Sentences with phrase «image gallery collection»

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Not exact matches

A smartphone app uses image recognition to let users scan artworks in galleries for extra information and curate their own digital collection

Here below we are showcasing the image gallery from this collection.

Take a glance at the image gallery below, further this collection is pretty enough to keep you engaged in watching them over and over & ending up buying at least one.

Picked from selective collections to line up the best designs of the season for you, this image gallery is formed; Have a look on the image gallery just posted below an get inspired by the latest designs!

I'd like you to give glance at the image gallery below and I am sure that the collection itself is pretty enough to keep you engaged in watching them over and over again and finally ordering the dress of your choice as these are the fashion wearings that you can put on for your semi-formal events, parties, wedding functions, and festivals as well.

Included is an excellent new audio commentary by the always informative film historian / author Troy Howarth; an additional audio commentary by director Peter Duffell and author Jonathan Rigsby; a new 10 - minute interview with second assistant director Mike Higgins; A-Rated Horror Film, a 17 - minute vintage featurette about the film featuring interviews with director Peter Duffell and actors Geoffrey Bayldon, Ingrid Pitt, and Chloe Franks; the English and Spanish theatrical trailers for the film, both in HD; 4 radio spots; an animated image gallery with 68 stills containing on - set photos, promotional materials, and advertisements; and a collection of Amicus radio spots and still galleries for Asylum, At the Earth's Core, From Beyond the Grave, Madhouse, Scream and Scream Again, Tales from the Crypt, The Beast Must Die, The Land That Time Forgot, The Mind of Mr. Soames, The People That Time Forgot, and Vault of Horror.

A small collection of supplemental extras feature a clutch of Web links, a photo gallery, desktop images and four bonus video cuts (including a cover of Fleetwood Mac's «Albatross») from a 2004 Kraków show, but the best inclusion is a 22 - minute interview in which the brothers Cavanaugh discuss various parts of their musical inspiration (Live Aid ’85 was a kickstarter) and influences, which include usual suspects like Led Zeppelin, U2, Pink Floyd and Black Sabbath but also, interestingly enough, Dire Straits.

They include Iowa Insect Information Notes on insects from Acrobat Ants to Wooly Bear Caterpillars, K - 12 Educators Recommended Sites, with links to both general information and lesson plans, an excellent Entomology Image Gallery, and a fascinating collection of Tasty Insect Recipes.

In the Exhibit Builder students use images from the collections and text they write themselves to create a gallery or a slide show.

The timeline is no longer available, but click Maps & Locations and Start Interactive Gallery for a fabulous collection of facts and images on the war presented in chronological order.

This predominantly black - and - white collection of images includes many of Avedon's best - known photos, notably the stunning nude of dancer Rudolf Nureyev and the sexy - vampy headshot of Marilyn Monroe, but also features lesser - known photo galleries of theatrical performers, musicians and dancers exuberantly engaged in their art.

If you have a special video, image or collection of photos that you would like to contribute to our gallery please send us information on where they are stored on - line or email them to us in a compressed format.

Kianja Strobert, Untitled, 2011, mixed media on paper, 50 x 38 inches (collection of Michael Black, image courtesy of Zach Feuer Gallery)

For young painters today, Abstract Expressionism is ancient history; a few rooms in MoMA's permanent collection galleries, a handful of images from the pages of Gardner or Janson, all set before a backdrop of a now mythical Downtown Manhattan of $ 200 - dollar - a-month lofts.

The publication brings together photographs of Tuttle's personal collection of textiles, images of works from the Whitechapel Gallery exhibition, and documentation of the sculpture at Tate Modern.

Traveled to Musée Marmottan Monet, Paris (February 12 — May 11, 2008) Be — Bomb: The Transatlantic War of Images and all that Jazz in the 1950s, Museu d'Art Contemporani de Barcelona (MACBA), Spain (October 5, 2007 — January 7, 2008) Contemporary and Cutting Edge: Pleasures of Collecting, Part III, Bruce Museum, Greenwich, Connecticut (September 29, 2007 — January 6, 2008) Twentieth - Century American Women Artists from the Frances Lehman Loeb Art Center, Vassar College, Gallery at the Park Avenue Bank, New York, New York (September 17 — November 2) Americans in Paris: Abstract Painting in the Fifties, Tibor de Nagy Gallery, New York (July 16 — September 29) French Kiss, JGM Galerie, Paris, France (May 25 — July 13) When Art Worlds Collide: The 60s, Woodward Gallery, New York (May 17 — July 14) An Architect Collects: Robert D. Kleinschmidt and a Lifetime of Fine Arts Acquisitions, Krannert Art Museum and Kinkead Pavilion, University of Illinois at Urbana - Champaign (April 20 — July 29) Gestes, Signes, Traces, Espaces: Figures de la peinture moderne française dans les collections publiques normandes, Musée d'art moderne André Malraux, Le Havre, France (February 17 — April 30).

