Sentences with phrase «image at workshops»

Children are invited to make a comic about a superhero's day, design t - shirts and learn to work with text and image at workshops for the youngest visitors.

Not exact matches

I'm passionate about people taking images with whatever cameras they have, so we'll be looking at smartphones as well as cameras in the workshop.

It was only when Steve Fossey and his students at the University of London Observatory imaged the galaxy during a brief workshop that the supernova came to light.

March 19 - 23, 2018, at Lorenz Center in Leiden, this workshop brings together experts and interested radio astronomers to learn how to produce high resolution images with the Low Frequency Array (LOFAR) and to discuss and finalize the details for implementing a pipeline to do this on a large scale to post-process already existing observations.

She will be presenting workshops at #NASMOptima 2017 on: 1) social media's impact on body image and the fitness message, and 2) social media marketing for fitness professionals.

Schools can choose from a computing workshop at KS3 or KS4, which enables students to see how digital images can be manipulated for effect, as well as design and technology workshops for KS3 or KS4 which explore the scaling up of ideas.

In this workshop we looked at different relationships between sound and image; how you can use moving images to stimulate poetry writing and performance; using digital cameras to explore metaphor; the process of planning a soundtrack; and using Final Cut Express semi-professional editing software to add movement and effects to still images.

A 2 day workshop in a photographic art studio aimed at artists and photographers looking to create fine art images with their camera.

B.A., Amherst College; creates An Image of Salomé for his senior thesis project, which is published by the artist and printed at Apiary Press, run by Baskin's students at Smith College; meets and becomes good friends with Baskin's assistant George Lockwood, who would later found Impressions Workshop in Boston; marries Gail Beckwith (later, the poet Gail Mazur), who was then a student at Smith College; begins graduate study at School of Art and Architecture, Yale University, New Haven; studies with Gabor Peterdi, Bernard Chaet, William Bailey, Rico Lebrun, Sewell Sillman, Neil Welliver, art historian Egbert Haverkamp - Begemann, and Asian - art historian Nelson Wu, as well as with visiting artists Fairfield Porter and John Scheuler; makes regular Thursday trips with other students to Peterdi's home / studio; works as a teaching assistant for both Peterdi and Bailey.

Ritchie is currently Mellon Artist in Residence and Adjunct Professor in the Graduate Visual Arts Program at Columbia University, New York, where he has organized two public workshops this spring to examine how we can extend understanding and use of our new, current dimension — where every image in history can be seen at once, every idea can be communicated, rebutted and digitally reformatted, and every space can host any form of presence — in the shared space of culture.

This 2001 photo by Robert Pruitt is one of a series on display at the Fabric Workshop and Museum, along with the box of items that influenced Pruitt's images.

Gallery artist Tristin Lowe is included in: Close at Hand: Philadelphia Artists from the Permanent Collection Fabric Workshop and Museum June 3 - late summer 2011 Tristin Lowe will be exhibiting Alice, 1998, the 19.5 - foot bright - blue girl, made of inflatable, vinyl - coated fabric, who will be wearing a new «Alice in Wonderland» inspired dress embroidered with images of psychotropic mushrooms.

You learn to use programs and techniques to edit images and text, and we go for a guided tour and creative workshop at Astrup Fearnley Museet».

She has taught workshops at Andreeva Portrait Academy and Image Summer Institute.

He has shown with Popular Workshop and Luggage Store Gallery in San Francisco, Sabina Lee Gallery, Los Angeles Museum of Contemporary Art, New Image Art, Either Way and currently at 356 Mission in Los Angeles.

Nash has curated several exhibitions focusing on artists» work with the moving image - including his earlier exhibitions Experiments with Truth at the Fabric Workshop and Museum, Philadelphia (2004 - 5) and One Sixth of the Earth, Ecologies of Image at ZKM, Karlsruhe and MUSAC, Leon (2012 -image - including his earlier exhibitions Experiments with Truth at the Fabric Workshop and Museum, Philadelphia (2004 - 5) and One Sixth of the Earth, Ecologies of Image at ZKM, Karlsruhe and MUSAC, Leon (2012 -Image at ZKM, Karlsruhe and MUSAC, Leon (2012 - 13).

