Sentences with phrase «images of past works»

Her autobiographical observations and experiences — recorded in personal journals, snapshots, and notes — as well as drafts, published articles, and images of her past work, all provided fodder for her visual and performance art.
Both supporting images and images of past work (including captions) can be submitted but are not required.
To Apply, please submit all materials in the following manner: Attach all files in a single PDF and email to Rebecca Vaughan [[email protected]] All applications must be submitted electronically by the deadline Incomplete or late proposals, or proposals which do not follow the instructions will be ineligible for review Deadline: 9:00 am, Monday, November 28th, 2016 Please Limit submissions to 3 pages in PDF format, including images of past work.

Not exact matches

Making Microsoft an attractive resource to new companies is no small feat: While Nadella has spearheaded a massive effort to transform the company, it had to overcome a tough image of being stodgy, difficult to work with, and stuck in the past.
Just as theological reflection is today dominated by the fact that the entire mental, emotional and image context of the past is eroded, so a way of preaching proper to that fact must be wrought out.
I am still slightly disappointed that I am not speeding past an image of a half naked woman on my work computer, the rush I get from that, well, it's a feeling that can't be duplicated.
The revelations of the past few months make it clear that the Miami football program has become a disease, a cancer that is steadily devouring an institution that you have worked so hard to rid of its image as Suntan U.
«We started working on weed and crop species differentiation in 2015 and over the past two years, we've collected a good amount of preliminary data to be able to look at images and conduct analysis,» he said.
Having looked at thousands of images a night every night for the past twelve years (evidently facial recognition software does not exist for law enforcement in this world), Kasten, who now works as head of security for the New York Mets, believes he has found the young suspect who was never prosecuted for Carolyn's rape and homicide.
Besides its tense, edgy action, the film is notable for the way the son's image of his dad as a boring, staid materialist is progressively eroded as his past in the CIA gradually comes to light, as well as for the provocative way in which literal and metaphorical (the antagonistic entities who work against the protagonists) notions of family collide and contrast.
Whether you find director Peter Jackson's work majestic and whimsical, or just bombastic and twee, his Tolkien films have created an indelible set of cinematic images over the past dozen years.
Robin's film work includes the HBO mini-series, LAUREL AVENUE and Emmy and NAACP Image Award - nominated HALF PAST AUTUMN: THE LIFE AND WORK OF GORDON PARKS, a documentary on the life of her great - unwork includes the HBO mini-series, LAUREL AVENUE and Emmy and NAACP Image Award - nominated HALF PAST AUTUMN: THE LIFE AND WORK OF GORDON PARKS, a documentary on the life of her great - unWORK OF GORDON PARKS, a documentary on the life of her great - unclOF GORDON PARKS, a documentary on the life of her great - unclof her great - uncle.
Though Wright is known for his elegant ruminations on nostalgia and the mysterious passing of time, this volume, with its plethora of seasonal allusions and insistent referencing of times and images past, has an even more elegiac cast than his earlier work.
The British Library has worked with Microsoft over the past three years to digitally record text and images from the out - of - copyright works.
Real Name: Age: (not a factor, really) Screen Name: (or preferred nickname if you don't have one) Skype Username: (required for ALL positions, free to download here) Email: (if accepted, eligable for an @linkshideaway.com email) Past Experience on Websites: Any HTML or Image Editing Experience: Zelda Game (s) of Expertise: (required for Walk - through and Guide positions, feel free to share otherwise) Favorite Zelda Game (s): Why do you want to work at Link's Hideaway?
After teasing us over the past week or so with images and videos indicating that a PS3 - exclusive revolving around a fungal infection was in the works, Sony finally showed off The Last of Us at tonight's Spike TV Video Game Awards.
Part homage, part ironic reinvention, Thomas's 1990s abstractions can be seen as following the 1980s work of Peter Halley, Phillip Taaffe, Sherrie Levine, but their deft shuffling of the material and the immaterial, of the object and its image, orient them toward the future (i.e., now) rather than the past.
This past year my work has been included in exhibitions at the 2012 New York Photo Festival (Brooklyn, NY), South Hill Park Arts Centre (Bracknell, UK), Artspace New Haven (CT), Galerie Jeanroch Dard (Paris, France) and most recently a solo exhibition, The Dubious Sum of Vaguely Discernable Parts, at the Bindery Projects in St. Paul, Minnesota which included a series of text based drawings, a photo installation and ephemeral print publication of images and writings.
«Relationships between man and nature, with its inherent cycles of destruction and renewal, have been an enduring theme in my photographs,» he remarked about the connection between his Greenburg images and past work.
Simultaneously classical and contemporary in scope, it contains roughly 300 images, how - to diagrams, and information about figurative art movements of the past as well as profiles of some of the greatest practitioners working today... featuring examples of Zeller's own work and also some of his best contemporary peers, who collectively bring the figurative tradition forward into a new era.»
The exhibition, developed on site over a 5 week «open studio» residency, sits somewhere between an exhibition of new works and a curated re-presentation of archive material, utilising objects and images from the building's recent and distant past.
Her images are filled with remembrances of past psychologies that can be measured, albeit subtly, beneath the façade of the work's modern females.
-- Include 3 samples of past work (up to 3 images may be attached, maximum size 800 pixels in largest dimension, or link to video URL)-- Optional: attach a CV or link to an artist website.
