Sentences with phrase «image processing meant»

Not exact matches

In order to keep the price point low, they sacrifice computational power, which means they can not support the more sophisticated image processing programs.
One must not forget that, in systematic botany, androgynous means the male flowers are above (superior to, as botanists say) the female flowers, which is hardly the image intended by the appropriation of the term by process theologians.
Running parallel also means that mental processes must be synchronized by innumerable specific laws, for all kinds of sensations — red, sweet, cold, painful and so on — all mental images, feelings, thoughts and acts of volition must have a special physiological correspondence.
I understand imagination, no doubt a complex epistemological process, to be the capacity to entertain images of meaning and reality that are beyond the givens of observable experience.
And at yet another point, we are told that, although evangelicals can not accept all of what process theists mean when they say that the world is «God's body», there is a «striking parallel» between the process concept of «God's self - embodiment in a redeemed world» and «the biblical image of the church as the «Body of Christ»» (111).
For the speaker to supply the total image robs them of this right, insults their intelligence, deprives them of a vital part of the process of arriving at new meaning and insight, and lastly, may cause them to feel some revulsion toward the speaker.
It means, rather, that man can use any wholly immanental force or process in such a way that he constructs a god in his own image whose nature is subject to man's own wilful and sinful self.
A major area of interest to process thinkers, for example, are the myths, images, models, paradigms, and rituals around which people organize their experiences and through which they find significance and meaning for their lives.
That means the medical images can be animated with the help of graphical processing units so you can see your body inside out in real time.
To do this, Garm says, they had to be able to form an image of the reef, meaning that their simple nerve net must be able to process visual information.
«What we have shown in the Science study is that we now have the means to obtain real - time images of processes happening on the surface of intact HIV particles, which we now plan to use to screen the impact of drugs and antibodies that can shut it down,» he says.
Among these methods, the 3D Block Matching filtering (BM3D) has demonstrated very powerful denoising capabilities in the field of digital image processing, by means of a block grouping and collaborative filtering strategy.
The four images displaying the variables were processed in Matlab (Version R2010a ©) in order to obtain the variables that express the image, mean precipitation (1961 - 90) is exemplified in the results section, Figure IV.
The educational choice process, due to its consumptive nature, «operates as much in the realm of symbols, emotions, and ideas as it does in the realm of «objective» information,» meaning that the images associated with schools become internalized as part of one's identity (Cucchiara 123).
(The process varies according to the length of the book, meaning word count, and whether there are lots of photos and images to be inserted.)
That meant that instead of 1280 px wide, I might as well format my own images at 1000px wide (because KindleGen rules: it WILL process the images whether I like it or not — nothing gets on the Kindle store unless it's gone through a KindleGen processing), and control the quality at the same time.
Thus, it is just a custom ROM developed by those of xda - developers, which means that this update process is not entirely official — you can complete the steps from below only if your Xperia Z1 Compact is already rooted and installed with a custom recovery image, thus the warranty of your phone will get void once you apply the mentioned operations (do note that the warranty can't be reclaimed even if you manage to brick your phone and return it back to service — thus, in that respect, the best will be to check how you can manually fix software related issues on your own Android device).
Eitherway, a game that would require «more» processing would means improved physics and other simulated aspects being done locally WHILE keeping very good graphical details, image quality, etc. or just running everything we have now at 1080p 60 fps!
In terms of overall specifications, a cheap gaming laptop will generally take a step back in image quality and processing power, but that doesn't mean gaming isn't enjoyable.
I thought that Art Tutor didn't allow us to use digital images, and to be honest, I think that using something like this is not all that far from going digital... As far as Dragongirl's comment that she was sure Phil did not mean us to use this tool to make our paintings look better than they actually are in «real life», well, just look at his demo of how to use Pixlr and see how much better the cropped, colour enhanced, brightened, pictures look at the end compared with the «original» photos and it's obvious they are different (otherwise why go through the process if not to make a difference) AND they have more impact, i.e. are BETTER than before.
The interpretation of light, whether by nature or technology, is something of fascination to Mulcaire, and his fixation with light, translation of light through any form of filter or transformative device or interpretation process whereby meaning or image might change, is something dire to Mulcaire's work.
For many artists the questions, diversions, doubts and decisions of the painting process become ways of altering an image's rhythm, narrative and meaning.
During the painting process normally the paint physically alters the landscapes, changing the meanings and taking control of the image.
The images are saturated with light and meaning, but bruised, as if the very process of examination is changing the physics of the forms described.
The development of one image by transforming another allows the drawing to take on a new meaning and is a salient and new process for Shepherd.
Chicago - based artists John Opera and Adam Schreiber utilize rudimentary image - making processes as a means of exploring photography's most elemental nature.
Through subtle processes of image reconstruction, African - American artist Hank Willis Thomas complicates seemingly simple meanings behind image - based adverts, revealing their capacity to have much greater power than selling products but also play a disturbing role in constructing and reinforcing social prejudice — with an emphasis on the portrayal of black men and white women in America.
These artists borrowed ideas, processes, images or pre-existing objects by exposing them as they are, or by transforming them and re-contextualizing them to give them a new meaning.
While the poeticism of Bismuth's work may not have been made to shed light on the unprecedented political climate we face, his excavation of the failures of language, the emptying of speech and the complexities bound up in the process of deriving meaning from words and images has a particular relevance now.
Going beyond the scope of photographic processes, Harwood creates diptychs, in which new meanings and pictorial complexities arise from the juxtaposition of two compatible images.
