Sentences with phrase «image culture through»

Not exact matches

The mediation of religion through apparently secular images is related to particular historical developments in Western culture.

An atonement theology directed towards the assuaging of guilt before God is a powerful gospel — in contexts where God is immediately and almightily real; or where (as we may note more skeptically) a religion is still powerful enough to hold up before its host culture the image of a holy and righteous deity before whom none is worthy except through the appropriate cultic observations.

That is, some images and stories simply stick with us, as a culture, and inform us subconsciously through many generations of people, whether or not we have consciously engaged these stories directly.

But if we read our culture through these theories with a myopic view to the global village master image of globalization, we also misapprehend the critical view that McLuhan proffered and we also ignore his wake up call to the masses that are numbed by their very globalizing technology.

It is only through our initiation into the web of culture, into the intricacy of our language, that chaos becomes the images, sequences, and ideas that compose the world we know.

Our sexual view of breasts did not just evolve from thin air — it evolved through a constant presence of sexual images of breasts in our culture.

The film is a Homeric journey through Mississippi during the Depression — or rather, through all of the images of that time and place that have been trickling down through pop culture ever since.

Our commitment is to build a stronger community socially, economically, and politically by promoting a positive image of our culture through Video Production, Communication, TV advertising, Haitian TV Programming and more.

Little J & Big Cuz is unique, not only because it is the first animated children's series to feature Indigenous Australians, but also because it uses television to combine strong educational content with a positive image of Aboriginal and Torres Strait Islander children and culture through the prism of the learning environment.

We need to develop a capacity for self - reflection and inquire into our indoctrination, into the beliefs and images we have absorbed through our culture, our parents, our schools, our religions, etc..

While images of travel in Africa are often limited to safaris and camel rides, this company designs itineraries that focus on interacting with the local people and culture through art, music, and cuisine.

Through his powerful images and graphic illustrations in the revolutionary organization's newspapers, Douglas, the Panthers» Minister of Culture, used «art to inspire self - determination and impel social change through the economic, political, and social empowerment.Through his powerful images and graphic illustrations in the revolutionary organization's newspapers, Douglas, the Panthers» Minister of Culture, used «art to inspire self - determination and impel social change through the economic, political, and social empowerment.through the economic, political, and social empowerment.»

The works included in RE: TELL use material culture as a medium to redefine objects and images through scale, repetition, and destruction.

The artist engages her audience through enigmatic visual content, often appropriated from popular culture, fashion magazines, and vintage images of the 1970s and 1980s.

His rhythmic patterns of repeating images, often featuring symbols of contemporary folk culture, are hand painted and rendered through the visual language of printmaking.

I love the challenge of the contrast, the cleanliness of the image and I think it goes better with my personality, although I'm going through a very colorfoul phase inspired by the wide and saturated color palette that I see in my culture everyday.

For her imminent solo exhibition «I Rose Madder» at John McAslan + Partners (5 October to 10 November), Trish casts herself as the hero, putting a post-feminist twist on the Country & Western movie genre from the point of view of a female artist living through an era of celebrity culture obsessed with the perfect female image.

Leckey builds inroads between cultures, as with his short film Fiorucci Made Me Hardcore, which documents dance in British discothèques from the Seventies through the Nineties, or with another of his shorts, Made in «Eaven, in which he digitally rendered a Jeff Koons balloon - bunny sculpture and transferred the images to film.

Through the intersection of art historical, mass media and popular culture clichés, Richter creates idiosyncratic worlds and images of unstable realities.

One of its aims is to use images of popular (as opposed to elitist) culture in art, emphasizing the banal or kitschy elements of any culture, most often through the use of irony.

Like Ray Yoshida, one of the Chicago Imagists, and Tadanori Yokoo, described as the «Japanese Andy Warhol,» Parker has developed a distinct visual vocabulary, through the manipulation of found images and an interest in popular culture produced during eras of social, political, and economic revolution.

The panel will explore the timeliness of this recent iteration of digital abstraction, with three artists who variously work through issues such as: how gesture, expression, and authenticity might continue to be possible in a contemporary image - based culture; whether our digital era truly produces an ahistorical condition in which images and marks have no specific reference and no relevant point of origin; how structures of and interfaces with digital technologies have necessitated new models for thinking about memory, distribution, and reproduction, as well as degradation, rupture, breakdown, and the void; and how the ubiquity of the screen in all aspects of life has given rise to a renewed interest in the relationship between two - dimensional and three - dimensional space, with a refreshed focus on tromp l'oeil and «topographical» painting.

Exploring and questioning contemporary life through visual imagery, the approach of Pictures Generation artists is particularly relevant in understanding our current image - oriented culture and decoding the roles that images play as forms of representation, as icons, and as symbols.

Exploring and questioning contemporary life through visual imagery, her approach is particularly relevant in understanding our current image - oriented culture and decoding the roles that images play as forms of representation, as icons, and as symbols.

Over her three - decade - long career, the contemporary art legend has explored how images shape and separate cultures through a wide variety of media.

While some Pop artists use photography to react to consumer culture, Robert Heineken repurposes found magazine imagery to talk about the media's role in objectifying women, Richard Prince and Sarah Charlesworth of the Pictures Generation push the boundaries of image appropriation, Christopher Williams talks about means of image production and contemporary artist Lucas Blalock confuses subject and backdrop through Photoshop.

