Sentences with phrase «images feature figures»

Many of Akunyili Crosby's images feature figures — images of family and friends — in scenarios derived from familiar domestic experiences: eating, drinking, watching TV.

Not exact matches

Figure 2: The distributions of the «featured» vote fraction for real (SDSS; Green, filled bars) and simulated (Illustris; Blue, hollow bars) galaxy images.

→ I'm having an issue with the coding on my site, for the life of me I simply can't figure out why all of a sudden my featured image is aligning to the left instead of being centered.

Additionally, the first official image from Westworld season two has been released, which features an intense looking Bernard Lowe (Jeffrey Wright) along with a mysterious figure behind him.

One of the most offbeat and interesting sections involve the perpetually cigar - clutching aristocrat, whose home is a monument to bad taste and who dons a traditional cape to welcome visitors, which features some of the director's wryest images, while the paramedic, who's seen at work and at home, strikes an affecting figure.

The tweet (below) features an image of Gamora, Spider - Man, Rocket Raccoon, Iron Man and Captain America staring at a tiny figure in The Incredible Hulk's open palm, along with the teaser «Something big is coming to Disney Infinity.»

Hot Toys has released a batch of promotional images for its 1 / 6th scale Iron Man collectible figurine in Mark XXVI armor from Iron Man 3; check them out here... The collectible Figure stands approximately 34 cm tall, featuring suit's distinctive design with a pair of spring - loaded Pneumatic Hammers, specially applied dark green, gray, and silver -LSB-...]

... Moving on to the DC Extended Universe and Warner Bros. has released a new image from Justice League featuring Ben Affleck's Batman, Gal Gadot's Wonder Woman and Ezra Miller's The Flash [see here], while LEGO unveiled its life - size LEGO build of The Flash set to be displayed at Comic - Con [see here], Jada Toys released promo images for its Justice League Metalfigs [see here], and we got our first look at Steppenwolf thanks to a leaked image of an action figure set [see here].

With an image featuring Star - Lord and a whole family of Nova's (characters that didn't figure in the original storyline) along with Thanos, the teaser once again show whatever is happening in Summer 2015 isn't a straight rehash of the previous storylines.

Funko has unveiled its upcoming line of Women of Marvel Rock Candy collectible figures which includes Captain Marvel, Spider - Gwen, a masked Spider - Gwen Hot Topic exclusive, She - Hulk, a glow in the dark She - Hulk Walmart exclusive and Thor; take a look at the official promotional images here... These 5 ″ stylized vinyl figures feature the powerhouse women of Marvel!

Featured Image (which I freely admit hasn't much to do with the content of this blog post but that I like anyway — I couldn't figure out how to depict climate change) courtesy of Elizabeth Haslam via Flickr.

Thayer's installations are highly theatrical sight - sound environments featuring handmade backdrops, puppet - like figures, stop - motion collage animations, and vintage audio and image - making equipment.

Image: Dali Port Ligat The collection features Spanish sculptor, printmaker, ceramicist and painter Joan Miro, a key figure in the Surreailist movement.

[2] In the early 1960s, he concentrated on specific archetypes in paintings and woodcuts, mostly of rebels, heroes, and shepherds, becoming increasingly interested in anamorphosis, the distorted or monstrous representation of an image, as exemplified in the proportions and facial features of his figures.

Everything is going to be alright, Elizabeth Cherry Gallery, curated by Bob Nickas, Tucson, Arizona, USA Fresh: Recent Acquisitions, Albright - Knox Art Gallery, Buffalo, New York, USA Works on Paper From Acconci to Zittel, Victoria Miro Gallery, London, England Next Wave Prints v. 2.0, Elias Fine Art, Allston, Massachusetts, USA New Paintings, Wayne Gonzales, Jacqueline Humphries, Jonathan Lasker, Blake Rayne, Dan Walsh, Kevin Bruk Gallery, Miami, USA 2000 Drawings & Photographs, Matthew Marks Gallery, New York, USA What's So Funny About Color, Elias Fine Art, Boston, USA Glee: Painting Now, The Aldrich Museum of Contemporary Art, Ridgefield, CT Palm Beach Institute of Contemporary Art, Organized by Amy Cappellazzo and Jessica Hough), Florida, USA PICT: Digital Image Painting, Banff Centre for the Arts, curated by Yvonne Force and Carmen Zita) Alberta, Canada Paula Cooper Gallery, New York, with R. Grosvenor, R. Lichtenstein, R. McBride and D. Walsh, Tomio Koyama Gallery, Tokyo, Japan Hex Enduction Hour, Team Gallery, New York, USA (Curated by Bob Nickas)(212), Gary Tatintsian Gallery, New York (Organized by Irena Popiashvili, catalogue with essay by Christine Kim) Bit By Bit: Painting & Digital Culture, Numark Gallery, Washington, USA 1999 Sweet & Sour, Galerie Art & Public, Geneva, Switzerland Digital Sites, Numark Gallery, Washington, USA 1998 Brite Magic, Islip Art Museum, East Islip, New York, USA (Curated by Carolanna Parlatto) 1997 Diamond Dogs, Team Gallery, New York, USA Super Body, Tomio Koyama Gallery, Tokyo, Japan 1996 Face and Figure in Contemporary Art, Museum of Fine Arts, Boston, USA AbFab, Feature, New York, USA Mutate / Loving the New Flesh, Lauren Wittels Gallery, New York, USA (Curated by Michael Cohen) Supastore de Luxe, UP & Co., New York, USA (Curated by Sarah Staton)

Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redFigure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redfigure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.

Featuring some of the artist's most innovative works, Lichtenstein: Re-Figure aims not only to highlight the artist's engagement with the human figure — a central theme throughout his career — but also to «re-figure,» in the sense of reassessing, the common yet reductive view of Lichtenstein as the painter of pop culture images.

The accompanying publication Future Now: 100 Contemporary Artists 2017, featuring artists» statements, images of their works and essays from leading art figures, is available to purchase online from the Aesthetica shop.

Exhibitionism's 16 exhibitions in the Hessel Museum are (1) «Jonathan Borofsky,» featuring Borofsky's Green Space Painting with Chattering Man at 2,814,787; (2) «Andy Warhol and Matthew Higgs,» including Warhol's portrait of Marieluise Hessel and a work by Higgs; (3) «Art as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.»

The prints are from the series A New American Photography, into which Rickard undoubtedly put an enormous amount of time researching the most devastated regions of the United States and then scouring the Google Street View database to extract images, often featuring figures.

Feature Image: Sarah Charlesworth, Figures from «Objects of Desire I,» 1983 - 84.

Featured images: Jacob Epstein — Doves, 1914 — 15, via tate.org.uk; Jean Arp — Coryphée, 1961, via natalieroussi.com; Ivan Mestrovic — Well of Life, via thalo.com; Isamu Noguchi's gardens in Costa Mesa, California, via thetastesetters.com; Henry Moore — Reclining Figure, via theglobeandmail.com; Emily Young — Little Cloud Head I, via bowmansculpture.com; Barbara Hepworth — Doves (Group), 1927, via astrofella.wordpress.com; Agnes Nyanhongo Sculpture, via agnesnyanhongo.com

In erasing features, removing limbs, expanding scale, and joining together internal and external bodily parts, she creates three - dimensional figures and objects in clay that move away from familiar images of the human form.

For example, in the book that accompanied her painting Aqueous Flesh (2009), Pundyk reveals that her reference for the human figure was clipped from a newspaper, tree branches from a photo taken out of her family - in - law's New York apartment, facial features from a candid photo of a friend on vacation in Paris, and an abstracted version of two women sourced from an image in a waiting room magazine.

Here Bickerton's merging of figuration and abstraction comes to new levels: in m - DNA eve 3, for example, he has nearly obscured the image of the figure with impasto strokes of vibrant green, blue and yellow paint, blending the foreground and background until the model's bulging, exaggerated features seemingly emerge from the camouflage.

This selection of drawings and prints traces a range of subjects, including: «Ideas Generation», where artists use the immediacy of drawing as a means to prepare and refine a concept; «Systems, Architectonics and Abstraction», in which predetermined rules, structures and methods govern the form of the image; «Expressions of Anatomy», where intimate portrayals of the figure assume a central position; «Graphic Narratives / Surreal Legacies», featuring imagery from the fantastically bizarre to the comically illustrative; and «Historia», which examines how drawing has been used to question the role of photography in the mediation and construction of historical memory.

By 1964, he began constructing images, which he titled» Composites,» to better express the urban jitteriness he felt, and the exhibition features a small never - before - seen macquette of a grid of 12 contact prints of shapes of light seen between the tops of buildings, as well as a unique work titled In the Depths with seven strips of figures brightly lit and isolated in shadows.

Ornament is Crime is also interspersed with classic song lyrics, literary excerpts and insightful quotes from some of the leading figures of modernist architecture, adding depth and context to the featured images.

The edition features rough images of dark, shadowy figures that intensify the suspense of Poe's text.

Miniaturesque will feature seventeen new images on paper and aluminium as well as new sculptural pieces, one of which is Slinkachu's biggest yet featuring over 200 miniature figures in a recreation of The River Thames.

