Sentences with phrase «illustration art style»

Not exact matches

It spans many styles and categories, including fine art, illustration, impressionism, folk art, even pop art.

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I always like seeing your fashion illustrations because not only do get to see more of your art, but I find new blogs - often with styles I might not have ever found on my own, but that I like a lot.

An 11th grader compared surrealist, cubist, and Dadaist art through essays and illustrations that showed understanding of each style.

Freelance illustrator and graphic artist Chris Brunton's 25 years as Art Director at a busy regional newspaper has imbued him with a «can - do» attitude and an arsenal of illustration and cartooning styles to suit any assignment.

The folk - art - style illustrations are immediate and innovative.

Folk - art - style illustrations and an author's note round out the story.

I suppose that the style harkens back to the original illustrations of yokai in ancient woodblocks, but this art has a lot less grace and subtle other - worldliness to it that those original illustrations contained.

One Amazon Reviewer said this to say about the Dali Art «This book is a worthwhile addition to the collection of any Dali fan, but people familiar only with his paintings will be in for a surprise: these illustrations, done in a mixture of gouache (a thicker version of watercolor) and black ink, have a style quite different from the photograph - like realism with which Dali usually rendered his melted watches, spindle - legged elephants, and flaming giraffes.

The folk art — style illustrations mirror his painting style, imitating his fabric collages and tactile brushstrokes.

Based on a 2010 film, this book's illustrations splash across pages, evoking Jean - Michel Basquiat's exuberant, colorful, and playful art style: «sloppy, ugly, and sometimes weird, but somehow still beautiful.»

Enjoy Gravity Rush Remastered's unique comic book art style with over 600 illustrations available to view in the new gallery mode.

Graphically, Pop - Up Pilgrims looks as beautiful as it did when Floating Cloud God Saves the Pilgrims received a HD makeover on Vita, although the real standout has to be Dakko Dakko's custom built 2D VR engine that allows everything to be layered in 3D in a fashion reminiscent of the illustrations in a pop - up book at a consistent pace of 120 frames per second, while retaining all of the vibrancy and colourful tones of the almost psychedelic nature of the graphical art style.

The art style based on Japanese Ink - illustration is simply beautiful and the HD update has done nothing but improve what was already a brilliant looking game.

The small illustrations of the locations and characters around the game's map are great as well, as they look particularly charming in the game's more chibi-esque art - style.

Sense utilizes a Hand - Painted 2.5 D style for its art, which combines the benefits of 3D — such as shifting perspective — with the intricate, colorful style of 2D illustration.

- Finally, the nice folks at Introversion sent us a preview version of their next game Defcon today, and, apart from the booklet having the wonderful game promo URL of everybody-dies.com, the manual has some awesome Cold War style art, including the four Introversion - eers dressed up a top military brass, and some totally fun «instructional» illustrations which are a bit reminiscent of the Portal promo video.

Katz speaks of his early education; his family's interest in art; his U.S. Navy service; his education at the Cooper Union School and at Skowhegan; styles and methods in painting; his work in collage, portraiture and book illustration; theater set design; teaching at Yale, Skowhegan and the Studio School; his interest in poetry; and his current painting style.

His early work passed though the styles of impressionism, Orphism, Dada, Surealism, and verbal and visual collagel his later art extended from composition that superimpose linear painted figures upon one another (and, sometimes, several of those on apinted ground), to painting based on pinup nudes and commercial illustrations and, finally, to coarse, heavily textured canvases that depict totems, masks and shields.

Las Vegas Weekly, The Barrick's «Plural» Teams Local and International Artists for an Engaging Show, April 26, 2018 East Hampton Star, 23 Successes in «A Radical Voice», Jennifer Landes, March 20, 2018 Elle Décor, «Hitting Her Groove», Kate Betts, September 2014 Hamptons ArtHub, Best Exhibitions of 2013», December 2013 Hamptons ArtHub, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, September 2013 WhiteHot Magazine, «Almond Zigmund: Interruptions Repeated», Janet Goleas, September 2013 Huffington Post, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, August 2013 Elle Décor, «Arbiter of Style», Cynthia Frank, May 2013 NY H&G, «Mondo Condo» May 2013 Long Island Pulse, «Artist VIP», Nada, August 2011 Southampton Press, «Shifting Perceptions in Parrish Installation», Pat Rogers, November 8, 2007 East Hampton Star, «An Artist «Remembers the Future»», Jennifer Landes, November 1, 2007 East Hampton Star, «Industrial Strength Beauty, Jessica Frost, July 19, 2007 Las Vegas Sun, «Coloring Her World», Kristen Peterson, February 24, 2006 Southampton Press, «Tracing the Genealogy of Ideas», Eric Ernst, December 15, 2005 Columbus Dispatch,» Texture Enlivens Minimalist Exhibit», Kaizaad Kotwal Sunday, July 17, 2005 Southampton Press,» Avram Gallery Offers Quiet Space for Show», Eric Ernst, Nov. 25, 2004 Los Angeles Times, «Sweet Nostalgia Projected Onto Metal», Holly Meyers, Feb 1, 2002 Flash Art, «Aperto», David Pagel, March - April 2002 Art in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustratArt, «Aperto», David Pagel, March - April 2002 Art in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustratArt in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustratArt Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustratart», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustratArt BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustratArt Report, Jan / Feb 2000, p. 52, illustration

