Sentences with phrase «images as a backdrop»

For an even more ambitious presentation, display a slideshow of images as a backdrop for the reading, and student volunteers can research images from that time period or that suit their characters (e.g., photos of march attendees Lena Horne, Joan Baez, Coretta Scott King, Rosa Parks, Marian Anderson, Charlton Heston, and Malcolm X).

The artist uses historical images as a backdrop for a more abstract form of storytelling.

Not exact matches

You will use these images to add emphasis to a message or as backdrops to content posts.

If you want a more modern backdrop, Kristy will also be shooting styled still life images at the Lord Whitney Studios, using the full studio space as the creative backdrop.

With the breathtaking backdrop of Lona Ridge Estate in Maui as a venue, an even more stunning gown and bride - to - be model take center stage with a these images from Anna Kim Photography and Bliss Wedding Design.

The images in turn showcase Ready Player One «s game avatar characters placed onto backdrops for such iconic films as The Goonies, The Matrix, The Breakfast Club, Risky Business, Rambo, and Back to the Future, among others.

However, any artistic labels applied to these images are complicated by his insistence on using them as backdrops to scenes of sexual violence.

Students prepare a day ahead for Ben Franklin Broadcast News by downloading images to be used as backdrops for the credits.

With a mesmerising landscape and amazing wildlife as the backdrop, guests will have the chance to explore and improve their photograpy by learning how to take and edit pictures The itineraries are designed to maximise expedition time and provide opportunities for shooting great images.

The TV2 channel used the image of 13th century Damascus as a backdrop for their reporter Cecilie Beck on February 26th.

Placed against a neutral backdrop with their labels inscribed below, Wylie's hard - won forms play on the language of ancient art as well as modernism and the abstract compositions of painters like Franz Kline and Ad Reinhardt, who attempted to divorce image - making from even the most fundamental visual associations.

In Shrines to Speed this reality is evoked by Warhol's image of twisted piles of metal and steel, set against William Eggleston's diptych portraying 1970s pleasure seeking culture with a man and woman posed alluringly, proudly, next to cars which appear not as backdrops for the image, but co-presences, even extensions of the subject's bodies themselves.

As the video unfolds, the makeshift quality of the backdrops — the air bubbles and warping reminiscent of poorly applied wallpaper as well as the cardboard edges and the flatness of the photographic images — becomes apparent, pointing to the constructed nature of the filAs the video unfolds, the makeshift quality of the backdrops — the air bubbles and warping reminiscent of poorly applied wallpaper as well as the cardboard edges and the flatness of the photographic images — becomes apparent, pointing to the constructed nature of the filas well as the cardboard edges and the flatness of the photographic images — becomes apparent, pointing to the constructed nature of the filas the cardboard edges and the flatness of the photographic images — becomes apparent, pointing to the constructed nature of the film.

Collier usually photographs images that already exist in popular culture — such as record - album sleeves, magazines, coffee - table books, Hollywood film stills, and pictorial calendars — set against neutral studio backdrops.

Revolutions (2017) comprises characteristic components such as Plexiglas, neutral photographic backdrop paper and light, channelled through a moving image recording.

A central focus of the exhibition is the ubiquity of the mural art form as a backdrop for the Polaroid photos taken in prison visitation rooms, as well as the microeconomy and unspoken negotiation embedded in the creation and circulation of these images — which must be purchased with many hours of labor by the inmates.

In these images, rather than acting as a backdrop to the human activity, the artworks function as characters in the scene, silent witnesses to the drama unfolding around them.

This is, happily, redressed by «Transience,» through images of laptops, game consoles, and TVs, as well as new wallpaper, created just for the exhibition, showing a pattern of smartphones, flash drives, fluorescent lightbulbs, and other objects transformed, quite aptly, into a backdrop for his canvases.

This particular image was one of the earliest I made using the studio wall as a backdrop.

Juxtaposing truisms against stable, but living or lively, backdrops would invite comparisons to seasoned conceptual artists such as Jenny Holzer, Alfredo Jaar, Christopher Wool, or Gillian Wearing; Benjamin and Brunkalla's inception, however, accelerates textual art into the moving image.

