press, and works by graphic artists today.
Accompanying Dumas» first major mid-career
survey in the U.S., with stops in three major American cities, (one yet to be announced) this substantial, fully -
illustrated publication features a newly commissioned essay by renowned scholar Richard Shiff, placing the artist's work in relation to both American figurative painting since the 1980s and Abstract Expressionism.
Thus the collection, comprehensively
illustrated in this
publication, provides a welcome
survey of the central aspects of the artist's production.