Installation images showing the collection and artwork of Damien Hirst Photo Justin Piperger, Barbican Art Gallery 2015 Artwork: Damien Hirst Last Kingdom, 2012 © Damien Hirst and Science Ltd..

One positive development is that many institutions now present high - quality information online, from collections - based search engines with digital images to online catalogues raisonné (Gemini G.E.L. at the National Gallery and Louise Bourgeois at MoMA).

Amie Siegel, analysis, archaeology, art, artefact, cinematic, collection, cultural ownership, culture, desire, excavation, exhibition, fetish, film, history, installation, labour, luxury, material, meaning, Moving Image, narrative, object, objecthood, ownership, performance, photography, projection, property, representation, ritual, simulation, South London Gallery, speculative, value, value system, video

Damien Hirst's collection at «Magnificent Obsessions: The Artist as Collector» (Barbican Art Gallery 12 Feb — 25 May 2015) © Peter MacDiarmid / Getty Images Courtesy Murderme Collection

The collection includes portraits, photos of family life, farm life, the city, landscape, gallery installations and images of artwork.

Frick Collection and Frick Art Reference Library Records Frick Family Papers Manuscript Collections Art Collectors and Collecting Art Scholarship Artists» Papers and Correspondence Artists» Sketchbooks and Diaries Gallery Records Images of Artists and Artwork

The Portrait Gallery's collection already includes images of the Obamas.

Five museums collaborated — the Whitney Museum of American Art, the National Gallery of Art in Washington, the Dallas Museum of Art, the Art Institute of Chicago and the Los Angeles County Museum of Art — with each submitting 20 works from their collections, from gritty urban scenes to»60s Pop Art to challenging images reflecting race and gender politics.

A three - part exhibition, the first gallery provides a glimpse of McGinness's studio practice, the second displays a selection of the objects McGinness chose from the museum's collection alongside his sketches and final image, and the last portion features early works the artist made while growing up in Virginia Beach.

See images of Turner paintings from the National Gallery's collection.

Works from the collection are always on view in the museum's Scaife galleries (My Best Thing was installed last week) and we continue to host exhibitions of new moving image work.

A three - part exhibition, the first gallery provides a glimpse of McGinness» studio practice, the second displays a selection of the objects McGinness chose from the museum's collection alongside his sketches and final image, and the last portion features early works the artist made while growing up in Virginia Beach.

Images: Marta Breis, Spanish, designer, Bracelet, n.d., silver, plastic, textile, steel, and pigment, Dallas Museum of Art, gift of Edward W. and Deedie Potter Rose, formerly Inge Asenbaum collection, gallery Am Graben in Vienna, 2014.33.37; Frank Bauer, Australian, designer, Ring, n.d., gold, Dallas Museum of Art, gift of Edward W. and Deedie Potter Rose, formerly Inge Asenbaum collection, gallery Am Graben in Vienna, 2014.33.22; Bruno Martinazzi, Italian, designer, «Eye» brooch, n.d., gold, Dallas Museum of Art, gift of Edward W. and Deedie Potter Rose, formerly Inge Asenbaum collection, gallery Am Graben in Vienna, 2014.33.202

The exhibition featured 34 images by 14 photographers culled from the Gallery's extensive photography collection.

Slim Aarons as curated by DK Johnston and Getty Images Gallery will debut a bespoke penthouse collection within the three floors atop the Quin (101 West 57th Street) open for -LSB-...]

It was a similar image to the painting that is in the Tate Gallery Collection - «Identi - Kit Man» it should be in their collection.

June 17 - August 6 Curated by Amy Moorefield The exhibition featured 34 images by 14 photographers culled from the Gallery's extensive photography collection.