Reski enacts his own succumbing to the onslaught of contemporary pop - cultural imagery as a theatrical backdrop in which to plant images that distil desperation into metaphors for desperation.

The Sunroom's surrounding vista becomes a backdrop as he layers images that reference the changing view and cycles of nature over the seasons.

The centrepiece — a video installation from which the exhibition draws its title — serves as the literal and conceptual backdrop for the exhibition, whereby the romanticized image of a sunset operates as a critique of colonial intervention and appropriation of nature for economic ends.

Spliced together to create multiple iterations of the maps, the images on the walls serve as an hommage to the artist and form a literal backdrop or framing device onto which other art works will be hung.

Faces, arms or backdrops can sometimes be recognized in the images, as to hint at the process of creation.

«Architecture as Metaphor» brings together a body of works by 33 artists from the UK, Germany and Holland, where architecture and the built environment become the primary motif and expressive image, transcending their traditional «subordinate» role in visual art as a setting, backdrop or context.

Some of his paintings, which appear at first glance to be Op art — esque abstractions, use images directly from pop culture: Mainframe (all works 2013), for example, displays the artist's penchant for sci - fi refulgence as it visually mimics a backdrop from Stanley Kubrick's seminal 2001: A Space Odyssey (1968).

«His art... is about the human condition, which is why the images or scenes depicted are not specific to China, nor especially to the era... and individual experience in this rapidly modernising society acts as a backdrop to Jia Aili's awareness of human frailty, vulnerability, and the need to be mindful of one's surroundings.»

Photographing his subjects with their faces turned away from the camera, and using textiles sourced from the market as a backdrop, the images highlight the radical transformation of the figure by means of goods stacked and balanced on and around their bodies.

This relic of an image from 1991 became the backdrop for a series of retrospective tableaux — compositions that might be thought of as talismanic, votives to persons past and present.

Consistent with Shaw's iconic practice of appropriating found images and objects, guest curator Philipp Kaiser encouraged the artist to consider these enigmatic artifacts, including the Freemasons» monumental theatrical backdrops, as a starting point.

It is a changing portrait of society, pictorial space animated by the moving backdrop of the room as well as the coloured ink image which since 1973 has been directly silkscreened onto the surface.

Though his talent as a photographer was recognized early in his career, it was his solo exhibition at The Victoria and Albert Museum in 1986 and the subsequent use of his images on album covers and concert backdrops for the musician Morrissey in the 1990s that renewed interest in his work.

The mirrored extension from which the paintings slides, doubles as backdrop or curtain, reflecting a fractured image of the viewer and thus implicating the viewer's role as audience.

Tap on the three - dot overflow menu in the top - right corner of the Chromecast card — it should be showing the same image that's currently on your TV, known as a «backdrop.»

Animated GIF images to be used as a backdrop.

Basically, you need to create a couple of 1 × 1 images that you can place in a folder on Google Photos, which you'll set as your backdrop.

The end result of all these changes is a focus on just how much real estate the screen has to offer, which works well with rich images used as backdrops.»

The Chromecast backdrop will be able to show pictures from Getty Images and 500px, and Flickr and Facebook support is coming as well.

Custom wallpapers are another trendy inclusion and allow you to save a screenshot from your favorite game as the backdrop image on the home screen.

The 23MP PixelMaster 3.0 camera features a Sony IMX318 image sensor to vividly capture the environment as a backdrop for AR experiences while serving as an excellent, high - resolution camera for photos.

Using something as simple as a shower curtain, this app allows you to add in images or backdrops to tell your story even better!

In addition, new materials such as wrought iron, oak, leather and limestone were introduced along with images of the Texas landscape to serve as a backdrop.

But as you can see by all the images prior to this one, there is a huge variation of grays that simply provide a calm, neutral backdrop when mixed with warm colours.

Bright - white walls serve as a clean backdrop for Taylor's textile collections and inspirational images.