Sentences with phrase «images of people without»

It is a model with distributed trust which allows you to form an image of another person without being acquainted personally.»

Not exact matches

Thiel, who also supports the idea of creating autonomous islands on which people could live and create their own laws, said he is in favor of a bi-partisan bill called the «Intimate Privacy Protection Act,» which would make it illegal to distribute explicit private images without a person's consent, and would involve criminal penalties for those who profit from doing so.
But under the Illinois Biometric Information Privacy Act of 2008, the companies could be fined $ 1,000 to $ 5,000 each time a person's image is used without consent.
Under this law, it is illegal to distribute sexual images or videos of someone without his or her consent, so long as it is intended to cause serious emotional distress and so long as the person depicted experiences distress.
Without «The Apprentice» and the carefully curated image of Trump it insinuated into millions of American homes, it's hard to imagine how Trump could have ever sold the American people on his ultimate pitch: becoming president.
Substituting these onto the faces of your «hero images» can immediately translate an emotion to people — instantly — without using a single line of copy or text.
The United States House of Representatives is considering the Intimate Privacy Protection Act, a bipartisan bill that would make it illegal to distribute explicit private images, sometimes called revenge porn, without the consent of the people involved.
But what many people don't realize is that the show's creators, Trey Parker and Matt Stone, already used an image of Mohammed on «South Park» without any strife whatsoever in a July 2001 episode called «Super Best Friends.»
Among those gathered here in her modem voice (through scriptural images, verbal echoes, parallel situations) are women whose stories have been muffled in the Bible's tradition — Hagar, Bilhah, Zilpah, Mary, the Lord's «handmaiden,» Sarah, Rachel, Leah, Rebekkah, Ruth, Puah and Shiphrah (the Hebrew midwives in Egypt), Jael, Jephthah's daughter, the «Jezebel» of Revelation, and other, unnamed ancestresses, «missing persons without textual authority.
But if they have meant that there are some persons who can contemplate deity without the use of any particular set of images or symbols, they may have spoken the truth.
A change in self - image is most crucial for people who abuse their bodies and souls «commercially» or engage in that kind of traffic; without it, legal stoppage remains a Band - