Sentences with phrase «images in works of art»

Not exact matches

(All four once worked together at Image Club Graphics, a developer of fonts and clip art, in the 1990s.)

Copywriter Salaries Copywriting Examples Start Learning Copy Now Copywriting Tools Consulting As A Side Job How To Become A Copywriter Make a Copywriting Portfolio Copywriting Books and Courses Freelance Writing for Beginners Swipe File Copywriting Guides: The State of Copywriting 2018 Direct Mail Marketing Guide One Pager Examples Sell Me This Pen Leading Questions Why Use Images vs Text How To Write A Brochure Headlines That Sell Using Ear Plugs To Write Writing Guides Three Tiered Pricing Different Pricing Examples How To Make A PDF Billboard Advertising Guide Write an AirBnB Description How to Write a SWOT Analysis Job Interview Questions How to Write a Memo How to Write a Testimonial Make Money Licensing Music How to Create a Tagline Work From Home Successfully LinkedIn Recommendations Choosing The Right Photos How to Start A Conversation How to Sell Art Online How To Become A Life Coach Best Business Podcasts Tone of Voice in Copywriting Workplace Communication Skills Power & Trigger Words For Sales Content Marketing Guides: Writing Advertorials Easiest Font to Read How To Write A Follow Up Email Cold Email Like A Boss S&P 500 Company Slogan Effective Sales Letters How to Write a Newsletter How to Write an About Page How to Get Your Posts Seen Making A Content Mill Real Estate Flyers Get First Photography Job Email Open Rate Examples Content Writing vs Copywriting Become A Famous YouTuber Story Arcs for Content Marketing Copywriter Mentality: Writers Block Copywriting Quotes Psychology of Marketing Taking a Workcation to Think Health / Wealth / Love Test How to Interview Someone Get a Job or Start a Business?

Images and objects can symbolize a personal search for meaning, and in the sanctuaries of museums people may almost genuflect before such art works.

In understanding the work of art as a language - event, an image - event, the hermeneutics of Hans - Georg Gadamer and Paul Ricoeur offered a critique of the formalists» tendency to make «meaning» a static object.

A century ago, T. S. Eliot presented the image of a self - organizing literary culture in «Tradition and the Individual Talent,» one in which «[t] he existing monuments form an ideal order among themselves, which is modified by the introduction of the new (the really new) work of art among them,» which alters «the whole existing order... if ever so slightly.»

In so doing he perhaps had in mind the words of the Catechism of the Catholic Church, which reminds us that, «Created «in the image of God», man also expresses the truth of his relationship with God the Creator by the beauty of his artistic works» before further explaining that, «To the extent that it is inspired by truth and love of beings, art bears a certain likeness to God's activity in what he has createIn so doing he perhaps had in mind the words of the Catechism of the Catholic Church, which reminds us that, «Created «in the image of God», man also expresses the truth of his relationship with God the Creator by the beauty of his artistic works» before further explaining that, «To the extent that it is inspired by truth and love of beings, art bears a certain likeness to God's activity in what he has createin mind the words of the Catechism of the Catholic Church, which reminds us that, «Created «in the image of God», man also expresses the truth of his relationship with God the Creator by the beauty of his artistic works» before further explaining that, «To the extent that it is inspired by truth and love of beings, art bears a certain likeness to God's activity in what he has createin the image of God», man also expresses the truth of his relationship with God the Creator by the beauty of his artistic works» before further explaining that, «To the extent that it is inspired by truth and love of beings, art bears a certain likeness to God's activity in what he has createin what he has created.

This new practice matches more closely a common image of the Cenacle meal as depicted in influential works of art.

According to Gore, her daughter and Hip Mama's art director, Maia Swift, found Ana Alvarez - Errecalde and «reached out to her so we could feature her in Hip Mama as an artist who is doing beautiful work in terms of self - directed and radical images of motherhood.»

Cambridge conservation scientist Spike Bucklow uncovered the knock - down cost of the 1260 AD «Westminter Retable» while researching his latest book «Riddle of the Image», which delves into the materials used in medieval works of art.

Fashionable hairstyles 2017, the images of which are presented in this article, show an interesting combination of older trends and innovative decisions that transform simple hairstyles into extremely interesting works of art Fashionable hairstyles on short hair This year's favorites are

Featuring the image of steer horns in a monochromatic work of art, the Bleached Horns Canvas Wall Art from Marmont Hill brings South Western style to your hoart, the Bleached Horns Canvas Wall Art from Marmont Hill brings South Western style to your hoArt from Marmont Hill brings South Western style to your home.