Disciplines, genres and styles encompass conceptual and post-conceptual works, low - brow and street art, photography and illustration, and architecture.

In these paintings, Mr. Hockney's awkward figurative style fleshes out toward naturalism, impudently balancing between art and illustration.

Joe'd Mode is a passionate, degree - qualified, UK - based artist and designer specialising in quirky, innovative, fresh art & design that combines her photography, pen & ink illustrations, vector and digital skills to produce an intriguing mix of styles.

Ferone adds her signature illustration style to the art, as she reimagines each playing card with bold brushwork and graphic lines for a charming and unique court — all while maintaining good playing - card design needed for game play.

Both of which are mirrored in his art and illustration style.

The Italian illustrator, who's based in Dundee, loves to create illustrations using a wealth of bright colours, and describes her style as «fun» and «naive», inspired by pop surrealism, collage, psychedelia from the 1960s and street art.

Murakami's «superflat» style, reminiscent of Pop art, is an ironic take on Japan's tradition of commercial illustration, with its penchant for cute animals and candy - colored optimism.

Inspired by the unruly aspects of the natural world, the Art Nouveau style affected art, illustration, design and architecture from 1890 to 19Art Nouveau style affected art, illustration, design and architecture from 1890 to 19art, illustration, design and architecture from 1890 to 1910.

The style appeared in interior design, metalwork, glassware, jewellery, poster - design and illustration, as well as painting, sculpture and poster art.

His style draws on a number of influences, including European modern art and American abstract expressionism, as well as comic book illustrations.

His portraits, sculptures, and reliefs provide a way of depicting the world in which he balances the nuanced styles of Western Art with graphic traditions of caricature, illustration, and even cartoon.

Apart from tattooing, his art involves embellishing images and other found objects — for instance, dolls, old medical illustrations, and pictures in 1950s Mexican magazines — with macabre or tattoo - style -LSB-...]

Late last year, a blaze of publicity greeted the publication of his book The New Neurotic Realism, which featured an essay - cum - manifesto by Dick Price, art critic for the style magazine i - D, along with illustrations of work by some thirty - four British sculptors, photographers, and painters, most of them little known.

Previously working as an art director at several advertising agencies before dedicating himself to fine art and illustration, Cavolo has developed a distinctive personal style that has led him to exhibit worldwide and work with a range of agencies and brands such as Y&R, Leo Burnett, Converse, Nike and Urban Outfitters.

Pop art Style derived from the popular culture of the 1960s, including commercial illustration, comic strips, and advertising images.

With his humorous style full of irony, easily recognizable illustrations and strong punch lines, Pettibon has covered many universally appealing topics, such as the life of marginalized youth, art history, literature, sports, religion, politics, and of course sexuality.

In Fine Style: The Dancehall Art of Wilfred Limonious, is the first solo exhibition of work by prolific Jamaican illustrator Wilfred Limonious (1949 — 99) in Germany, and includes reproductions of work from the early 1970s through the mid-1990s, spanning three key phases in his career: his comic strips for the Jamaican newspapers, his illustrations for the publications of JAMAL (the Jamaican Movement for the Advancement of Literacy).

Utilizing video, animation, prints, digital art, illustrations and architectural stylings, «In time / Out of Place» takes new media and contemporary topics to new levels in an urgent and coherent exhibition.

A virtuoso chameleon possessing an amazing range of skills, he does Surrealism, Pop Art, Abstract Expressionism, Conceptualism, cartoons and comic strips, psychedelic posters and myriad kitschy illustration styles all with his own endlessly inventive, comedic twist.

Meanwhile, Giles gently pursues a young, muscular counterman at his local diner, tries to get illustration work in a world that's moved away from his Norman Rockwell style of art, and obsessively watches old black - and - white musicals like That Night in Rio and Hello, Frisco, Hello.

Arts and Crafts doesn't have to mean intricate wallpapers and fabrics; you could opt to hang a group of pretty botanical illustrations — like this delicate Victorian - style drawing in its classic wooden frame — on a single wall for a more subtle take on this rich theme.