Sally Gil's technicolor utopias draw the viewer into complex worlds where iconic
images form unexpected poetic
Sally Gil's technicolor utopias draw the viewer into complex worlds where iconic
images form unexpected poetic passages and nonlinear story lines.
Not exact matches
The idea of the fence, perceived here and there in
form, and cropping up in
images in a booklet published with the exhibit, connects material and content, revealing
unexpected affinities.
that asked spectators to look, walk, view, read, and think about combinations of objects,
images, and texts installed in a gallery and the Swedish curator Maria Lind's groundbreaking renovations of the exhibition
form and the museum space into something more active, open, and democratic inviting the public into new and
unexpected encounters with works of art and institutions.
The narrative is bracketed by American artist Robert Smithson's seminal non-sites that asked spectators to look, walk, view, read, and think about combinations of objects,
images, and texts installed in a gallery and the Swedish curator Maria Lind's groundbreaking renovations of the exhibition
form and the museum space into something more active, open, and democratic inviting the public into new and
unexpected encounters with works of art and institutions.
Drawing from his own collection of
images, the artist presents
unexpected yet poignant juxtapositions of
forms, materials and ideas that suggest new associations and narratives.