10, No. 5, September / October 2011 «Prologue» (co-author: Josh Thorpe), Gordon Lebredt: Nonworks 1975 - 2008, (Centre for Contemporary Canadian Art: Toronto / Plug In Editions: Winnipeg), 2011 «And Other Essays,» C Magazine C105, Spring 2010 «Tris Vonna - Michell,» Art Papers 34:01, January / February 2010 «Yam Lau's Hutong House As I Imagine It,» (Yuanfen Media Art Space: Beijing), 2009 «The Reproduction of Space,» Space, WIDEN (Workshop for Inter-Discipline Novelty and Exchange), University of Toronto, April 2009 «Towards Infinity But Not Infinite,» Dynamic Encounters Panel, Universities of Art Association of Canada Conference, 2008 «Living the Image: Looking at Yam Lau's ScapeLand II,» The Fillip Review 8, 2008 «The Possibility of Art: Adorno and the Politics of Aesthetics,» Re-Thinking the Frankfurt School Graduate Conference, York University, 2007

Traveled to: Denver Art Museum, January 25 — March 22, 1992; Joslyn Art Museum, Omaha, April 9 — March 31, 1992; Pittsburgh Center for the Arts, July 5 — August 23, 1992; The Goldie Paley Gallery, Moore College of Art and Design, Philadelphia, September 5 — October 11, 1992; Telfair Academy of Arts and Sciences, Inc., Savannah, Georgia, January 5 — February 21, 1993 (Catalogue) Group exhibition, Paula Cooper Gallery, New York, September 7 — 28, 1991 Portraits on Paper, Robert Miller Gallery, New York, June 25 — August 2, 1991 Portraits, Linda Cathcart Gallery, Santa Monica, May 1991 Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, Academy and Institute of Arts and Letters, New York, May 15 — June 9, 1991 In Sharp Focus: Super-Realism, Nassau County Museum of Art, Roslyn Harbor, New York, April 14 — July 7, 1991 (Catalogue) 1991 Biennial Exhibition, Whitney Museum of American Art, New York, April 2 — June 30, 1991 (Catalogue) Selected Prints from Spring Street Workshop, Tomasulo Gallery, Union County College, Cranford, New Jersey, March 8 — 28, 1991 Academy - Institute Invitational Exhibition of Painting & Sculpture, American Academy and Institute of Arts and Letters, New York, March 4 — 30, 1991 Louisiana: The New Graphics Wing, Louisiana Museum, Humlebæck, March 3 — 31, 1991 (Catalogue) Large Scale Works on Paper, John Berggruen Gallery, San Francisco, February 21 — March 16, 1991 (Catalogue) Image & Likeness: Figurative Works from the Permanent Collection, Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, January 23 — March 20, 1991 Artist's Choice — Chuck Close: Head — On / The Modern Portrait, The Museum of Modern Art, New York, January 10 — March 19, 1991.

1987 Art — to — Wear Fashion Show, Boutique and Luncheon, The Cleveland Center for Contemporary Art, USA Malerei — Wandmalerei, Grazer Kunstverein, Stadtmuseum Graz, Austria Drawings from the Eighties, Carnegie Mellon University Art Gallery, Pittsburgh, USA Art Against Aids, M. Knoedler & Co, New York, USA (Benefit exhibition and auction for the American Foundation for Aids Research) Avant Garde in the Eighties, Los Angeles County Museum, USA Romanticism and Classicism, The QCC Art Gallery, Queensborough Community College, Bayside, New York, USA Working Woman, The Harcus Gallery, Boston, USA Stations, IAC (Centre International d'art Contemporain de Montreal), Canada The Success of Failure, Laumeier Sculpture Park and Gallery, Saint Louis, USA, traveled to Johnson Gallery, Middlebury College, Middlebury, Vermont; University of Arizona Museum of Art, Tucson, AZ (Exhibition organized and circulated byIndependent Curators Incorporated, New York) The Importance of Drawing, Fuller Goldeen Gallery, San Francisco, USA Still Life: Beyond Tradition, Visual Arts Museum, New York, USA Not So Plain Geometry, and Prints in Paris, Crown Point Press, New York, USA Faces, Crown Point Press, San Francisco, USA (Prints by Alex Katz, Francesco Clemente, Chuck Close and Pat Steir) and Recent Publications D'ornamentationi, Daniel Newburg Gallery, New York, USA A Decade of Pattern: Prints, Pieces and Prototypes from the Fabric Workshop, The Graduate School of Fine Arts, University of Pennsylvania at the Institute of Contemporary Art, Philadelphia, USA Stephen Antonakos, Michael Singer, Robert Stackhouse, Pat Steir, 19th Bienal de Sao Paulo, Brazil (Panorama of seven drawings by Steir) For 25 Years: Crown Point Press, Museum of Modern Art, New York, USA Drawings, Sylvia Cordish Fine Art, Baltimore, USA, The West Company, St. Paul, MN, Art and the Law (Traveling exhibition) Images of Stone: Two Centuries Artists» Lithographs, Sarah Campbell Blaffer Gallery, University of Houston, USA, traveled toSan Angelo Museum of Fine Arts, San Angelo, TX; Tyler Museum of Art, TX; Aspen Art Museum, Aspen, CO..

