Not exact matches
In order to keep the price point low, they sacrifice computational power, which
means they can not support the more sophisticated
image processing programs.
One must not forget that, in systematic botany, androgynous
means the male flowers are above (superior to, as botanists say) the female flowers, which is hardly the
image intended by the appropriation of the term by
process theologians.
Running parallel also
means that mental
processes must be synchronized by innumerable specific laws, for all kinds of sensations — red, sweet, cold, painful and so on — all mental
images, feelings, thoughts and acts of volition must have a special physiological correspondence.
I understand imagination, no doubt a complex epistemological
process, to be the capacity to entertain
images of
meaning and reality that are beyond the givens of observable experience.
And at yet another point, we are told that, although evangelicals can not accept all of what
process theists
mean when they say that the world is «God's body», there is a «striking parallel» between the
process concept of «God's self - embodiment in a redeemed world» and «the biblical
image of the church as the «Body of Christ»» (111).
For the speaker to supply the total
image robs them of this right, insults their intelligence, deprives them of a vital part of the
process of arriving at new
meaning and insight, and lastly, may cause them to feel some revulsion toward the speaker.
It
means, rather, that man can use any wholly immanental force or
process in such a way that he constructs a god in his own
image whose nature is subject to man's own wilful and sinful self.
A major area of interest to
process thinkers, for example, are the myths,
images, models, paradigms, and rituals around which people organize their experiences and through which they find significance and
meaning for their lives.
That
means the medical
images can be animated with the help of graphical
processing units so you can see your body inside out in real time.
To do this, Garm says, they had to be able to form an
image of the reef,
meaning that their simple nerve net must be able to
process visual information.
«What we have shown in the Science study is that we now have the
means to obtain real - time
images of
processes happening on the surface of intact HIV particles, which we now plan to use to screen the impact of drugs and antibodies that can shut it down,» he says.
Among these methods, the 3D Block Matching filtering (BM3D) has demonstrated very powerful denoising capabilities in the field of digital
image processing, by
means of a block grouping and collaborative filtering strategy.
The four
images displaying the variables were
processed in Matlab (Version R2010a ©) in order to obtain the variables that express the
image,
mean precipitation (1961 - 90) is exemplified in the results section, Figure IV.
The educational choice
process, due to its consumptive nature, «operates as much in the realm of symbols, emotions, and ideas as it does in the realm of «objective» information,»
meaning that the
images associated with schools become internalized as part of one's identity (Cucchiara 123).
(The
process varies according to the length of the book,
meaning word count, and whether there are lots of photos and
images to be inserted.)
That
meant that instead of 1280 px wide, I might as well format my own
images at 1000px wide (because KindleGen rules: it WILL
process the
images whether I like it or not — nothing gets on the Kindle store unless it's gone through a KindleGen
processing), and control the quality at the same time.
Thus, it is just a custom ROM developed by those of xda - developers, which
means that this update
process is not entirely official — you can complete the steps from below only if your Xperia Z1 Compact is already rooted and installed with a custom recovery
image, thus the warranty of your phone will get void once you apply the mentioned operations (do note that the warranty can't be reclaimed even if you manage to brick your phone and return it back to service — thus, in that respect, the best will be to check how you can manually fix software related issues on your own Android device).
Eitherway, a game that would require «more»
processing would
means improved physics and other simulated aspects being done locally WHILE keeping very good graphical details,
image quality, etc. or just running everything we have now at 1080p 60 fps!
In terms of overall specifications, a cheap gaming laptop will generally take a step back in
image quality and
processing power, but that doesn't
mean gaming isn't enjoyable.
I thought that Art Tutor didn't allow us to use digital
images, and to be honest, I think that using something like this is not all that far from going digital... As far as Dragongirl's comment that she was sure Phil did not
mean us to use this tool to make our paintings look better than they actually are in «real life», well, just look at his demo of how to use Pixlr and see how much better the cropped, colour enhanced, brightened, pictures look at the end compared with the «original» photos and it's obvious they are different (otherwise why go through the
process if not to make a difference) AND they have more impact, i.e. are BETTER than before.
The interpretation of light, whether by nature or technology, is something of fascination to Mulcaire, and his fixation with light, translation of light through any form of filter or transformative device or interpretation
process whereby
meaning or
image might change, is something dire to Mulcaire's work.
For many artists the questions, diversions, doubts and decisions of the painting
process become ways of altering an
image's rhythm, narrative and
meaning.
During the painting
process normally the paint physically alters the landscapes, changing the
meanings and taking control of the
image.
The
images are saturated with light and
meaning, but bruised, as if the very
process of examination is changing the physics of the forms described.
The development of one
image by transforming another allows the drawing to take on a new
meaning and is a salient and new
process for Shepherd.
Chicago - based artists John Opera and Adam Schreiber utilize rudimentary
image - making
processes as a
means of exploring photography's most elemental nature.
Through subtle
processes of
image reconstruction, African - American artist Hank Willis Thomas complicates seemingly simple
meanings behind
image - based adverts, revealing their capacity to have much greater power than selling products but also play a disturbing role in constructing and reinforcing social prejudice — with an emphasis on the portrayal of black men and white women in America.
These artists borrowed ideas,
processes,
images or pre-existing objects by exposing them as they are, or by transforming them and re-contextualizing them to give them a new
meaning.
While the poeticism of Bismuth's work may not have been made to shed light on the unprecedented political climate we face, his excavation of the failures of language, the emptying of speech and the complexities bound up in the
process of deriving
meaning from words and
images has a particular relevance now.
