Objective, educational or historical political content may be accepted • Foul, vulgar, or obscene language, including censored words that indicate foul, vulgar, or obscene language •
Images of human or
animal abuse, mistreatment, or distress •
Images or titles glorifying or promoting the use
of illicit drugs, drug paraphernalia or products to beat drug tests •
Images or titles that are obscene, defamatory, libelous, illegal, invasive
of another's privacy, or contain hate speech •
Images or titles that may be interpreted as threatening, abusive, harassing, or that discriminate or advocate against a protected group, whether based on race, color, national origin, religion, disability, sex, sexual orientation, disability, age or any other category.
Ask anyone who advocates for
abused animals, and they will tell you that on top
of having to absorb the horrific
images and details
of animal abuse — the stuff
of nightmares — there's the added trauma
of often being discounted or disbelieved by society, or even by certain members
of one's own social circle.
In the video
of the donkey «ass, an ass, and the ass» (2014) the chain
of abuse, that passes from the soldier - narrator, to the bestiality
of the rapist, to the
animal, is deeply uncomfortable and painfully familiar, recalling the Western media's incessant reproduction
of images of suffering and humiliation from the Iraq conflict.
' (2014) the chain
of abuse, that passes from the soldier - narrator, to the bestiality
of the rapist, to the
animal, is deeply uncomfortable and painfully familiar, recalling the Western media's incessant reproduction
of images of suffering and humiliation from the Iraq conflict.