Working Paper Series # 1: Michael A. Genovese, Art and Politics: The Political Film as a Pedagogical Tool # 2: Donald B. Morlan, Pre-World War II Propaganda: Film as Controversy # 3: Ernest D. Giglio, From Riefenstahl to the Three Stooges: Defining the Political Film # 4: John W. Williams, The Real Oliver North Loses: The Reel Bob Robert Wins # 5: Robert L. Savage, Popular Film and Popular Communication # 6: Andrew Aoki, «Chan Is Missing:» Liberalism and the Blending of a Kaleidoscopic Culture # 7: Barbara Allen, Using Film and Television in the Classroom to Explore the Nexus of Sexual and Political Violence # 8: Robert S. Robins & Jerrold M. Post, Political Paranoia as Cinematic Motif: Stone's «JFK» # 9: Richard A. Brisbin, Jr., From State and Local Censorship to Ratings: Substantitive Rationality, Political Entrepreneurship, and Sex in the Movies # 10: Stefanie L. Martin, Fiction and Independent Films: Creating Viable Communities and Coalitions by Reappropriating History # 11: Peter J. Haas, A Typology of Political Film # 12: Phillip L. Gianos, The Cold War in U.S. Films: Representing the Political Other # 13: Michael A. Genovese, The President as Icon & Straw Man: Hollywood & the Presidential Image # 14: Michael Krukones, Hollywood's Portrayal of the American President in the 1930s: A Strong and Revered Leader # 15.

Finally, for those wondering about the «nude image» mentioned in the MPAA's rating descriptor, it refers to a fascination young Jane has for a painting of a reclining nude woman (the work of art is seen in close - up).

One of my favourite things to happen in the cinema this year may not have even been a film itself, but, as the aspect ratios of «moving image art works» are stretched, until they seem boundless, what does it matter any more?

A fan has reproduced the iconic Metal Gear Solid weapons and loadout in Metal Gear Solid V: The Phantom Pain, offering a series of images on Imgur to showcase his one of a kind work of art.

Visual artist Sophie Clements joins her longtime sound design / music collaborator Jo Wills to discuss their site - specific piece Attempting to Delay the Inevitable, an installation at the Dolby Gallery; the role of sound in her visual art pieces; why computer - graphics images would never work in her art; and how sound and image collaborate to create wonder, awe, and seduction in the audience.

How to create POP Art based images in Photoshop and short introduction to the work of Andy Warhol.

This has always been a great lesson - students do not know that photography is a baby in terms of art forms at 200 years old and they are really interested in looking at the images to work out why these paintings are so different before and after the invention of photography.

The download pack includes: - Key activities scheme, week by week learning activities - All worksheets which are ready to print or use on a whiteboard / projector / interactive whiteboard (the colour theory presentation is interactive)- Visual examples of final outcomes - Artist image powerpoint and facts - Head templates for designs There is also a student self assessment book and presentation list for boards / sketchbook page content to allow the student to work towards the assessment objectives in art.

A decade later, Alexander's work was featured in a boldly oversize book, At Speed, full of luscious, full - color images that forced viewers to reconsider motorsports photography as fine art.

In the Classroom: After students have read Don Tate's It Jes» Happened: When Bill Traylor Started to Draw and Kathy Whitehead's Art from Her Heart: Folk Artist Clementine Hunter, use an Internet image search to select online images of Bill Traylor's or Clementine Hunter's work, and ensure that you have collected at least one piece of artwork per student.

Accompanying each small biography is a well - reproduced, representative work from each artist and a discussion, in clear, succinct language, that will encourage readers to look closely at the images (and visual art in general) and form their own opinions of what they see.

We know from works of art depicting images of small dogs in a very distinctive lion trim, that the breed dates to the 14th century.

Cannon Beach Photo grants no rights and makes no representations or warranties with respect to the use of any names, trademarks, service mark, logotypes, copyrighted designs or works of art or architecture depicted in any Image.

James» images in black and white declare their subjects as works of art that have become integrated into the surrounding landscape.

The Maritime Museum of interested visitors learn in exhibitions interesting facts about the themes sea, reefs and cayes and the Art Museum Image Factory provide local artists exhibit their works to the audience.

After more than five months of work on the project, the release of a development build last February, and a recent reboot for the game's art style (see above image), indie developer Flashhbang Studios announced that it's suspended development on the HD sequel to Off - Road Velociraptor Safari, with no plans to resume in the forseeable future.

There are a lot of artists who are selling their art online for free, without paying a management fee or doing other things, but they have more than paid for it in other ways: sleepless nights spent working on their Web site, hours spent learning how to upload high resolution images, use social media to gain a following, and write effective copy so that your visitors turn into buyers.

It's been half a century since Carolee Schneemann began the series of daring, erotic, transgressive works that played off her own image as a beauty, the role of the female nude in art history, and the scrappy objects her friends and colleagues were making to push at the boundaries of art and life.

