It is a striking
image of the human condition.
The third danger to preaching caused by an overwhelmed imagination is that of allowing the mind and therefore the sermons to dwell on the more spectacular, the more newsworthy
images of the human condition.
Not exact matches
For example, when Pope Benedict XVI was head
of the Congregation for the Doctrine
of the Faith, he penned the recent On the Collaboration
of Men and Women, concluding that feminine values are «above all
human values: the
human condition of man and woman created in the
image of God is one and indivisible.
At this point Buddhism presents an instructive contrast to Christianity, for here [in Buddhism] one discovers unbelievably complex systems
of meditation centering upon the
image of death, but here death is a way to a dissolution
of the
human condition, and therefore to the abolition
of pain and suffering.21
Thus Bacon's
image conveys viscerally the dimension
of suffering in the
human condition that cries out for delivery, redemption.
Still, in light
of God's willingness to have faith in his creature by intending these moral powers for man and limiting his own powers for the sake
of giving man «space» in which to be more than a «robot» or a «puppet» in a «stage play,» and most especially in light
of God's willingness to enter into the worst
of man's
human - historical
condition via the incarnation for the sake
of redeeming the «lifeworld» that man, by his powers, has corrupted through sin, the moral agent can ultimately affirm his or her moral nature in confidence that this «
image of God» will not only not be lost but will continue to be affirmed and redeemed to the glory
of God.
If committed to the worldview
of Scripture, both #BlackLivesMatter and the pro-life movement ground their moral urgency in the fact that every single
human being — regardless
of race, ethnicity,
condition of life, or stage
of development — is an
image bearer
of God.
The
human eye, under dark
conditions and allowed to fully dark - adapted, is exquisitely sensitive to light and is capable
of seeing subtleties
of intensity and structure that are lost in video
images.
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It's Spider, but it's at once more and less expressionistic than David Cronenberg's film — and while the long, quiet, empty reaches
of living in the giant abandoned warehouse
of a mind in flux is a constant melancholy the two films share, there is something in Stroszek, crystallized in the haunting
image of a premature baby pawing at its bedding, that does more to traumatize the
human condition.
The opportunities that can help people develop empathy, compassion, deep knowledge and agency to collaborate with others in using what we know to improve the world are the opposite, the mirror
image,
of the
conditions that drive others to alienation, marginalization and hatred towards other
human beings, and lead them on destructive paths that endanger the world.
Just as
humans can choose from a range
of shampoos and conditioners formulated to address different types
of hair
conditions, so can dog owners choose from a range
of dog shampoos (
image right) and conditioners.
Cody Forest Doucette has spent the past eight years circling the globe in pursuit
of images and experiences which capture both the beauty
of the natural world and the complexity
of the
human condition in the 21st century.
Since the 1970s, Muntadas has given attention to «media landscapes» (mass media, symbols,
images and slogans) that allow him to investigate contemporary phenomena associated with political, cultural and educational dynamics, revealing and denouncing its instrinsic mechanisms and opening up a broader scrutiny
of the
human condition in an age
of advanced capitalism.
As for modern life, Mathew Cerletty's pellucid
image of an edition
of the Yellow Pages floating on swimming pool - blue water is incisive: It's a parable about obsolescence, a
condition to which painting has yet to succumb and possibly never will as long as
humans are around to do it.
Their
images of family life often maneuver between intimate, everyday stories and broader political realities, between the universal
human condition and the particular histories
of race in the United States.
In these times
of diversity and multicultural experience, the artist's
image is both a cypher for the
human condition as well as the foundation for complex iconography in which the cultural object stands to reflect the impact
of societal norms on the individual.
These
images employ representations
of individuals to reflect and interrogate questions
of class, style, gender, emotion, and many other facets
of the
human condition.
Within the context
of the exhibition, Shonibare's work explores the social constructs which inform the
human condition by examining racial and cultural stereotypes through juxtaposing a white and a black ballerina dancing each other's mirror
image in what is traditionally a solo from Swan Lake.
«His art... is about the
human condition, which is why the
images or scenes depicted are not specific to China, nor especially to the era... and individual experience in this rapidly modernising society acts as a backdrop to Jia Aili's awareness
of human frailty, vulnerability, and the need to be mindful
of one's surroundings.»
Bacon's figures can be described as distorted, fleshy masses in anguish; these shocking and unsettling
images are his representation
of the evils and the devastation
of the
human condition.
It is a modest show, including only ten color photographs, but the impact
of each
image is undeniably potent, perhaps because Rødland's subject is such a universal aspect
of the
human condition.
Many people experience the world in a way that is skewed by misrepresentation: glossed over, cleaned up or even exaggerated
images of the earth and the
human condition.
Evoking a feeling
of senselessness and absurdity, the witty and macabre
images carry with them strong statements about the
human condition.
It is the primordial
image, created in a boundless variety
of formats and used to express fundamental ideas concerning the
human condition.
But along with these and other scientifically significant missions, DSCOVR will also have the ability to inspire new ways
of thinking about the true nature
of the
human condition, by showing us new
images everyday that give every person on Earth the ability to see his or her home city or village in the context
of the planetary whole, reminding us
of our obligation to take good care
of what Buckminster Fuller described so long ago as «Spaceship Earth.»
Include inappropriate graphics (e.g., overly graphic medical
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