Whereas the Warhol work features only one large cartoon character, Condo complicates the image by including multiple figures, some of them photographic.

The images draw connections current advertisements that feature the male African American figure and the cotton and slave trades that made America so wealthy.

Critically lauded, the exhibition features more than 70 paintings spanning more than three decades — images of the black experience and inventive portraits of pivotable figures such as Harriet Tubman and Nat Turner.

Words by Niamh Leonard - Bedwell Feature image: Female Figure, Jordan Wolfson, film still (via David Zwirner)

Artwork featured in gallery: A stained glass image of two figures embracing.

Artwork featured in gallery: This image shows a carved wood very stylized African female figure seated with a large head..

Featuring large color plates, the book is anchored by photographs of Wolfson's bewitching, repulsive» (Female figure) 2014» taken by Andreas Laszlo Konrath, who documented every aspect of the exhibition including many behind - the - scenes images of its gallery installation.

Based in Upper Montclair, N.J., Williamson's colorful paintings often feature floating doll - like figures conveying elusive ideas and emotions, leaving the viewer to guess at the meaning and significance of the «enigmatic and evocative» images.

Selected Exhibitions 2009 Zenith Gallery, Washington, DC, For Real, group exhibit 2008 Zenith Gallery, Washington, DC, What Remains: The American Landscape Portfolio Edition, solo exhibit Zenith Gallery, Washington, DC, Trees of Life, 30th Anniversary Show, group exhibit 2007 Zenith Gallery, Washington, DC, What Remains: The American Landscape, solo exhibit 2006 Zenith Gallery, Washington, DC, 28th Anniversary Exhibition, group exhibit 2005 Zenith Gallery, Washington, DC, Into the Minds of Nine, group exhibit Zenith Gallery, Washington, DC, La vie quotidienne: Scenes from Paris to Provence, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 22nd Annual Portrait Show 2004 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes 2004, group exhibit Parker Gallery, Washington, DC, Beyond Brittany: 1977 - 1979, group exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 21st Annual Portrait Show Zenith Gallery, Washington, DC, Zenith Style: Art & Craft for Home & Office, group exhibit Zenith Gallery, Washington, DC, This Land is Your Land, This Land is My Land, group exhibit 2003 Bermuda National Gallery, Hamilton, Bermuda, Inside & Out, House & Home, group exhibit Zenith Gallery, Washington, DC, Near and Far: Recent Landscape Paintings, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 20th Annual Portrait Show 2002 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes Zenith Gallery, Washington, DC, The Dog Days of Summer Zenith Gallery, Washington, DC, New Artists... New Space, Summer Show 2002 2002 Hilligoss Galleries, Chicago, IL, Oil Painters of America, Eleventh Annual National Juried Exhibition of Traditional Oils Francesca Anderson Fine Art, Portraits North, Lexington, MA, 19th Annual Portrait Show 2001 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Northern Virginia Fine Arts Association, Alexandria, VA, Contemporary Realism: A Survey of Washington Area Artists Zantman Art Galleries, Palm Desert, CA, Oil Painters of America, Tenth Annual National Juried Exhibition of Traditional Oils Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Francesca Anderson Fine Art, Portraits North, Lexington, MA, 18th Annual Portrait Show 2000 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Rock Creek Gallery, Washington, DC, Studio 310 Reunion Francesca Anderson Fine Art, Portraits North, Lexington, MA, 17th Annual Portrait Show Spectrum Gallery, Washington, DC, Spectrum Plus Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Zenith Gallery, Washington, DC, Zenith Gallery at 22 1999 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour, recipient of the Steven L. Aschenbrenner Collector's Award Zenith Gallery, Washington, DC, New Works for the Millenium Francesca Anderson Fine Art, Portraits North, Lexington, MA, 16th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1998 Byrne Gallery, Middleburg, VA, Lightmotifs, solo exhibit Mystic Maritime Gallery, Mystic, CT, 19th Annual International Marine Art Exhibition Francesca Anderson Fine Art, Portraits North, Lexington, MA, 15th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1997 Arts Club of Washington, Washington DC, Luminous Journeys, solo exhibit Ballantyne & Douglass Fine Art Gallery, Cannon Beach, OR, featured artist The Artists» Museum, Washington, DC Francesca Anderson Fine Art, Portraits North, Lexington, MA, 14th Annual Portrait Show Morgan Peyton Fine Arts, Charleston, WVA, Journeys through the Virginias, solo exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit Howard / Mandville Gallery, Edmonds, WA, Paintings of the American Landscape 1996 Howard / Mandville Gallery, Kirkland, WA, Pleasures of the Garden Francesca Anderson Fine Art, Portraits North, Lexington, MA, 13th Annual Portrait Show Howard / Mandville Gallery, Edmonds, WA, 2nd Annual Paintings of the American Landscape Gallery 4, Alexandria, VA, Landscapes Cudahy Gallery, Richmond, VA, 15th Anniversary Celebration Charles County Community College, La Plata, MD, Landscapes, solo exhibit 1995 Cudahy Gallery, Richmond, VA, Landscapes 1994 Hollis Taggart Gallery, Washington, DC, Portraits Montgomery County College, Rockville, MD, George Washington Faculty Exhibit DeMatteis Gallery, Annapolis MD, The Figure Fine Arts Gallery, Georgetown University, Washington, DC, Portraiture, co-curator 1993 Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1992 Fine Arts Gallery, Georgetown University, Washington, DC, faculty exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1991 Fine Arts Gallery, Georgetown University, Washington, DC Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1989 Plum Gallery, Kensington, MD, Capital Image 1989 Cudahy Gallery, Richmond, VA, National Portrait Exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1988 Fine Arts Gallery, Georgetown University, Washington, DC, Images of Georgetown, A Bicentennial Celebration 1986 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition 1985 Gallery 4, Alexandria, VA, Washington Landscapes Plum Gallery, Kensington, MD, The Capitol Image Today 1985 The Times Journal Co., Springfield, VA, In and Around Washington 1984 St. Petersburg Historical Society, St. Petersburg, FL 1984 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition Strathmore Hall, Rockville, MD, Metro Art Fairfax County Council of the Arts, Fairfax, VA, juried exhibit curated by Michael Botwinick, director, Corcoran Gallery of Art, Washington, DC World Bank Art Society, Washington, DC 1983 Arlington Arts Center, Arlington, VA, Areawide Painting Exhibition, juried by Frederick Brandt, curator, Virginia Museum of Fine Arts, Richmond, VA American Artists Professional League, New York, NY, Juried Grand National Exhibition Twentieth Century Gallery, Williamsburg, VA

