Sentences with phrase «image out of layers»

Not exact matches

New NASA images show layers of ice peeking out of eroded cliffs — a potential boon for future humans on the red planet.

The 1.3 - MP front - facing camera took decent pictures indoors and out, and the Snapboothapp adds a layer of fun with Photo Booth - style image capture.

Systems of marks traverse intensely layered surfaces, coalescing into an image of the bust as passages of thick paint are scraped, layered, blocked out, and worked up into a complex viewing experience.

To see more of his layered artworks, just check out the images below.

Since his bravura institutional outing in 1997 at the Stedelijk Museum, Amsterdam, Melgaard's forté has been crass, crudely drawn, graffiti - like images of, and writings about, bareback and interracial gay sex — «hate fucking,» «gay terrorism,» «white Daddy dick,» «big fat black dick,» «straight cock,» and other delightful variations on the theme, all layered and scrawled on paintings, old beds, couches spilling over with posters, and other messy piles of carefully amalgamated bric - a-brac.

Executed with layers of paint, glitter, resin, pointillist dots and collaged images of genitalia cut from porn magazines, an elephant dung breast protrudes from large - scale canvas which is perched on two elephant dung balls embellished with map pins that spell out «virgin» and «mary.»

Jiha Moon's playfully layered images — now on view at SCAD's Gallery 1600, in an exhibition titled All Kinds of Everything — seem to approach you in waves, radiating out from her weird, arranged collisions between pop culture and tradition [June 10 - July 26, 2013].

As much a commentary on art as culture, Hirsig layers meaning and materials into the paint by adding collaged images and fabrics: fractal - like detailing gives way to soft brushstrokes interrupted by heavy spills of paint out of which an explosion of color and texture emerges.

These images are born out of real experience and have a close relationship with the medium of painting: its fluidity, transparency, and capacity for layering, mixing, and blending.»

The layers, patterns, and their varying degrees of transparency create dreamlike images that move in and out of reality.

Thus, just like in the montage of attractions, André Hemer's aesthetically charged and layered visions — on both a physical and visual level — are made out of complex digital images transposed onto canvas and punctuated via a manual and pictorial action, that defy while at the same time exert a compelling pull towards the viewer's perception.

Highlights include: Flags I Jasper Johns» richly layered 1973 screenprint, presenting an iconic image within the artist's oeuvre in its most striking graphic form; a monumental screenprint on linen, Océanie, la mer, Henri Matisse's largest scale editioned piece and a brilliant example of his use of «cut - outs»; Andy Warhol's beloved Flowers, a powerful wall of color that is his 1970 portfolio of 10; and Baby Charles Looking Over His Mother's Shoulder (No. 2), Mary Cassatt's unique pastel counterproof, portraying the artist's extraordinary ability to capture maternal love.

The layering of paint seems to engage more than one palette; orange and magenta peak out of the bottom of the composition, but are obscured by a haze of cool white that occupies the majority of the image.

The artificiality of colors that sneak out from behind the more dominant layers of paint — like the hint of electric blue in Sea Legs (2013) or the day - glow orange in Buried Target (2012)-- suggest a contemporary type of image that seeks to deconstruct painting through more painting.

Wesslemann's later work, «steel drawings» as he called them, featured compositions of cut - out images in aluminum, which the artist layered and painted to create a kind of relief wall sculpture.

Pop Out is a carry - over camera feature from the V20, creating a photo that layers the standard angle image over top of the wide angle image.