Sometimes I'll cut
an image out of the newspaper, it doesn't have to have meaning.
Not exact matches
Keep the TV news off, and make sure graphic
newspaper or magazine
images are
out of reach.
During each
of the Apollo flights, I stayed home from school, huddled in the basement near the television with the diagrams
of rockets I had cut
out of local
newspapers and magazines, transfixed by the
images from space.
Images in
newspapers and on TV
of angry teachers in the streets
of Chicago and New York with placards demanding higher wages while their students are locked
out of their schoolrooms for days stand in stark contrast to the well - dressed, soft - spoken teachers
of our childhood.
After they have completed the printable, distribute pictures to students - either those you have cut
out of newspapers beforehand, photos, or even postcards - and have them write captions for the
images.
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We do not consider individual printing
of single
images on normal office copier paper to be commercial use, even if it is posted in your place
of work (Just like how cutting
out a comic strip from the
newspaper and sticking it on the wall
of your office cubicle wouldn't be considered commercial use, either).
This installation foregrounds a mode
of art making Holstad developed and is continually engaged with: clipping
images from
newspapers and first rubbing areas
out, leaving in their place blank, haunting suggestions
of forms.
The rest
of Hibid's display, however, is less convincing: a series
of pages
of the Guardian
newspaper in which areas are painted
out to reveal what she appears to see as unconscious racism, specifically — in the way
images of black people are used — feels rather dated, if not in its racial paranoia, then certainly in the way Hibid has chosen to express it.
For example, in the book that accompanied her painting Aqueous Flesh (2009), Pundyk reveals that her reference for the human figure was clipped from a
newspaper, tree branches from a photo taken
out of her family - in - law's New York apartment, facial features from a candid photo
of a friend on vacation in Paris, and an abstracted version
of two women sourced from an
image in a waiting room magazine.
Known collectively as Breaking News, the drawings — all made on torn paper — recall the sensation
of reading British red - top
newspapers, as different
images and ideas jump
out as the eye scans the room.
Another scoffs at Social Realism by amassing
newspaper images of East German Olympic athletes and crossing each
out with a big black X.
A much - needed reprint
of London photographer Wolfgang Tillmans's first book — published in 1995 and long
out of print — this atmospheric, rhythmic compilation
of black - and - white
images combines portraits
of youth culture, landscapes, city scenes, slogans, clippings from
newspapers and book illustrations, neatly demonstrating the development
of Tillmans's savvy, genre - crossing style, which lends itself so well to book form.
Lubaina Himid has dedicated much
of her professional and curatorial life to making Black artists and specifically Black female artists more visible, but here in Hull she is very literally representing Black lives, by for example overpainting porcelain dinnerware with the
images of slaves that would have been the ones using them to serve food, or by isolating racist stereotypes in
newspaper clippings from the Guardian, or through her larger than life cut -
outs of Black servants in A Fashionable Marriage.
Oldenburg often tore
images of commercial goods from magazines and
newspapers as source material for his sculptures, which he described in 1961 as «rips
out of reality,» fusing the printed advertisement with three - dimensional reality.
Margarita Myrogianni presents a photographic diptych
of a still life with
newspaper used as an object while at Tjorg Douglas Beer's collages a puppet is surrounded by
images of celebrities, actors, pop star, dictators and war criminals that he has cut
out of newspapers.
A much - needed reprint
of London photographer Wolfgang Tillmans» first book — published in 1995 and long
out of print — this atmospheric, rhythmic compilation
of black - and - white
images combines portraits
of youth culture, landscapes, city scenes, slogans, clippings from
newspapers and book illustrations, neatly demonstrating the development
of Tillmans» savvy, genre - crossing style, which lends itself so well to book form.
Their mock attack ad, which starts
out with a group
of children dancing hand in hand around a giant lump
of coal in a pasture, can be seen on the
newspaper's Web site by clicking on the
image above.
That was one
of those things where there's no marketing message that we could have put
out there that would have turned these people on, so to speak, in a magazine or a
newspaper like that
image of making something, whatever, the couple cents
of electrical that it cost us for that electricity, the impact that that had on someone's life at that moment.