Andy Warhol's cookie jars collection, at «Magnificent Obsessions: The Artist as Collector» (Barbican Gallery, 12 Feb — 25 May 2015) © Peter MacDiarmid / Getty Images

He called his small premises there White Cube in reference to the influential collection of essays by Brian O'Doherty, Inside the White Cube: Ideologies of the Gallery Space, in which the author argued that the blank, box spaces of modern galleries had themselves become «the archetypal image of 20th - century art».

Private collection, Image courtesy of the artist and David Castillo Gallery, Photography: Nathan Keay

Mr. Thaw started out selling new art (in the 1950s he had a gallery - bookstore in the Algonquin Hotel, where he gave the painter Joan Mitchell her first New York solo), and the bulk of his collection is in 18th - and 19th - century material, but some of the show's most arresting images are from Renaissance Europe.

Installation view of Black Panther documentation and images, a private collection loaned to Void by Jack Shainman Gallery, New York

Interpretive work continued back at school with Ginny, and the final projects, along with each participant's creative writing, and images of PAAM collection work were featured in the NRHS Gallery in the fall.

Image: Work by JR June 18th — August 9th, 2011 Featuring original works from Banksy, Faile, Shepard Fairey, Sixeart, Os Gêmeos, Mark Jenkins, JR, KAWS, Barry McGee, José Parlá, Judith Supine, Swoon, Titi Freak, Dan Witz Carmichael Gallery is pleased to announce Playing Field, an exhibition of artwork from the collections of our collectors.

All these forms explore socialisation via networks by disrupting an audience relationship with the screen in a show spanning the Theatre and Lower Gallery of the ICA; a collection of new sculptures and live video works looking at the role of images in constructing our environment, physically and virtually.

Running at the same time, the Paris gallery presents Surface Tension, a collection of images from the artist's Seascapes series (1980 ---RRB-.

«Speaking out: Siting the Voice in Contemporary Asian Art», Courtauld Institute of Art and Kings College, University of London 2017 Conceptualism — Intersectional Readings, International Framings Conference, AHRC Black Artists and Modernism project in collaboration with Van Abbemuseum, NL, 7 - 9 December 2017 Trinh T Minh - ha Symposium, ICA London, 3 December 2017 Women in Collections Symposium, Contemporary Art Society / Sackler CPD Programme, Leeds City Art Gallery, 19 October 2017 Deviant Researching Symposium, part of Demodernising the Collection, Van Abbemuseum, NL, 21 - 23 September 2016 Now and Then, Here and There Conference, AHRC Black Artists and Modernism, Chelsea College of Art and Design, UAL / Clore auditorium, Tate Britain, 6 - 8 October 2016 Kung Fury: Contemporary Debates in Martial Arts Cinema Symposium, AHRC Martial Arts Studies Network, Birmingham City University, 1 April 2015 Martial Arts Studies Conference, with Luke White, Cardiff University, 10 - 12 June 2015 How to See the World Panel discussion & book launch, with Nicholas Mirzeoff, Jon Bird, Sonia Boyce, Nadja Milner - Larsen, ICA, London 4 June 2015 (In) Direct Speech: «Chineseness» in Contemporary Art Symposium, University of Lisbon, 16 - 19 March 2014 Thinking with Berger Conference, with Juliette Kristensen, Cardiff Metropolitan University, 4 - 5 September 2014 Mega Events & Culture: Arts & Artists Engagement in Events - based Regeneration, Resistance & Research Regional Studies Association, Research Seminar, Queen Elizabeth Olympic Park, London, 17 June 2014 Image — Movement — Story Conference, University of Roehampton, 14 June 2014 SPSL / A to Y Public Lecture, MAI (Montreal Arts Interculturels / University of Concordia, Montreal QC, 12 April 2013 Inter-Asian Connections IV Conference, in the strand «Contemporary Art and the Inter-Asian Imaginary», Koç University, Istanbul.

Maygene Daniels, chief of Gallery Archives, and Gregory Most, chief of library image collections, National Gallery of Art; and Lynn H. Nicholas, author of The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War.