Going beyond the scope of photographic
processes, Harwood creates diptychs, in which new
meanings and pictorial complexities arise from the juxtaposition of two compatible
images.
Hammond incorporates an encyclopedic collection of
images — from the past and present, history and fiction — to explore the fluidity of
meaning as
images shift, a
process she has referred to as «recombinant DNA.»
Returning to the Photoshop gradient tool to generate
images with only one click of a mouse, Arcangel offers the instructions within the title of each work, as if inviting the viewer to repeat the simple
process, yet then reproduces each work through less accessible
means — chromogenic prints.
More often than not, the subject inspires the making of the
image, either from the outside or in the middle of the
process, a kind of recognition of what these colors and marks might
mean.
Leon Kossoff's painterliness invites us to scan the
image for subconscious
meaning — to play on Anton Ehrenzweig's idea of the way we approach what he calls «gestalt free painting» — and the
meaning we find involves what Freud called «primary
process thinking,» and traces of what D.W. Winnicott, elaborating and deepening Freud's idea, called «primary creativity,» by which he
meant the spontaneity innate to us all yet often stifled or channeled into trivial pursuits by society.
ARTFORUM Summer 2009 Leon Kossoff MITCHELL - INNES & NASH Leon Kossoff's painterliness invites us to scan the
image of subconscious
meaning — to play on Anton Ehrernzweig's idea of the way we approach what he calls «gestalt - free painting» — and the
meaning we find involves what Freud called «primary
process thinking,» and traces of what D.W. Winnicott, elaborating and deepening Freud's idea, called «primary creativity,» by which he
meant the spontaneity innate to us all yet often stifled or channeled into trivial pursuits by society.
Humanism and Technology, The Human Figure in Industrial Society, 600 Seoul International Art Festival, National Museum of Contemporary Art, Seoul, December 16, 1994 — January 14, 1995 (Catalogue) Prints and
Process, Old Dominion University, Norfolk, Virginia, October 1994 Democratic Vistas: 150 Years of American Art from Regional Collections, University Art Museum, University at Albany, New York, September 24 — November 13, 1994 (Catalogue) Master Prints from the Collection of The Butler Institute of American Art, The Butler Institute of American Art, Youngstown, Ohio, September 9 — October 19, 1994 Visible
Means of Support, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, June — November 1994 Against All Odds: The Healing Powers of Art, The Ueno Royal Museum and the Hakone Open Air Museum, Japan, June 9 — July 30, 1994 A Floor in a Building in Brooklyn, Richard Anderson Gallery, New York, June 9 — July 30, 1994 (Curated by Chuck Close) The Assertive
Image: Artists of the Eighties, Selections from the Eli Broad Family Foundation, UCLA, University of California, Los Angeles, June 6 — October 9, 1994 From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection, National Gallery of Art, Washington, D.C., May 29 — November 27, 1994 (Catalogue) Facing the Past: Nineteenth — Century Portrait from the Collection of the Pennsylvania Academy of the Fine Arts and Confronting the Present, The Frick Art and Historical Center, Pittsburgh, May 27 — June 24, 1994 Inaugural Group Exhibition, Off Shore Gallery, East Hampton, New York, May 14 — June 13, 1994 30 YEARS ---- Art in the Present Tense: The Aldrich's Curatorial History 1964 — 1994, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 15 — September 17, 1994 (Catalogue) Face - Off: The Portrait in Recent Art, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, September 9 — October 30, 1994.
Portuguese artist Lúcia Prancha, showing at the gallery for the first time, develops a
process of transferring
meanings to
images that she transforms into her own «objects - phenomenon».
The artists employ various techniques to tear away and supplant the legibility of
images, retooling mechanisms and pictorial conventions, all the while adding their own
meanings in the
process.
For Edgar and Walker, «things» can
mean a lot of things — objects,
images, materials, structures,
processes.
Donzelli has elected drawing to his primary
means because it's a
process of discovery from the incipit, when the pencil touches the paper and the sign /
image starts to take form.
As the artist says, «digital
images are becoming the de facto way we perceive and
process the world, with surface and superficial virtuosity defining momentary
meaning.
Where the Freischwimmer series is created through a completely dry
process, in the Greifbar series the artist employs new
means to disrupt the
image, adding chemicals onto the plane.
The
meanings of the gestures becomes amplified by the accumulation of lines, objects, color or
images as they are gathered and reiterated over time, grounding the work in opaque
process - driven rigor, despite the transparency, both in materiality and in concept.
Writer and artist Harland Miller explores the relationship between words and
images — and the
process of producing
meaning — in his paintings, sculptures, and mixed - media works.
The exhibition focuses on issues of object and
image systems; as each artist explores the dynamic of multiple objects and grids as a
means of revealing the corporeal and metaphysical through a
process of ordering or breaking down the body.
Thanks to the
process itself, Vicky is able to make small editions of the
image, the editions are variable due to the
process and her desire to experiment, which
means each print, is unique.
His use of materials is, to use the same word with a different
meaning, impressively appropriate: the silver gelatin
process gives the
images, though contemporary, a faded archival aura, like old 19th century ethnographic photography, while evoking the shiny metallic surfaces of modern cars.
Whether it is the use of traditional painting mediums, digital technologies, or other techniques, I am in search for modes of
image - and object making that question the
meaning,
process, and definition of contemporary abstraction.
Rather, it was gradually defined through a
process of extraction of the essential
meaning until a harmonious
image was finally complete.
Departing from elements of landscapes like Berlin's construction sites or micro - and macroscopic pictures as a raw material, she rearranges those forms, structures, colors and fields in an
image making
process which arrives at abstract compositions of ambiguity and multiple
meaning.