Patrick Nagel Untitled, c. 1980's Mixed media
on illustration board Unsigned; Playboy Reproduction stamps on verso «PLAYBOY»S ARTWORK REPRODUCTION PROHIBITED WITHOUT PLAYBOY»S PERMISSION» stamp Image: 13 x 9 inches; Framed: 22.5 x 17.5 inches Estimate: $ 14,000 / $ 18,000
Signed «Ansel Adams» in ballpoint pen on the mount l.r. Gelatin silver print mounted on
Crescent illustration board, image / sheet More...
Probably GSW's favorite so far is the awesome Katamari Damacy mini-comic from Quezzie (who has a larger version on her / his own site), and of which it's noted of the picture in the comments: «It's colored pencil and gouache on
Canson illustration board.»
An exuberantly chromatic selection of large - scale works on bright
white illustration board or paper (some watercolors, as well as acrylic) floods the bright and voluminous exhibition space.
Alan Jones is a professional artist based in North Wales producing portraits and animal drawings in artist quality coloured pencils, graphite and gouache
onto illustration board.
Franz Kline, Untitled - Locomotive, ca. 1945 — 47, ink, double sided, on 2 -
ply illustration board, 3 1/4 x 4 15/16 inches (© 2013 The Franz Kline Estate / Artists Rights Society [ARS], New York)
Lot 50: CHARLES WHITE (1918 - 1979), «O Freedom,» 1956 (charcoal, with crayon, erasing, stumping and wash, on
ivory illustration board, 36.5 x 62 inches).
Signed «Ansel Adams» in ballpoint pen on the mount l.r. Gelatin silver print mounted on
Crescent illustration board, image / sheet size 14 3/4 x 18 5/8 in.
Image: John Altoon, Untitled, 1964, from the Hyperion Series, pastel and ink
on illustration board, 56 × 40 inches, Dr. David and Arline Edelbaum.
Arthur Rackham, Little Red Riding Hood, 1909, pen and ink with watercolor, on
illustration board, 11 ⅛ x 7 ⅝ in., Minneapolis Institute of Art
Jason Webb Discard Pile 22, 2013, acrylic on
illustration board, 10 x 8 inches.
Mural Study for Cravath Hall, Fisk University, Nashville, TN, 1929 gouache on
illustration board 14» x 32», signed and dated
Gouache, house paint, acrylic, spray paint, acetate, colored paper, naturally dyed paper, and found images on illustration board
Charles White (1918 - 1979) Hasty Baines, 1969 oil and wash on
illustration board 24» x 47 3/4» sheet size / 23 1/4» x 47 1/8» sight size signed and dated
Pictured above: Katie M. Westmoreland, Sunroom Project Model, 2017, cotton fabric, liquid emulsion, clay, thread, acrylic paint, glass, and
illustration board, 16 x 16 x 11 1/2 inches.
Featured Image: Poster, New York Skyscrapers Around Central Park, 1963; John Rombola (American, b. 1933); USA; screenprint on white wove paper on
illustration board; 27.9 x 106.7 cm (11 x 42 in.)
Gelatin silver prints mounted on
illustration board, 11 x 8 1/2 in.
A small canvas, board / panel or
illustration board is light weight and easily packed.
Chesley Bonestell, Separation of the third stage from the second stage of the reusable von Braun launch vehicle system, ca. 1952, oil on
illustration board.
Tornado Springs Decoy Hunt, Homage to Philip Guston, 2014 / ink and watercolor on
illustration board / 30 x 40.5 in
«Drawing for Stoned Moon Book» (1970) is Robert Rauschenberg's photo collage with watercolor and colored pencil on
illustration board.
John Altoon, «Untitled», 1964, from Sea View series Ink, pastel and airbrushing on
illustration board 60 x 40 inches Collection of Joseph and Deborah Goldyne © 2014 Estate of John Altoon, photo © 2014 Museum Associates / LACMA
Joan Brown Models in Studio with Powerful Lights, 1961 ink on
illustration board 30 x 40» JBRd 08 12.
John Altoon, «Untitled», 1966 Ink and watercolor on
illustration board 30 x 40 inches Nyehaus, New York © 2014 Estate of John Altoon, photo courtesy Nyehaus, New York
John Altoon, «Untitled (Paris: Dior Evenings)», c.1962 - 63 Ink, pastel and airbrushing on
illustration board 60 x 40 inches Private collection, courtesy Fred Hoffman Fine Art © 2014 Estate of John Altoon, photo © 2014 Museum
Pastel and ink on
illustration board; Signed and dated in ink on recto; Image: 59.5 x 39.5 inches; Framed: 65.5 x 45.5 inches; Estimate: $ 20,000 / $ 30,000
Signed «Ruth Bernhard» in pencil on the mount l.r. Gelatin silver print mounted to
illustration board, image / sheet size 13 More...
Gouache, watercolor, and graphite under - drawing on white wove paper, laid down to
illustration board.
John Altoon, Untitled (F - 8), 1962 - 63, pastel on
illustration board.
Torsten Slama, «Walt Whitman Memorial Refinery / Walt - Whitman - Gedenk - Raffinerie,» 2005, India ink on
illustration board, 28 x 40 inches.
SAM MIDDLETON, «Hymn to Democracy,» 1962 (mixed media and collage on
illustration board).
Gouache, house paint, acrylic, spray paint, acetate, colored paper, naturally dyed paper and found images on
illustration board, 40 x 30 inches.
Katherine Lee, Backdrop Study: Splinter, 2016, gouache, black screen print, oil paint on
illustration board, 20 x 30 in.
Lot 38: PHILLIP HAMPTON, «Untitled,» (mixed - media, watercolor and enamel on
illustration board).
Its an oil painting on
Illustration board.
Oil on
illustration board.
[8] Perhaps his most original contribution was a technique he called «monoetching,» which involved applying a thin layer of wax to
an illustration board which he then scratched through with a needle.