Sentences with phrase «image forms referred»

In their experiments, Morihara and her colleagues used a derivative of the amino acid alanine, which has mirror - image forms referred to as L and D.

Not exact matches

He didn't refer to his «mad - as - hell» image until his closing remarks, when he finally hit Cuomo and seemed to be in form.

With the notable exceptions of The Oxford Companion to the Book (2010) and Bettley's The Art of the Book (2001), most literature in the fields of book history and topics concerning the history of writing and digital textuality, including studies of books as artistic objects and of the material page make no mention of comics at all, in spite of the fact they do refer to other forms of multimedia or text - and - image publications such as collage books and illustrated books.

You will not, and will not allow or authorize others to, use the Services, the Sites or any Materials therein to take any actions that: (i) infringe on PetSmart Charities» or any third party's copyright, patent, trademark, trade secret or other intellectual or proprietary rights, or rights of publicity or privacy; (ii) violate any applicable law, statute, ordinance or regulation (including those regarding export control); (iii) are defamatory, trade libelous, threatening, harassing, invasive of privacy, stalking, harassment, abusive, tortuous, hateful, constitute discrimination based on race, religion, ethnicity, gender, sex, disability or other protected grounds, or are pornographic or obscene; (iv) interfere with or disrupt any services or equipment with the intent of causing an excessive or disproportionate load on PetSmart Charities or its licensors or suppliers» infrastructure; (v) involve knowingly distributing viruses, Trojan horses, worms, or other similar harmful or deleterious programming routines; (vi) involve the preparation and / or distribution of «junk mail», «spam», «chain letters», «pyramid schemes» or other deceptive online marketing practices, or any unsolicited bulk email or unsolicited commercial email or otherwise in a manner that violate any applicable «anti-spam» legislation, including that commonly referred to as «CASL»; (vii) would be or encourage conduct that could constitute a criminal offense, give rise to civil liability or otherwise violate any applicable local, state, national or international laws or regulations; (viii) involve the unauthorized entry to any machine accessible via the Services or interference with the Sites or any servers or networks connected to the Sites or disobey any requirements, procedures, policies or regulations of networks connected to the Sites, or attempt to breach the security of or disrupt Internet communications on the Sites (including without limitation accessing data to which you are not the intended recipient or logging into a server or account for which you are not expressly authorized); (ix) impersonate any person or entity, including, without limitation, one of PetSmart Charities» or another party's officers or employees, or falsely state or otherwise misrepresent your affiliation with a person or entity; (x) forge headers or otherwise manipulate identifiers in order to disguise the origin of any information transmitted through the Sites; (xi) collect or store personal data about other account users or attempt to gain access to other account users» accounts or otherwise mine information about other account users or the Sites, or interfere with any other user's ability to access or use the Sites; (xii) execute any form of network monitoring or run a network analyzer or packet sniffer or other technology to intercept, decode, mine or display any packets used to communicate between the Sites» servers or any data not intended for you; (xiii) attempt to circumvent authentication or security of any content, host, network or account («cracking») on or from the Sites; or (xiv) in PetSmart Charities» sole discretion, are contrary to PetSmart Charities» public image, goodwill, reputation or mission, or otherwise not in furtherance of our Vision of a lifelong, loving home for every pet.

Williams refers to this piece as a «real model image», a standard image taken from a specialist form of popular culture, in this case a magazine on show chickens, which is then reproduced by Williams as closely as possible whilst introducing an element of difference.

Kobena Mercer has appropriately referred to this generation of «cinematic activists» as being engaged with the cultural struggle that takes place within the «domain of image - making» through self conscious cinematic strategies.6 In each instance, the individual filmmakers and voices that make up the collectives, workshops, and groups that formed in this tumultuous period in Britain's cultural history give shape to an image of race otherwise mediated by outside entities.

Many of his works refer directly to the terror and atrocities of war, and form an anthology of images of universally recognised violence.

Vivid colors and forms found in Yamamoto's paintings that were referred by Midori Matsui as uniting «decorative design and symbolic association by combining geometrical patterns with plant images» (Midori Matsui, «Winter Garden: The Exploration of the Micropop Imagination in Contemporary Japanese Art» Bijutsu Shuppan - Sha Co., Ltd, p. 78) have been liberated from the rules of using wood that is found in daily life.

The objective is to generate interferences and give rise to what Tyson refers to as «complex surfaces» formed of two or more different images sharing a connection.

But in her crisp, elegant shots, Chetrit makes everything count, bringing sculptural concerns to bear on a two - dimensional form and referring to historical precedents even as she launches an inquiry into the future of the image.

The title of the exhibition is borrowed from a poem by Mei - Mei Berssenbrugge, a poet who refers to her works as «collages,» inasmuch as they're composed by culling a collection of texts, images and physical objects to form a map, which she eventually smooths out grammatically to create a «linguistic surface.»

Referred to as «landscape pots», each image pairs a «clipping» ---- a plant form isolated from a preceding work by Wood ---- with a vessel shape that is, itself, a painted view ---- a cityscape, park, or jungle - like foliage.

The artist wryly refers to her compositions as «arranged marriages» in which imagery is painted, repainted, and edited directly on the canvas, an almost masochistically longhand form of collage that is at odds with the speed at which we consume images today.

In an art context, appropriation refers to the use of pre-existing or previously defined images or objects, without significant changes in the concept or physical form.

His use of space refers strongly to the formalists concern for edge but go beyond that in the regard for image — the content therein alluding to a personal mythology of forms which are delivered through a primitive, gestural handling of the paint.

These two papers, collectively referred to as MBH, formed the basis for what is the most memorable image used in discussions of global warming.