Sentences with phrase «image of a blank canvas»

In another series of paintings, Hylden uses a different yet equally unique approach — he screen - prints aluminum plates with an image of a blank canvas.

Not exact matches

(46) For this reason, Blue «is nothing less than a revolutionary cinematic achievement [which] redefined the notion of what is possible in cinema», (47) as the intense, flickering blue screen becomes a blank canvas onto which the viewers, prompted by the evocative soundtrack, can impose their own images.

A blank canvas can be liberating, and not only does ThingLink allow students to choose any image as a background, but it also lets them add links, images, videos, sound, and text as hotspots on top of that picture.

There is a point at which they commenced, but they began with an image of nothing, as Lund initially burned an open rectangle approximately 8.5 x 11 inches into a silkscreen, unevenly forcing black ink through the blank image onto a canvas.

Perhaps it is a way to sidestep the terror of the blank canvas — to build images in a roundabout fashion, of perpetually seeking to capture experiences as diverse as the media.

Riopelle took one of the panels of his diptych, Micmac, and transferred its image onto a second, blank canvas, where it appears in reverse.

While his first shaped canvases were determined by the silhouette of a single depicted object, as in the Smoker series, later works such as Nude with Lamp are shaped according to their own logic, rather than that of the painted image, utilizing the blank space of the bare wall behind.

In the film Schnabel remarks: «I started to use different kinds of materials because I was looking for some kind of new way to paint... working with things that already exist affords you associations that are beyond your invention... I see opportunities everywhere as paintings, in images that already exist, in surfaces that will repsond to paint a certain way, or it might come from an accident... I realized a picture could be the architecture of a painting... so I would select thigns that already had pictures - images of things impregnated on them - and then I could treat them as a blank canvas... let them inform what I was doing and make me react to what was there and come out with a hybrid painting... it has a much to do with reacting rather than acting.»

While his first shaped canvases were determined by the silhouette of a single depicted object, as in the «Smoker» series, later works are shaped according to their own logic, rather than that of the painted image, utilizing the blank space of the bare wall behind.

The exhibition includes an invaluable key to the 30 works in the Struggle series, with images of each and their narrative captions and blank spaces for the two canvases for which there is no photographic documentation.

Around its perimeter, where blank canvas is exposed, you can find the sort of images that piqued Pepe Karmel's curiosity to delve deeper into Pollock's so - called «veiled imagery.»