For this exhibition, Thomas scoured numerous publications and archives looking for graphics, images and audio that exemplify, through popular culture, South Africa's recent history.

Through digital distribution and printing methods the image files are eventually corrupted, creating an apt metaphor for the marginalized histories of art and culture with expressionistic explosions of color across the frame.

Fast's new commission for MATRIX comprises two films that work together to break open the uncanny relationship among internal imagination, external reality, and the images we consume through media and popular culture.

The show could be considered an antithesis to online image viewing culture through its emphasis on the singular appreciation of a work in opposition to the monolithic scroll of images we deal with every day.

In Al - Maria's view, the mall in both the Gulf and the United States — along with its attendant consumerism — occupies «a weirdly neutral shared zone between cultures that are otherwise engaged in a sort of war of information and image,» waged through both traditional and social media.

Recent works often contain text and photographic images which serve to underline her strong sense of Cree heritage and her active participation in mainstream contemporary culture through her art, writing and teaching.

Since the late 1990s, Phil Collins» diverse practice has addressed the act of image - making, examining how we participate in and understand culture through the camera's lens.

Since that time, she has continued to explore portraiture as well as produce landscape images inspired by her study of iconic imagery from art history, painting and landscape photography, as seen through the lens of her own experience of identity and culture.

In pop culture, print and images in the pages of magazines and newspapers illustrate our world through depictions of cars, celebrities, and lifestyles.

Ruppersberg moved to Los Angeles in the mid-1960s with the goal of becoming an illustrator, but soon became active in an emerging scene led by artists such as John Baldessari, Ed Ruscha, William Leavitt, and others exploring the interface of language and image filtered through the lens of mass culture.

While James T. Green also uses language and image to critique the dominant culture, he concentrates on the perception of «the other,» often raising issues of race through familiar and accessible technologies.

The eclectic array of goodies on show spans geographies, cultures and civilizations, ranging from pre-historic shamanistic totems and early religious images of vision and ecstasy, through to modern works by Kandinsky, surrealist pieces by Miro and Man Ray, and specially installed works by Anish Kapoor and Marina Abramovic.

Through the work of these artists and a series of scholarly essays, the catalogue aims to examine different operations of the generic image in culture, namely its anonymous circulation and editorial uses, its adaptability and reproducibility, its technical processes of production, its claim to copyright and artistic license and its tendency toward abstraction.

Through these techniques, Adams examines the force of popular culture and the media, on the perception and construction of self - image.

Through found images she shows how pattern is encoded with symbolic narratives; and how it offers unexpected parallels across time and culture.

Finding Prospect in Myth features photography, painting, sculpture, archival images, and mixed - media works by nine artists who investigate how culture and environment affect our lives through the interplay between the past, present, and future.

This essay traces the intersections between artists» books and the moving - image through movements such as structuralism and replay culture, to what has been termed the «still generation» of image dispersal through social media.

Through collecting images covering just a fraction of these clinics, she attempts to measure the scale of the industry and visualize the millions of people who've passed through these rooms and halls, evoking her own mixed emotions: an association with this culture, as it is part of her; but also melaThrough collecting images covering just a fraction of these clinics, she attempts to measure the scale of the industry and visualize the millions of people who've passed through these rooms and halls, evoking her own mixed emotions: an association with this culture, as it is part of her; but also melathrough these rooms and halls, evoking her own mixed emotions: an association with this culture, as it is part of her; but also melancholy.

Her six books are Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990); Sex, Art, and American Culture (1992); Vamps & Tramps: New Essays (1994); The Birds, a study of Alfred Hitchcock published in 1998 by the British Film Institute in its Film Classics Series; Break, Blow, Burn: Camille Paglia Reads Forty - Three of the World's Best Poems (2005), and Glittering Images: A Journey through Art from Egypt to Star Wars (2012).

Standing before this last, especially disturbing image, which is titled «Blue Devils,» you understand beyond a doubt that the through line in this beautiful show is blackness: as night, as history, as culture, as skin, as majesty, as terror, as paranoia, as myth.

Work from 1861 to 1967 by artists with diverse sexualities and gender identities will be showcased, and will range from covert images of same - sex desire such as Simeon Solomon's Sappho and Erinna in a Garden at Mytilene 1864 through to the open appreciation of queer culture in David Hockney's Going to be a Queen for Tonight 1960.

For this exhibition, he scoured numerous publications and archives looking for graphics, images and audio that exemplify, through popular culture, South Africa's recent history.

In New York, there was last year's New Museum Triennial, «Surround Audience,» whose participants addressed «a society replete with impressions of life, be they visual, written, or constructed through data,» and «Ocean of Images,» the 2015 iteration of MoMA's «New Photography» showcase, featuring artists who use «contemporary photo - based culture, specifically focusing on connectivity, the circulation of images, information networks, and communication models.&Images,» the 2015 iteration of MoMA's «New Photography» showcase, featuring artists who use «contemporary photo - based culture, specifically focusing on connectivity, the circulation of images, information networks, and communication models.&images, information networks, and communication models.»

The striking images not only document New York City moving towards a more bike - friendly culture; they create the ultimate style guide for anyone who pedals their way through life.