Their work has been presented in major international exhibitions including the Biennale of Moving Image, Centre d'art / Mamco, Geneva, Switzerland (2016); Gwangju Biennale, Gwangju, South Korea (2016); 5th Thessaloniki Biennale of Contemporary Art, State Museum of Contemporary Art, Thessaloniki, Greece (2015); CAFAM Biennial, CAFA Art Museum, Beijing, China (2014); and the Swiss Off - Site Pavillon, 54th Venice Biennale, Venice, Italy (2011).

As a cerebral painter, this body of work continues his interest in systems, minimalism, and Op Art from the 1960s and 70s; with the computer as a drawing tool, his images also explore contemporary graphic design, digital technology and the history of hard - edged abstract, geometric painting.

The image - rich volume «Thornton Dial in the 21st Century» coincided with a 2005 exhibition at the Museum of Fine Arts, Houston, that included a series of large - scale works Dial created in tribute to the Gee's Bend artists, and «Thornton Dial: Thoughts on Paper» explores his early drawings.

The historical importance of McCall's work has been recognized in such exhibitions as «Into the Light: the Projected Image in American Art 1964 - 77,» Whitney Museum of American Art (2001 - 2); «The Expanded Screen: Actions and Installations of the Sixties and Seventies,» Museum Moderner Kunst, Vienna (2003 - 4); «The Expanded Eye,» Kunsthaus Zurich (2006); «Beyond Cinema: the Art of Projection,» Hamburger Bahnhof, Berlin (2006 - 7); «The Cinema Effect: Illusion, Reality and the Projected Image,» and Hirshhorn Museum, Washington DC (2008); and «Dreamlands», Whitney Museum of American Art (2017).

Collection, Museum of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum of Art, Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum of Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert Gallery, New York, NY 1981 New Work, Roy Boyd Gallery, Chicago, IL 1981 Artists Books, Metrònom, Barcelona, Spain 1980 Little Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation, Artists Space, New York, NY 1980 New York Painters, University of Rochester, Rochester, NY 1980 Works of Art, Patricia Sneed Gallery, Rockford, IL 1980 Group Show, Roy Boyd Gallery, Chicago, IL 1980 Collection of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979 Artist's Postcards, Ananas Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum of Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid Gallery, Providence, MA 1978 Detective Show, Gorman Park, Jackson Heights, NY 1978 Works on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978 Black and White on Paper, Nobe Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978 Artists Books: USA, New Gallery, Cleveland, OH 1977 Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to American Foundation for the Arts, Miami, FL; Contemporary Arts Center, Cincinnati, OH 1977 Book Objects, Albright - Knox Art Gallery, Buffalo, NY 1977 A Painting Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College of Art, Philadelphia, PA 1977 Ideas — Images, Eugenia Cucalon Gallery, New York, NY 1977 Postcards and Other Mail, Jock Truman, New York, NY 1977 Wrapping Paper Invitational, Nobe Gallery, New York, NY 1977 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976 Works on Paper, Hal Bromm, New York, NY 1976 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1975 Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare, Central Hall Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare, Central Hall Gallery, Port Washington, NY 1975 Abstraction Alive and Well, SUNY, Potsdam, NY 1975 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974 Black as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973 Black Paintings, Nancy Hoffman Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris Gallery, New York, NY 1973 Nine New York Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972 Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University of Maryland, College Park, MD 1971 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni Show, Hofstra University, Hempstead, NY 1970 Young Artists: New York 1970, Greenwich, CT

Burkhardt's works were included in the the 1955 Bienal de São Paulo, and starting with the Metropolitan Museum of Art in N.Y. in 1950, were exhibited in museums throughout the U.S. Image Credit: Hans Burkhardt, City At Night I, Guadalajara, 1957, oil on canvas, 50 x 60».

These were Sutton's first works on plywood, and some were exhibited in New Works of Contemporary Art and Music at the Fruitmarket Gallery in Edinburgh and Assembly & Image Paintings at the Lisson Gallery in London, both in works on plywood, and some were exhibited in New Works of Contemporary Art and Music at the Fruitmarket Gallery in Edinburgh and Assembly & Image Paintings at the Lisson Gallery in London, both in Works of Contemporary Art and Music at the Fruitmarket Gallery in Edinburgh and Assembly & Image Paintings at the Lisson Gallery in London, both in 1981.

The New Orleans Museum of Art is a proud partner of the Google Cultural Institute, offering high - resolution images of works in the museum's permanent collection to audiences around the world.

Images of sex, so often depicted from a male perspective ---- whether for overtly pornographic purposes or with greater prurience in the high art context ---- are in Semmel's work reconfigured from her perspective as a woman witnessing, capturing, and interpreting the act.

Beshty writes further that DeFeo's object: «would appear in photographs of her home and studio, the images positioned uncomfortably between works of art, studies, and simple documentation, showing the object in its mundane existence, a nod to its modest belonging in the quotidian.

