Sentences with phrase «images of nature using»

In the unit they spend time creating a stop motion animation, then move on to editing images of nature using photoshop.

Not exact matches

Or, if you use a lot of images of nature, along with some motivational quotes, your audience will see you as someone who wants to encourage and inspire others.

To exalt him as a great thinker, as though he could take delight in being praised for having honed his mental tools very sharp, no matter what they cut; to speak admiringly of him as an excellent orator, as though adeptness in the use of images were an enviable thing, no matter what they imaged; to do him reverence as a great student who learned from Newton and Locke and the Platonists, from nature itself, no matter what he learned — to honor him thus is to do him no honor that he could accept — or which, accepting, he would not thereafter bitterly rue.

The parables in Mark 4, based as they are in the context of agriculture, make use of several images derived from nature and the divine activity in the process of nature, to speak of the concept of the Kingdom of God.

They thus came naturally to him to be used as metaphors in his parables proclaiming the Kingdom of God, to an audience predominantly consisting of peasants and others who belonged to the deprived and alienated social groups.40 The images from nature, therefore, become meaningful to an audience who were in constant relationship with nature in their daily activities on the farm, with its experience of pathos and joy.

The emphasis of the use of nature images in the parables seems to be twofold.

The use of nature images in the parables of Jesus is a clear indication of the use of nature in the parabolic discourse.

While those images that relate to human experience in the domestic, economic and social spheres have been given prominence, Jesus» use of agricultural imageries3 and analogies derived from nature or divine action in nature have not received adequate attention.4 This too, despite divine interaction with humanity taking place in the context of the creation.

The Nature and Destiny of Man used the theological categories of image of God, original sin, original righteousness, grace, the Kingdom of God, and the last judgment.

«80 While Jesus» use of the images from nature holds on to its naturalness as nature raw and real, his creative adaptation of the function of nature to emphasize the values of the divine rule stands apart.

The third image used to understand God's consequent nature is that of the Poet.

Within the context of special revelation, Niebuhr turned to two distinctive biblical teachings about man, man as creature and image of God, and used these two doctrines to clarify and substantiate his original assumption about man's paradoxical environment of nature and spirit, and to refute the competing anthropologies of modern culture.

In seeking to develop a theology of nature, process theologians are supportive of endeavors to appropriate other images from the tradition, such as St. Francis» compassionate love for the poor and treatment of animals as sisters and brothers, the Orthodox view of the church as inclusive of all of creation, and the use of the elements of bread and wine in the Eucharist, products of the interworkings between God, the non-human natural world, and human labor, that speak, to contemporary needs.

It is connected with God's whole use of law, of guilt, and of grace, but Brunner's interpretation does not arrive at the determinative nature of the image of God in man.

The gospel material, especially in the teaching of Jesus, with its use of images from nature and husbandry, is nearest to rural society and to the world of the Hebrew Scriptures; James is thought by some scholars to be addressed to the Palestinian church.

Thanks to Swarm's precise measurements along with those from Champ — a mission that ended in 2010 after measuring Earth's gravity and magnetic fields for more than 10 years — scientists have not only been able to find the magnetic field generated by ocean tides but, remarkably, they have used this new information to image the electrical nature of Earth's upper mantle 250 km below the ocean floor.

For Konrad Hochedlinger of the Harvard Stem Cell Institue, it was a bad start to the week: Just after 6 a.m. last Monday, he and a bevy of others received an unsigned e-mail from a virtually untraceable address, [email protected], pointing out what it said «appears to be duplicated images and embryos used in a Nature manuscript published in 2009.»

By using tanks, both in his studio in Los Angeles and at public aquariums, he could create images which capture the ethereal and otherworldly nature of marine life.

Similarly, scientific images obtained through the use of high technology, such as scanning electron microscopes and 3 - D imagery, contribute greatly to the current popular appeal of nature photography.

When I saw the H&M Studio images a little while ago, I instantly connected with nearly every piece of the collection: the soft fabrics used, the neutral colours and check prints and the raw nature photography immediately spoke to me.

The indeterminate nature of leadership in the course of policy making, and the slippage that occurs as policy refinements accrue during implementation, help to explain how policies succeed or fail.243 Particular instruments used to reformulate policy are less important, according to this perspective, than understanding how a particular policy issue got the governor «s or the legislative committee «s attention in the first place.244 A third image, the practitioner perspective, emerges from studies of publicsector administrators; it examines the tendency of administrators to seek flexibility and autonomy in interpreting policies, and ways in which this tendency affects the broader process of change.

One real pet peeve for me is how very many ebooks do something really stupid with tabular, columnar data: Many of them (and many word processors and publication / layout programs) store tables and columns as — bitmapped images, ruining any possibility of using or enlarging the text beyond a certain point, killing it for speech readers, killing the «text» nature and searchable nature of it too.