06.2017 Suffering ², MONA, Tasmania (solo show) 04.2017 The World Made New, PiArts London [commissioned] 03.2017 Casebooks, Ambika P3 London [commission] 10.2016 Suffering, Queenstown, Tasmania [commission] 10.2016 Nowhere Less Now ⁷ Glynn Vivian Gallery, Swansea, Wales, UK [commissioned solo show] 07.2016 Leisure Land Golf, Quad, Derby, UK 06.2016 Seeing Round Corners, Turner Contemporary UK 04.2016 Leisure Land Golf, New Art Exchange, Nottingham, UK 02.2016 Objects Do Things, Ujazdowsky Castle, Centre for Contemporary Art, Poland 03.2016 Stories in the Dark, The Beaney, Whitstable Biennale, UK 05.2015 Leisure Land Golf, Venice Biennale (EM15 commission) 01.2015 Reads Like a Book, Cricoteka, Kraków, Poland 09.2014 Mirrorcity, Hayward Gallery, Southbank Centre, London [new work] 10.2014 Top of the World, Sami Centre for Contemporary Art, Karasjok, Norway 01.2014 For The Record, Birmingham Museum and Art Gallery, UK 09.2013 Entangled ², (Theatre II), Matt's Gallery, London (solo show) 09.2013 Monocular ⁴, Quad, Derby [commission] 08.2013 Narrative Structures, Stryx, Birmingham, UK 06.2013 Nowhere Less Now ², (Red Queen) MONA, Tasmania, Australia [commission] 05.2013 A» Comes First, Toulouse International Art Festival, France [commission] 01.2013 The Book Lovers, EFA Project Space, New York, USA 11.2012 The Book Lovers, MHKA, Antwerp, Begium 11.2012 Reality Bites, Kiasma, Helsinki, Finland 09.2012 Nowhere Less Now, Tin Tabernacle, Kilburn, London [Artangel commission solo show] 07.2012 Entangled ², Turner Contemporary, Margate [commission] 06.2012 Focal Points: Art and Photography, Manchester Art Gallery, UK 05.2012 Møte (Meeting), Galleri Festiviteten, Norway 03.2012 Ich is ein Anderer, Kunstverein Freiburg, Germany 02.2012 A Trip to the Moon, Bonniers Konsthall, Stockholm, Sweden11.2011 Monodrome, Athens Biennale, Greece 11.2011 Beyond Deception, Erik Steen Gallery, Oslo, Norway 08.2011 Something In The Way, Lofoten International Art Festival, Norway 07.2011 Outrageous Fortunes, Focal Point Gallery, Southend, UK 03.2011 Extramission 6, TPW Gallery, Toronto [as part of Images Festival solo show] 03.2011 Dis - covery, Salamanca Art Centre, Tasmania 03.2011 The Collection, Rugby Art Gallery, inaugural exhibition of CAS and V&A purchase for the collection 03.2011 Just Photography, Ancient and Modern at Martos Gallery, New York, USA 02.2011 It has to be this way ², BALTIC, Gateshead (solo show) 11.2010 Persistence of Vision, Kunsthallen Nikolaj, Copenhagen, Denmark 10.2010 It has to be this way ², Mead Gallery, Warwick (solo show) 10.2010 It has to be this way1.5, Aspex Gallery, Porstmouth (solo show) 09.

Lisa McCarty is a curator and photographer based in Durham, North Carolina.McCarty has held curatorial positions in archives, libraries, galleries, museums, and private collections including the Smithsonian American Art Museum Library, the Peace Corps Archive, George Mason University, The Nasher Museum of Art, Cassilhaus Gallery & Collection, The Center for Documentary Studies and Duke University's Rubenstein Rare Book and Manuscript Library, where she is currently curator of the Archive of Documentary Arts.McCarty received a MFA in Experimental and Documentary Arts from Duke University and exhibits her photographs and moving image work internationally.

It has invited contemporary artists to respond to its collection before, but with Chris Ofili and Mark Wallinger involved in a collaboration with the Royal Ballet to celebrate the 16th - century painter Titian, this is a bit of a glamour injection for a gallery that has sometimes seemed to revel in an old - fashioned image.

Taking a cue from programs that the ensemble presented with curators at the National Geographic Society and the Metropolitan Museum of Art, Gallery music department head Stephen Ackert combined the ensemble's holiday repertoire with images of paintings from the Gallery's permanent collection, which have in past years been featured on Christmas stamps issued by the Unites States Postal Service.

All images courtesy of the respective artists, and galleries, museums, institutions and private collections.