Edward Hopper's Maine will be accompanied by a fully
illustrated scholarly catalogue published by DelMonico Books — Prestel.
A fully
illustrated scholarly catalogue accompanies the exhibition.
The exhibition will be accompanied by a fully -
illustrated scholarly catalogue presenting artist's influential bodies of works in their full context — the most comprehensive study of his work so far.
A fully
illustrated scholarly catalogue, with an essay by the art historian, curator and leading Hockney specialist Marco Livingstone, accompanies the exhibition.
Organized by the Nasher's Associate Curator Catherine Craft, the exhibition will travel to other US museums and will be accompanied by a richly
illustrated scholarly catalogue.
Not exact matches
The lavishly
illustrated scholarly exhibition
catalogue presents the research findings of Research Associate in Art Melissa Walt, and Ellerton M. and Edith K. Jette Professor of Art Ankeney Weitz.
A «
catalogue raisonnĂ©» is a systematic and comprehensive
scholarly reference text in which each work known to have been executed by a particular artist is
illustrated, thoroughly documented and described, giving information such as title, alternative titles, date, medium, size, inscriptions, provenance, exhibition history, and publication history, and in which each work is assigned a permanent reference number.
The exhibition will be accompanied by a fully
illustrated publication with a
scholarly essay by the curator, commissioned texts, and a biography of the artist, marking the first comprehensive
catalogue on Ree Morton produced by a U.S. institution since her show at the New Museum in 1980.
A superb, fully
illustrated catalogue accompanies the Martin retrospective: a
scholarly appraisal of her career.
Each exhibition at the Fondation is accompanied by its own
illustrated catalogue, in which the themes of the exhibition are explored in
scholarly texts.
A 236 - page, fully
illustrated catalogue featuring
scholarly essays by Shields and by Julianne Burton - Carvajal, Ph.D., accompanies the exhibition.
The Museum presents critically acclaimed exhibitions that travel to major museums and are regularly accompanied by fully -
illustrated,
scholarly catalogues.
The exhibition is accompanied by a fully
illustrated catalogue»» published by MOCA and co-published by the MIT Press, which will constitute a comprehensive and
scholarly examination of the artist's career.
In celebration of the opening, a fully
illustrated catalogue, A Family Affair: Modern and Contemporary American Art from the Anderson Collection at Stanford University, has been published in association with DelMonico Books / Prestel, and includes
scholarly essays on the collectors, the collection, and individual artists and artworks represented in the collection.
Gagosian Gallery has published a two - volume, fully
illustrated and
scholarly catalogue to accompany the exhibitions.
Exhibition
Catalogue The exhibition is accompanied by a 200 - page, fully
illustrated publication bringing together a range of
scholarly contributors including curator Siri Engberg; Michael Lobel, associate professor of art history at the State University of New York at Purchase; Rochelle Steiner, dean of the Roski School of Art at the University of Southern California; and artist Josiah McElheny.
Phenomenal is accompanied by a lavishly
illustrated 250 - page
scholarly catalogue co-published by MCASD and University of California Press.
The exhibition is accompanied by a fully
illustrated catalogue containing an introduction on the subject of the Surrealists» collecting practices, a
scholarly two - part essay on the masks and the Surrealists» engagement with them, color plates with
catalogue entries, and ample archival material documenting this rich art - historical narrative.
The exhibition will be accompanied by a fully
illustrated catalogue that focuses on the artists and their respective projects; an annotated visual history of CAM; and a
scholarly appreciation of the building.
A lavishly
illustrated catalogue (in German) accompanying the exhibition was published by Munich's Sieveking Verlag, and featured
scholarly essays and entries with detailed information on all the works on display.
The Routine Pleasures publication serves as an
illustrated catalogue as well as a reader that further elaborates the exhibition's thematic tracks, with a new essay by the curator, additional new
scholarly essays by Julia Bryan - Wilson and Edward Sterrett, and several reprinted texts by participants in the exhibition James Benning, Pauline Oliveros, and Sarah Lehrer - Graiwer.
The exhibition will be accompanied by a fully
illustrated catalogue — published by MOCA and co-published by the MIT Press — which will constitute a comprehensive and
scholarly examination of the artist's career.
The fully
illustrated companion
catalogue will present the most up - to - date
scholarly research, reexamining Savage's place in the history of American sculpture and positioning her as a leading figure who broke down the barriers she and her students encountered while seeking to participate fully in the art world.
The exhibition will be accompanied by a fully
illustrated catalogue with a
scholarly essay by Dr. John Tancock.
A fully
illustrated catalogue, including
scholarly entries for the Old Master paintings, will be published on occasion of this exhibition.
This will be the first museum exhibition dedicated to Simpson's drawings and collages — including a new series of works created during her tenure as the Aspen Art Museum's 2013 Jane and Marc Nathanson Distinguished Artist in Residence — and will be accompanied by a fully
illustrated,
scholarly catalogue.
An
illustrated catalogue of the same title accompanies Chaotic Harmony, co-published by The Museum of Fine Arts, Houston, and the Santa Barbara Museum of Art and distributed by Yale University Press, The
catalogue presents one of the first overviews of the artists, subjects, and themes in contemporary Korean photography, with
scholarly essays by Tucker and Sinsheimer; a chronology of post-World War II developments by noted photographer and curator Bohnchang Koo; an exhibition checklist; and brief biographies of the artists, compiled by MFAH photography curatorial assistant Natalie Zelt.
The
illustrated exhibition
catalogue includes a
scholarly essay by Brodie and Greenhalgh on the creative processes of Chuck Close, Richard Diebenkorn, and John Cage, plus individual commentaries on the other artists represented in the exhibition.