Sentences with phrase «image culture today»

A counter-example to the speed and disposability of image culture today, Leonard's photographs, sculptures and installations ask the viewer to reengage with how we see.

«Her work is both beautiful and powerful, deeply connected to the issues of our time and a counter-example to the speed and disposability of image culture today.»

Not exact matches

Though people may describe themselves by using terms like «gay» or «queer» which are commonly used in today's culture, as Christians who believe in man created in the image of God, we should ask if these cultural terms are, in fact, true ontological categories of the human person, in accord with the blueprint of human existence.

He is the author of Gray Matters: Navigating the Space Between Legalism and Liberty (Baker, 2013), Hipster Christianity (Baker, 2010) and has written for The Wall Street Journal, The Washington Post, CNN.com, The Princeton Theological Review, Mediascape, Books & Culture, Christianity Today, RELEVANT magazine, IMAGE Journal, Q Ideas and Conversantlife.com.

No sex industry in sight, a welcome relief from the bombardment of images in many cultures and vacation spots of today.

Throughout his career, Donald Baechler has gathered, collected, and employed popular images and objects to amass an archive of American culture today.

1971 6th Guggenheim International Exhibition, Solomon R. Guggenheim Museum, New York, USA Words and Image, Pinnar Gallery, Tokyo, Japan Chronicle of Post-War Art, The Museum of Modern Art Kamakura & Hayama, Japan Tokyo Gallery Exhibition 1971, Tokyo Gallery, Tokyo ／ Pinnar Gallery, Tokyo ／ Saikodo Gallery, Tokyo, Japan The 10th Contemporary Art Exhibition of Japan: Humans and Nature, Tokyo Metropolitan Art Museum, Japan Kyoto Municipal Museum of Art, Japan Aichi Cultural Hall, Japan Miyazaki Prefectural Museum of Nature and History, Japan Sasebo Central Citizens Hall, Nagasaki, Japan Fukuoka Prefectural Culture Hall, Japan Beaupin Exhibition, Pinnar Gallery, Tokyo, Japan The 1st Anniversary Exhibition & 100th Anniversary of Mainichi Shimbun, Today's 100 People, Hyogo Prefectural Museum of Art, Japan Contemporary Japanese Prints, Yokohama Civic Art Gallery, Kanagawa, Japan Contemporary Japanese Art, Staempfi Gallery, New York, USA The 5th Japan Art Festival, Solomon R. Guggenheim Museum, New York, USA The 7th International Biennial Exhibition of Prints in Tokyo, The National Museum of Modern Art, Tokyo, Japan The National Museum of Modern Art, Kyoto, Japan The 5th Japan Art Festival, Solomon R. Guggenheim Museum, New York, USA Contemporary Japanese Art, Staempfi Gallery, New York, USA The 5th Japan Art Festival, Solomon R. Guggenheim Museum, New York, USA The 7th International Biennial Exhibition of Prints in Tokyo, The National Museum of Modern Art, Tokyo, Japan The National Museum of Modern Art, Kyoto, February 20 － March 21 The 5th Japan Art Festival, Solomon R. Guggenheim Museum, New York, USA

Among Peterside's favourite African artists working today is Njideka Akunyili Crosby, whose work «uses images of Nigerian pop culture to counter generalisations about the African experience.

It is an approach that has pre-empted many of the issues and concerns surrounding today's culture of mass production of manipulated images to be shared on social media.

Using materials taken from amateur photographers» how - to manuals from the 1970s, Lipps make the case that the supposedly Internet - derived, algorithmic image culture so widespread today may actually find its roots in the feverish popularity of the low - cost Brownie camera of the 1950s and the ubiquitous Fujifilm disposable point - and - shoot of the»80s.

Today art and science are coming together as astronomy produces images of scintillating beauty — perhaps we are returning to the early years of modern science when culture and discovery cohabited.

The Progress of Love at the Menil Collection reveals how artists in Africa today are questioning, reflecting, and challenging received images and norms of love - sexual, familial, friendly, communal - as derived both from traditional culture and Western influences.

Enriched with 150 images, this book is a valuable contribution for unraveling the complexities of politics, art and culture in today's China.

The art of preeminent American modernist Stuart Davis (1892 — 1964) feels especially vital today in its blurring of distinctions between text and image, high and low culture, and abstraction and figuration.

Not without humor, DOUBLE TAKE invites the viewer to question today's hegemony of the image, the truth and lies of reality and its influence on our society, politics and culture.

Not merely a criticism of oversimplification in visual culture today, his images are also documents of a purposely mis - directed self - representation.

Yet whereas today's image culture demands speed, Gnoli's art suggests another kind of looking: a slow, poetic, and ultimately mysterious gaze in which the commonplace acquires new dimension.

Her recently published book, Duty Free Art: Art in the Age of Planetary Civil War, poses uncomfortable questions about today's image culture and the art market.

Because of the extreme proliferation of images in contemporary culture, working with photography today is very challenging, explains Catherine Opie: «We are so oversaturated with images, so right now it's about one question: can I hold you?

His art is an expressive weave of textual quotations, painting, drawing and squiggles inspired by various sources, and infused with a range of autobiographical, historical and multi-cultural associations.Consumer culture and artmaking continue to be relevant topics today and are being reexamined in a critical, disillusioned manner: Richard Prince raises questions concerning authenticity by appropriating, recycling, duplicating and manipulating existing images.

He was the first to return figuration to postwar American painting, was innovative in his combination of «high art» with images from popular culture, and is today celebrated as the pioneer of postmodern, figurative painting.

Oftentimes depicting self - portraits, these new images question the gap between the tradition of self - portraiture (critical self - analysis) and today's widespread «selfie» culture (narcissistic self - exposure excluding any critical self - observation).

With the democratisation of the image through social media and the internet in today's digital age, «Double Take» explores the theme of appropriation and the role of photography across generations in shaping and re-examining ideas of authorship, originality, identity and culture.

James Esber: Your Name Here Two bodies of work continue the artist's preoccupation with distorting the familiar; each series translates images found in today's collective unconscious of popular visual culture.

ALEXIS DAHAN — Do you feel like your work belongs to today's digital image culture?

He was the first painter to return to figuration in the post-War era and was quite pioneering in linking high art and images from popular culture, so that today many celebrate him as the trailblazer of postmodern, figurative painting.

Today, Chann's enduring legacy is the unique and fascinating blend that he created of text and image, abstract and figurative art, ancient Chinese culture and modern Western painting.

For instance, «Between Picture and Viewer: The Image in Contemporary Painting,» was a survey of recent work by a cross-generational selection of 19 established and emerging New York artists examining the relationship between contemporary painting and the notion of «the image» in today's increasingly hyper - visual culImage in Contemporary Painting,» was a survey of recent work by a cross-generational selection of 19 established and emerging New York artists examining the relationship between contemporary painting and the notion of «the image» in today's increasingly hyper - visual culimage» in today's increasingly hyper - visual culture.

For a really great image of how environmental changes are already affecting people, in fact destroying an entire culture — and no, not in some low - slung Pacific Island — The New York Times has a poignant piece about how the Kamayurá people in Brazil are struggling today with deforestation and climate change making their way of life less and less tenable: Forest Homelands Now Surrounded by Ranches The Kamayurá people live in the middle of the Xingu National Park — which was once deep in the Amazon but is now surrounded by ranches — and live by hunting, fishing and some agriculture.

Jaffe's creative team of marketing strategists and designers works with law firms to capture their values and culture in a creative image that breaks through the marketing clutter of today's legal industry.