Their work over the past year has included erotic artbook images with the smutty bits sandpapered out, exploring the commodification of art through the medium of dance, telling circuitous personal stories live to an appreciative but perhaps baffled audience and, for the more old school - minded, screen printing.
Kurt Kauper is a painter whose work had, for the past fifteen years, been images of familiar cultural icons — opera divas, Cary Grant, hockey players, and Barack and Michelle Obama — seen in a variety of unfamiliar ways.
Paolini's belief that a work of art is not just reflective of the «here and now» but is also resonant of earlier traditions, has led him to investigate art's relation to the past, creating intriguing installations deeply rooted in art history from the Renaissance to today - from plaster casts of classical sculptures shattered on the ground, to photographs of iconic paintings by Northern Italian Renaissance painter, Lorenzo Lotto, or inquiries into the construction of the image.
By arranging the works into large - scale installations throughout 180 The Strand, Strange Days aims to «weave images and sounds into polyphonic, dreamlike compositions, blending the present with memories of the past and premonitions of the future».
For the past decade, Raphaël Zarka's work has prominently featured images of skateboarders taking advantage of the slick surfaces, hard edges, and smooth slopes of monumental public artworks.
Over the past 60 years, Jasper Johns has developed a body of work whose images of flags, maps and targets are instantly recognizable to any seasoned viewer of modern art.
Published in conjunction with a solo museum exhibition at Blaffer Art Museum, this volume displays the full range of Coolquitt's work over the past twenty - five years, including images of site - specific installations that no longer exist.
Carrie Mae Weems Over the past thirty years Carrie Mae Weems has worked toward developing a complex body of art that has employed photographs, text, fabric, audio, digital images, installation and video.
This expanded edition of Gregory R. Miller's hugely successful first - ever monograph on Marilyn Minter from 2007 brings her public up to speed with the inclusion of works created over the past three years, including images from Minter's 2009 video «Green Pink Caviar,» shown in New York's Times Square and featured in Madonna's recent Sticky and Sweet concert tour.
In a time of packaged genealogy and promised connection to history's grandeur and romance, Bole's work turns the soil on her own family's past to produce a more visceral interpretation of the arcane nature and collapse of familial histories, artifacts and images.
The subject of the work is the before and after, the past and future rather than the present — the painting as a paused image or spike on a timeline.
Her works riff on past styles; the tensions between pictorial and actual space; the eternal conflict of abstraction and image; the act of looking, including peripheral vision.
The artist's single - channel video works of the past ten years are more allusive and poetic, addressing political and theoretical concerns obliquely via densely constructed image - sound montages whose explicit subjects range from the relationship between Maria Callas and Pier Paolo Pasolini (Come Lontano, 2010) to the life of Charlotte Brontë (CB, 2011).
An exciting preview of Wolfson's evolving aesthetic, this new print draws powerfully on his past work through the tension between image and text.
The work of the Cyprus - born artist, who currently lives and works in Berlin, comprises films, sculptures and installations that incorporate images and objects borrowed from various origins and epochs, staging multiple encounters, while cultivating an explicit relationship with the past.
The majority of the works in New Image Painting require a sense of humor to get past an initial hit of awkwardness, but when subjects are more clearly painted, such as in Henry Taylor's Where Are my Brothers Keepers (2008) or Sean Landers» Around the World Alone (Boy Skipper — Dawn)(2011), the jokes tend to fall flat.
As a postmodern artist, whose paintings revitalized a languishing genre in the era of image saturation, Wool creates provocative canvases whose abstract, self - referential imagery refers back to previous paintings to quote and re-quote past work.
Japanese artist Onishi Yasuaki sent me some images and a video of his past installation work, which was exhibited in a solo show in November 2014.
Powerfully striking images, portraits of obsolete architecture and natural landscapes, and visions of remote deserts turn up throughout her works, combined with fragments of text and scenarios where past and present intertwine.
The images from past reviews are of artists in the show, but only Charles Ray with the same work.
The Baltic gallery has a coup with this terrific survey, filling two enormous floors of the old flourmill with work from the past five years, including large paintings and sculptures that seem to materialise out of them like three - dimensional images.
Over the past year, Devine has worked on layering imagery that provides a diary of domestic activities that assimilates images that have defined his sensibility.
In her painted works, Magill delicately imposes layer after layer of colour until the image takes on an ageless quality, as though coming to us from a distant past.
Presenting an amalgamation of works from his «Lost Edge» and «Last One» series, the show's arresting images both haunt and delight, presenting scarred landscapes that recall the forgotten military avant - garde of past Soviet regimes.
References to Giacometti have featured in Lerma's past work and performances, stemming from an inside joke of sorts and then compounded by the potency of the image itself.
His work translates the gestures and key words of this world of the periphery into images, and results from a mise - en - scène that includes quotations from past, modern and contemporary artists.
In Newsom's 2015 catalog of work from the past 10 years to the present exhibition, critic Barry Schwabsky writes in his essay, «what keeps «strong painting» from becoming merely muscle bound — is Newsom's secret weapon: the discipline that comes from considering himself, not a painter of images, but rather an abstractionist... to appreciate his paintings is... to engage with their surfaces of purely sensual incident.»
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