Hammond incorporates an encyclopedic collection of images — from the past and present, history and fiction — to explore the fluidity of meaning as images shift, a process she has referred to as «recombinant DNA.»
Returning to the Photoshop gradient tool to generate images with only one click of a mouse, Arcangel offers the instructions within the title of each work, as if inviting the viewer to repeat the simple process, yet then reproduces each work through less accessible means — chromogenic prints.
More often than not, the subject inspires the making of the image, either from the outside or in the middle of the process, a kind of recognition of what these colors and marks might mean.
Leon Kossoff's painterliness invites us to scan the image for subconscious meaning — to play on Anton Ehrenzweig's idea of the way we approach what he calls «gestalt free painting» — and the meaning we find involves what Freud called «primary process thinking,» and traces of what D.W. Winnicott, elaborating and deepening Freud's idea, called «primary creativity,» by which he meant the spontaneity innate to us all yet often stifled or channeled into trivial pursuits by society.
ARTFORUM Summer 2009 Leon Kossoff MITCHELL - INNES & NASH Leon Kossoff's painterliness invites us to scan the image of subconscious meaning — to play on Anton Ehrernzweig's idea of the way we approach what he calls «gestalt - free painting» — and the meaning we find involves what Freud called «primary process thinking,» and traces of what D.W. Winnicott, elaborating and deepening Freud's idea, called «primary creativity,» by which he meant the spontaneity innate to us all yet often stifled or channeled into trivial pursuits by society.
Humanism and Technology, The Human Figure in Industrial Society, 600 Seoul International Art Festival, National Museum of Contemporary Art, Seoul, December 16, 1994 — January 14, 1995 (Catalogue) Prints and Process, Old Dominion University, Norfolk, Virginia, October 1994 Democratic Vistas: 150 Years of American Art from Regional Collections, University Art Museum, University at Albany, New York, September 24 — November 13, 1994 (Catalogue) Master Prints from the Collection of The Butler Institute of American Art, The Butler Institute of American Art, Youngstown, Ohio, September 9 — October 19, 1994 Visible Means of Support, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, June — November 1994 Against All Odds: The Healing Powers of Art, The Ueno Royal Museum and the Hakone Open Air Museum, Japan, June 9 — July 30, 1994 A Floor in a Building in Brooklyn, Richard Anderson Gallery, New York, June 9 — July 30, 1994 (Curated by Chuck Close) The Assertive Image: Artists of the Eighties, Selections from the Eli Broad Family Foundation, UCLA, University of California, Los Angeles, June 6 — October 9, 1994 From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection, National Gallery of Art, Washington, D.C., May 29 — November 27, 1994 (Catalogue) Facing the Past: Nineteenth — Century Portrait from the Collection of the Pennsylvania Academy of the Fine Arts and Confronting the Present, The Frick Art and Historical Center, Pittsburgh, May 27 — June 24, 1994 Inaugural Group Exhibition, Off Shore Gallery, East Hampton, New York, May 14 — June 13, 1994 30 YEARS ---- Art in the Present Tense: The Aldrich's Curatorial History 1964 — 1994, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 15 — September 17, 1994 (Catalogue) Face - Off: The Portrait in Recent Art, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, September 9 — October 30, 1994.
Portuguese artist Lúcia Prancha, showing at the gallery for the first time, develops a process of transferring meanings to images that she transforms into her own «objects - phenomenon».
The artists employ various techniques to tear away and supplant the legibility of images, retooling mechanisms and pictorial conventions, all the while adding their own meanings in the process.
For Edgar and Walker, «things» can mean a lot of things — objects, images, materials, structures, processes.
Donzelli has elected drawing to his primary means because it's a process of discovery from the incipit, when the pencil touches the paper and the sign / image starts to take form.
As the artist says, «digital images are becoming the de facto way we perceive and process the world, with surface and superficial virtuosity defining momentary meaning.
Where the Freischwimmer series is created through a completely dry process, in the Greifbar series the artist employs new means to disrupt the image, adding chemicals onto the plane.
The meanings of the gestures becomes amplified by the accumulation of lines, objects, color or images as they are gathered and reiterated over time, grounding the work in opaque process - driven rigor, despite the transparency, both in materiality and in concept.
Writer and artist Harland Miller explores the relationship between words and images — and the process of producing meaning — in his paintings, sculptures, and mixed - media works.
The exhibition focuses on issues of object and image systems; as each artist explores the dynamic of multiple objects and grids as a means of revealing the corporeal and metaphysical through a process of ordering or breaking down the body.
Thanks to the process itself, Vicky is able to make small editions of the image, the editions are variable due to the process and her desire to experiment, which means each print, is unique.
His use of materials is, to use the same word with a different meaning, impressively appropriate: the silver gelatin process gives the images, though contemporary, a faded archival aura, like old 19th century ethnographic photography, while evoking the shiny metallic surfaces of modern cars.
Whether it is the use of traditional painting mediums, digital technologies, or other techniques, I am in search for modes of image - and object making that question the meaning, process, and definition of contemporary abstraction.
Rather, it was gradually defined through a process of extraction of the essential meaning until a harmonious image was finally complete.
Departing from elements of landscapes like Berlin's construction sites or micro - and macroscopic pictures as a raw material, she rearranges those forms, structures, colors and fields in an image making process which arrives at abstract compositions of ambiguity and multiple meaning.
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