The resulting
images blur the lines between reality and fiction, simultaneously documenting his activity and portraying an impossible event.
Anders Oinonen's unique
images blur the line between abstract expressionism and representational painting.
Not exact matches
The
image above is the first official confirmation that an Aston Martin V12 Vantage GT3 is on the way, and we can expect it to debut at the Geneva Motor Show in March as a limited edition Vantage that
blurs the
lines between road and track.
Recent titles, such as Erin Stalcup's novel, Every Living Species, and Frances Cannon's graphic memoir, The Highs and Lows of Shapeshift Ma and Big - Little Frank, have
blurred the
line between
image and word, while others, such as Glenn Shaheen's short story collection, Carnivalia, have combined poetry and prose.
These
images make the story feel even more real —
blurring the
line between fiction and reality.
At Gladstone Gallery, Thomas Hirschhorn explored «de-pixelation,» or the removal of
blurs and pixels that typically obscure graphic
images in the media, drawing a
line between fake news, modernist abstraction, fashion advertising, and war photography.
Moreover, echoing Gerhard Richter's Strip prints presenting colourful horizontal
lines, Forsyth's digitally - altered pieces transform
images into
blurred vertical strips.
Including photography, film, text, sound and archival material, this project
blurs the
lines between fiction and documentary, exploring how
images inform our understanding of myth and reality.
Streuli's
images of people moving through and among each other
blur a
line between portraying anonymity and individuality.
DS+R's architectural projects include: the Lincoln Center for the Performing Arts expansion and redesign; the Institute of Contemporary Art in Boston; the High
Line in N.Y.;
Blur in Switzerland; the Broad Museum in L.A.; the Museum of
Image and Sound in Rio; the Berkeley Art Museum & Pacific Film Archive; and Culture Shed, N.Y.
The push and pull of the erased
lines blurs not only the
image but also the border between two and three - dimensional work.
Her composite
images of the female body, which
blur the
lines between photorealism and abstraction, have received wide attention.
In the work, Tækker is captured in a state of loneliness that is both comic and tragic; the multiplication of his
image obscures time and
blurs the
line between the work and reality, raising questions of existentialism in a digital reality.
Slate, September 28, 2016, This Photographer Playfully
Blurs the
Line Between Personal and Commercial
Images
Blurring the
lines between two and three dimensions, Rafferty attaches her wall - mounted works using custom - painted screws that break up the
images.
over an older video of herself,
blurring the
line between documentary and performance while also making it difficult to tell which
image of the artist is present, which is past, and which of these is therefore truly performing.
David Claerbout's paintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena,
blurring the
line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of
lines of stamped text into singular abstract
images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freeze - frame.
This show, titled «David Salle: Paintings 1985 — 1995,» surveys a period in which he created canvases that appear to include appropriated
images, often layering them to create dense compositions that
blur the
line between original pictures and ready - made ones.
Nevertheless, it is in the performance of «Unhinged,» a series of vertical diptychs by Joe Zucker, that the
line between
image and object becomes especially
blurred.
Whether introducing glass fragments on a print, thereby
blurring the
line between
image and physical object, such as in Impossible Objects # 4, or casting a hybrid material she developed called puffy glass, Srinivasan's experimental contributions to the field are undeniable.
Diane Arbus's photograph Clouds on - screen at a drive - in movie, N.J. (1960), for example,
blurs the
line between the mundane and the transcendent with its
image of a billowing cloud on the movie screen against the evening sky.
In her first solo exhibition in Germany, artist Kate Steciw manipulates a very limited number of stock
images into unique layered compositions,
blurring the
line between representation and abstraction.
Images as poetic footprints through their fascinating composition that
blurred the
lines between photography and digital retouching, between document and artistic research.
Diane Arbus's photograph Clouds on a Screen at a Drive - in, N.J. (1960), for example,
blurs the
line between the mundane and the transcendent with its
image of a billowing cloud on the movie screen against the evening sky.
In his composite photograph Every Page of Roland Barthes's Book Camera Lucida (2004), Idris Khan has presented the book as a blackened palimpsest, its famous
images mere
blurred phantoms among illegible
lines of text.
With its slightly suffused
lines it echoes the
blurred technique in Richter's photographic paintings whereby one has the feeling of looking at an out of focus
image tantalizingly beyond decipherment.
Using found
images, Steciw creates unique layered compositions with her deconstructive methods,
blurring the
line between representation and abstraction.
From a certain angle, glinting reflections on the powdery gesso dance like sun on snow, and a pattern of
blurred «ghost»
images of rectangles start to appear the way the white «stars» flicker at the intersections of black
lines in a Mondrian.
In his solo exhibition «Multiplicities», Rey Parlá
blurs the
line between the
image and the process, between intuition and surprise.
Fornieles pursues his ongoing interest in the
blurred lines between the virtual and the real to create a complex exhibition featuring digital
images, sculpture, choreographed performance and a new online commission.
As a further nod to Fernández's favourite subject of landscape and perception, the
line between artwork and viewer is
blurred by the golden surface, which reflects the
image of the spectator in its negative space.
In Multiplicities, Parlá
blurs the
line between the
image and the...
Two additional ocean surface
images represent a notable technical departure: In Untitled (Ocean Drypoint), the
image is entirely constructed of tiny
lines rather than tonalities, and in Untitled (Ocean Mezzotint), waves are expressionist and
blurred, implying movement over stillness.
Sperling built his career with offbeat assemblages that
blur the
line between painting and sculpture,
image and object.
Sperling's dynamic clusters of brightly colored forms
blur the
lines between painting and sculpture,
image and object.
Appropriating characters,
images and effects from pop culture, the work of KAWS
blurs the
lines between high and low art, and between art and fashion.
Thirty - five years later, in a new series of photographs after Walker Evans, Sherrie Levine returns to the earlier project, however, this time the
lines between object and
image, ownership and authorship are even further
blurred.
Cmelka's practice spans from her early experimental films through photographic reworkings of film stills, ad
images, and production shots to her performances — known as «microdramas» — which act as reflexive commentaries on the poles of art and life by
blurring the
line dividing staging from reality.
Without the two lenses, the Mi Mix 2 avoids the depth - mapping for software - applied
blurred backgrounds that's become so common in phones these days - think Portrait mode in the iPhone - opting instead for simpler tilt / shift and parallel
blur lines (if you want to soften the edges of an
image to make it look miniature).
Unlike the Note 8's Live Focus feature, however, Portrait Mode still doesn't work great with subjects that aren't people —
lines become
blurred and depending on what you're taking an
image of, the photo often won't turn out.
Photos taken with the Blackphone on a Manhattan street were crisp and clear, but the HDR
images had much better exposure and sharper architectural
lines (although fast - paced pedestrians looked even more
blurred).