And some of the country's most important cultural and tourist destinations — granite hills painted with
images of animals centuries ago — were being damaged.»
Not exact matches
The advent
of aerial photography has changed the way people see their world more than any other development since Eadweard Muybridge's seminal
images of moving
animals in the second half
of the nineteenth
century.
Image: Power Figure (Nkishi) with Mambele (Cowrie Shells) Unidentified Songye (Kalebwe subgroup) artist, late 19th - early 20th
century Between the Lubefu and Lomami rivers, East Kasai Province, Democratic Republic
of the Congo Wood, metal, cowrie shells, fiber, beads,
animal hide, organic materials 21 x 6 x 5 1/2 inches (53.3 x 15.2 x 14 cm) The Allan Stone Collection
Images (left to right): Mouth mask probably depicting the head
of a rooster, Indonesia, Southeast Moluccas, Leti, Luhuleli, 19th
century, wood, boar tusks, clam shell, mother -
of - pearl, buffalo horn, resinous material, and pigment, Dallas Museum
of Art, The Eugene and Margaret McDermott Art Fund, Inc.; Ceremonial cloth (tampan), Indonesia, South Sumatra, Lampung region, Paminggir people, late 19th
century, cotton, Dallas Museum
of Art, the Steven G. Alpert Collection
of Indonesian Textiles, gift
of The Eugene McDermott Foundation; Protective figure (jaraik) in the form
of an
animal, Indonesia, West Sumatra, Mentawai Islands, Siberut Island, Taileleu village, c. 1930, wood, pigment, shell, metal, rattan strips, grass fibers, and monkey skull, Dallas Museum
of Art, The Eugene and Margaret McDermott Art Fund, Inc.; Male and female protective figures (pagar), Indonesia, North Sumatra, Lake Toba region, Toba Batak people, 19th
century or earlier, wood, Dallas Museum
of Art, The Eugene and Margaret McDermott Art Fund, Inc..
Arranged thematically, the more than eighty small drawings, large - scale works, and sketchbooks on view will foreground Brown's iterative reworking
of motifs from her wide - reaching arsenal
of source material — prints by eighteenth -
century draftsman William Hogarth, pages from
animal encyclopedias, and Jimi Hendrix's 1968 album cover for Electric Ladyland are just some
of the
images that Brown has rendered again and again in her own hand.
Arranged thematically, the more than eighty small drawings, large - scale works, and sketchbooks on view will foreground Brown's iterative reworking
of motifs from her wide - reaching arsenal
of source material — prints by eighteenth -
century draftsman William Hogarth, pages from
animal clip - art books, and the cover
of Jimi Hendrix's 1968 album Electric Ladyland are just some
of the
images that Brown has rendered again and again in her own hand.
As for the cobalt blue designs on the front
of the reeeeally old crocks - apparently ones from the 18th
century were typically embellished with stylized loops, and
images from nature, like flowers,
animals, fish, birds and butterflies...