Use natural light: In the same way you'll find a better shot in nature, natural light captures the best of your pet without a big flash that might scare them or give them the red - eye that distorts their image.

I spoke with an amazing nature photographer by the name of Janet Loughrey last week and she shared with me the struggle that all visual artists are having: images get used without permission on the Internet.

Using Photoshop to further manipulate and challenge the representative nature of the medium, Samaras's photographs present distorted images of everyday subjects and continue his practice of blurring the boundaries between art and life.

Kessling works across a range of media such as photography, film, and performance, and here the images reflect performative tools for exploring identity, often juxtaposing the artist's own body with objects and materials such as dust sheets, clay, fabric and paper bags used with transformative effect — the temporal nature of the performative movement frozen in a single gesture — a single still from an action, or a response to an art - historical identity.

This is particularly apparent in Kevin Muente's works, in which the artist uses a profound understanding of the structure of nature itself to conjure images that are powerfully cinematic in the way they are manipulated within his compositional framework.

Lincoln Schatz uses video to create portraits of nature by collaging multiple images of the ocean into a data program that randomly displays them back.

Her background in printing leads her to consider the surface of her work, the texture and nature of the paper she uses, returning tactility and poetry to digital images.

These non-hierarchical images allude to the way artist's through the centuries have fixed the fleeting aspects of nature by using natural shapes and colors of flowers into permanent motifs, into symbols.

Titled after the photographic term «nearest neighbor», referring to the type of sampling used when resizing a digital image, the exhibition also alludes to the personal nature of Ethridge's work, evident beneath the commercial façade.

Using my personal archive as source material, the work questions the nature of image production, circulation, and distribution.

As the title suggests, Silva works within the long art historical tradition of setting up one's canvas outside and making work based on and inspired by nature — except for Silva, there's a twist: he does it in 3 - D, using his laptop as the canvas on which to create images and animations in response to the environment.

They often use nature as inspiration and borrow images from it — three branches, leaves, insects for instance — to explore and express the concept of interconnection.

To produce a kind of rupture in this endless loop of image production and apprehension of nature, Opie uses different cameras — the portraits are shot with a digital 35 mm, Hasselblad, and the landscapes with a wider - angle, Canon DS — and then allows the focus to blur.

His poetic use of found materials, printed and reproducible images, his unconventional and inventive mark - making, and his embrace of chance operations (whether dragging a canvas on the ground, allowing a drop cloth to absorb stains of nature and of the studio, or exposing the paintings to the forces of weather) can be seen echoed within Schnabel's entire body of work as well as in the work of a subsequent generation of artists.

Many used the transparency and the lightness of the tones to capture the shifts of light occurring in nature, while others used the intensity of color to produce images which play with different tones, and values.

For thirty years she has created distinctively glowing, contemplative images of nature and religious sites around the world using a large - format camera and glassplate negatives.

Throughout his career, Morris Graves has used the images of nature as visual metaphors for the mysteries of life, or as he describes, «the inner eye».

Continuing with the use of lens - based phenomena, humble celebratory gestures, and primitive constructs, Ekberg further develops two distinct bodies of work; images created in the woods or nature, and images using his apartment as stage set.

Meticulously constructed from material that is often used to support, rather than create, art in the studio (words, tape, glassine, magazines), the images conceptually and materially consider the complicated and fraught nature of artistic creation.

Often, they use images from nature — leaves, tree branches, and moths, for instance — to explore themes of circulation and connection.

The works are displayed mounted to materials such as aluminum or plexiglass, though rather than using these materials in their traditional mounting methods, the images are adhered to the surface and leaned on shelves or stood on the floor, with exposed sections of their mounting substrate and their freestanding nature highlighting the object qualities of the prints, along with their physical connection to the depicted subjects.

It was at that point that he started using nature as a precise referent, no matter how faintly the surface of a picture alluded to natural images.

These works can be read through the use of symbolism in fairy tales, or even the spiritual image of Mother Nature.

Taken between 2005 and 2014, using a large format camera, these images further Shibata's career - long meditation on the intersection of man and nature.

Marco Breuer uses various tools to alter the surface and sensitivity of photographic papers, creating abstract images that question the basic nature of the medium.

In both her painted images and her animations, Sikander uses the process of layering to knit together elements from Hindu mythology, Persian tales, and personal experience in order to explore the shifting nature of the space — metaphorical and physical — in which we live.

But on closer inspection the viewer notices nail houses, images of which are now censored by the state after going viral, where pagodas, once used to «existentially meditate about our relationship to nature» would be.

Using still and moving image, performance and sculpture, she is interested in the movement and behaviour of animate and inanimate objects — her work observing fragility and the environmental shift in human nature.