This exhibition features the artist's well - known images and themes, such as Spider Woman (2005), The Angry Cat (1999), and Hanging Figure (2000).

To accompany the group exhibition Double Agent in 2008, Phil Collins has made the photographic print You'll Never Work In This Town Again (2009) for the ICA, featuring two of the images from his series you'll never work in this town again (2004 — on - going), which is a series of photographic portraits of curators, critics, dealers, collectors and other figures in the art world — photographed on the understanding that the image would be taken immediately after the artist had slapped each sitter hard around the face.

The ensemble image by Los Angeles - based illustrator Kadir Nelson also features Harlem's towering figures of the arts and letters, jazz and politics, including Zora Neale Hurston, James Baldwin, Malcolm X, Duke Ellington, and Billie Holiday.

The show offers the chance to see pieces by less familiar artists as well as early or underknown works by key figures, such as Mike Kelley's first installation, Untitled (from The Little Girl's Room), 1980, consisting of objects and images obliquely suggesting a young girl's bedroom, and Eleanor Antin's cardboard airplane with cutout figures that served as the set for her feature - length video The Nurse and the Hijackers (1977).

One of the works, Lenticular (2013), exploring train of the Planet through figures of self - taught astronomer, filmed at an old observatory in Dundee, is shown in this book together with its installation view of dome shaped and rectangle channels to feature its sculptural presence, while Aurora (2013) is enhanced the work's rather powerful charms by showing images in various sizes.

Ranging from pitchers and vases to bowls and plates, many feature figurative images, from deathly skulls to grimacing figures.

The primary component in Time and the Technosphere is a suite of photographs featuring restaged advertisements and instruction manual images, tessellating inward around repeated demonstrations by a recurring figure.

- The Visionaire 2010, the 57th in the series, features 52 important figures as curators, with each selecting 7 artists making a total of 365 artists, and one image per artist for one image a day.

From slick avatars and popular icons to images rooted in mythology and animal instincts, the installation features works by over 25 artists including Georg Baselitz, Joseph Beuys, Jean - Michel Basquiat, Ellen Gallagher, Leon Golub, Jenny Holzer, Damien Hirst, Takashi Murakami, and Andy Warhol plus Thomas Houseago's Giant Figure (Cyclops), 2011, which is making its U.S. debut.

Featured image: «Business and financial graph and figure report on desk in the office» from Shutterstock.

This time, we're teased with more than just a logo and the color red, as the image features seven cowboy-esque figures silhouetted in the distance against the horizon.