Images: (Clockwise from top left) Proposed model of completed collaborated piece; Volunteers knitting at workshop; Volunteers knitting at workshop at Arizona State University; Monument of Stitches - A Social Art Project, installation view.

Professional artists with adult studio art teaching experience interested in proposing a workshop not currently offered at the Studio School are encouraged to email a descriptive cover letter, resume, 10 images of their artwork or website address, and a workshop description.

Her performance Mountain Woman — Tunes to FaceTime occurred on Day 14 of the Project Space Festival as a part of DISTRICT's presentation THE MANY HEADED HYDRA at the Grenzwachturm in Treptow, which also included Ato Malinda's work On Fait Ensemble and the publication Sea Body Infrastructure Image, with contributions from Anna Hallin & Olga Bergmann, Bryndís Björnsdóttir, Hannah Black, Natasha Ginwala, Tinna Grétarsdóttir, Emma Haugh, Suza Husse, the Occupational Hazard Project, Tejal Shah, Elsa Westreicher, Nine Eglatine Yamamoto - Masson and participants of the workshops «Speaking As Fishes» in Leipzig and Reykjavik.

Bridget's work has led to speaking engagements at Tate Britain, the Whitechapel Gallery and Photographers Gallery in London, and she has run workshops and symposia such as the highly successful three - day curating moving image symposium at the Arnolfini, Bristol (2014) and for five years, she ran the para-educational film program entitled, The Film Exercise (also at the Arnolfini, 2009 - 14).

She is currently the Curator of Moving Image Collections at Visual Studies Workshop.

Previous exhibitions and publications at the include Workshop: the Kenneth Tyler Collection (2015) with Jaklyn Babington, Emilie Owens, Julia Greenstreet, and Gwen Horsfield; Impressions of Paris: Lautrec, Degas, Daumier (2014); Robert Motherwell: at five in the afternoon (2014); William Kentridge: drawn from Africa (2013); Toulouse - Lautrec: Paris and the Moulin Rouge (2011 — 2012); Degas: master of French art (2008 — 2009); James Rosenquist: Welcome to the Water Planet (2006); An artist abroad: the prints of James McNeil Whistler (2005); After image: screenprints of Andy Warhol (2003); The art of collaboration: the big Americans (2002); Intimate Matisse (1999); Dance hall days: French posters from Chéret to Toulouse - Lautrec (1998); Picasso and the Vollard Suite (1997); Paris in the late 19th century (1996); The wild ones (1995); The prints of RB Kitaj (1994); Pop!

Image: PHCA members tour the workshop at Wooden Window, Dec., 2011 Consultant Training Organizations and Programs

If you speak at events, lead workshops or contribute to the media, provide your marketing / PR contact with a current image, too.

At the end of the workshop participants will be able to: • Explain the history and theory of expressive therapy and how it can used in a play therapy setting • Assess the use of art, drama, music, writing, puppetry and other expressive modalities in play therapy • Demonstrate at least 5 creative interventions that can be used in play therapy • Explain the role of imagination and creativity in play therapy • Discuss the limits of expressive therapy in a play therapy setting • Demonstrate how expressing inner feelings by creating outward images helps in the healing process in play theraAt the end of the workshop participants will be able to: • Explain the history and theory of expressive therapy and how it can used in a play therapy setting • Assess the use of art, drama, music, writing, puppetry and other expressive modalities in play therapy • Demonstrate at least 5 creative interventions that can be used in play therapy • Explain the role of imagination and creativity in play therapy • Discuss the limits of expressive therapy in a play therapy setting • Demonstrate how expressing inner feelings by creating outward images helps in the healing process in play theraat least 5 creative interventions that can be used in play therapy • Explain the role of imagination and creativity in play therapy • Discuss the limits of expressive therapy in a play therapy setting • Demonstrate how expressing inner feelings by creating outward images helps in the healing process in play therapy

In addition to my therapeutic and private consultation services, I give speeches and workshops ranging from keynote addresses for large audiences to parent education in school settings; speak to medical residents about eating disorder treatment modalities and management; work with fertility physicians and surrogacy and donor agencies to help clients navigate the path to parenthood; offer expert opinion on parenting, relationships, family building, and body image to publications ranging from Elle and Self to the Washington Post and Time magazine; consult on film and television projects from a psychological perspective; and do executive coaching to help corporations and individuals perform at their best.

This interactive and highly engaging workshop is aimed at increasing your knowledge and confidence to create great images — in less time.