The Cantor Arts Center at Stanford University is pleased to announce Soulmaker: The Times of Lewis Hine, a new exhibition that explores the artistic mastery of photographer Lewis Hine's images of children working in mills and factories in the early 20th century.

In high profile locations, site - specific installations of images transform everyday activity in public space into unique encounters with works of art that resonate with their environmenIn high profile locations, site - specific installations of images transform everyday activity in public space into unique encounters with works of art that resonate with their environmenin public space into unique encounters with works of art that resonate with their environment.

Trained in art history and sculpture, her body of work is distinctive in its layering of sound, images and ideas in sophisticated and ethereal multimedia collages, encompassing video, drawing, installation, sound, performance and text.

Traveled to Blum Helman Gallery, New York (July 13 — August 17); Murray State University, Murray, Kentucky (November — December); Grand Rapids Art Museum, Grand Rapids, Michigan (January 12 — February 25, 1990); University Art Gallery, University of North Texas, Denton (September — October 1990); Richard F. Brush Gallery, St. Lawrence University, Canton, New York (November — December 1990); and the University of Oklahoma Museum of Art, Norman (January 18 — March 3, 1991) Morceaux Choisis 1: Sélections des acquisitions du FRAC de Haute - Normandie 1983 — 1988, Fonds Régionale d'Art Contemporain de Haute - Normandie, Hôtel de Région, Rouen, France (May 9 — June 2) The Linear Image: American Master Works on Paper Since 1939, Marisa del Re Gallery, New York (April 25 — May 27) Emplois du Temps: Exposition de Peinture Contemporaine, Salle des Procureurs du Palais de Justice de Rouen, France (April 21 — May 2) Made in America, Virginia Beach Center for the Arts, Virginia Beach (April 5 — June 11) Methods in Abstraction, Gallery Urban, New York (March 3 — 25) Ronald Bladen the 1950s: Bluhm, Bolotowsky, Held, Mitchell, Youngerman, Washburn Gallery, New York (February 7 — March 12) Important Works on Paper, Meredith Long Gallery, Houston

Kessling works across a range of media such as photography, film, and performance, and here the images reflect performative tools for exploring identity, often juxtaposing the artist's own body with objects and materials such as dust sheets, clay, fabric and paper bags used with transformative effect — the temporal nature of the performative movement frozen in a single gesture — a single still from an action, or a response to an art - historical identity.

While at the San Francisco Art Institute, she was awarded the Graduate Merit Fellowship Award and was the recipient of The Headlands Center for the Arts MFA Residency Award, more recently her work was included in «Text & Image» at the Site: Brooklyn Gallery and in the c2c group show «wording» in San Francisco.

In the late 1960s, Polke, fresh out of the Düsseldorf Art Academy, made several works parodying Dürer's 1502 watercolor, which had long been a ubiquitous, clichéd image in GermanIn the late 1960s, Polke, fresh out of the Düsseldorf Art Academy, made several works parodying Dürer's 1502 watercolor, which had long been a ubiquitous, clichéd image in Germanin Germany.

1996 Beyond Print: Masterworks from the Ken Tyler Collection, Dr. Earl Lu Gallery, LASALLE - SIA College of the Arts, Singapore (October 24 — December 21) Abstract Expressionism in the United States (Pintura estadounidense expresionismo abstracto), Centro Cultural Arte Contemporaneo, Mexico City (October 11, 1996 — January 12, 1997) Parallels, Galerie Lelong, New York (opened September 12) Women's Work, Greene Naftali, Inc., New York (September 6 — October 13) Summer show, Robert Miller Gallery, New York, (July 1 — August 30) Group show, Lennon, Weinberg, Inc., New York (June 11 — August 1) Forces of the Fifties: Selections from the Albright - Knox Art Gallery, Wexner Center for the Arts, The Ohio State University, Columbus (May 4 — August 4) Changing group exhibition, Robert Miller Gallery, New York (March 5 — April 6) American Art Today: Images from Abroad, Florida International University, Miami (February 23 March 30) Group Exhibition, Manny Silverman Gallery, Los Angeles (January 13 — March 2) Art in Embassies Program, U.S. Ambassador's Residence, Bulgaria

Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..

His drawings freely mix references to art history and recent scandals, and works in the exhibition include a portrait based on Willem de Kooning's Woman and a satirical image of investment swindler Bernie Madoff.

This past year my work has been included in exhibitions at the 2012 New York Photo Festival (Brooklyn, NY), South Hill Park Arts Centre (Bracknell, UK), Artspace New Haven (CT), Galerie Jeanroch Dard (Paris, France) and most recently a solo exhibition, The Dubious Sum of Vaguely Discernable Parts, at the Bindery Projects in St. Paul, Minnesota which included a series of text based drawings, a photo installation and ephemeral print publication of images and writings.