With this new body of work, Deschenes furthers her inquiry into the history of
image production techniques and the conditions of viewing developed in previous series, such as Zoetropes and Stereographs.
Not exact matches
, discussing directions in which photographic collections could or should develop, Discussing Provoke, a cross-analysis of the cult Japanese photo magazine, its historical context and its ties to the emergence of performance art in Japan in the 1960s, Photography Beyond the
Image, on techniques used to produce photographic works that seek to go beyond the production of an image; Photography & Cinema in Practice, discussing vernacular photography in cinematic production and the role of still photography in the history of art; and The Artist As..., discussing the different roles that artists under
Image, on
techniques used to produce photographic works that seek to go beyond the
production of an
image; Photography & Cinema in Practice, discussing vernacular photography in cinematic production and the role of still photography in the history of art; and The Artist As..., discussing the different roles that artists under
image; Photography & Cinema in Practice, discussing vernacular photography in cinematic
production and the role of still photography in the history of art; and The Artist As..., discussing the different roles that artists undertake.
In January, National Museum Cardiff reveals how an ordinary family from Swansea pioneered new
techniques in
image production in the 19th century.
In these works, the uncanny effect of virtuosic painterly
technique results from an otherwise systematically deskilled procedure of
image production.
The artists have developed innovative methods to disrupt how we «read» photographic
images, often through
techniques that retool the very mechanisms of print
production.
Huguenot Editions offers the opportunity for artists to make original prints using the
techniques traditionally associated with the
production of etchings along with all the contemporary aspects of digital
image production that are now available.
Here, he has employed
techniques of mass commercial
image production to realize what is a profoundly personal vision.
He also experimented with many different
production and processing
techniques, including prints made on aluminum sheets coated with a platinum emulsion which endowed the resulting
image with a warmth that silver prints lacked.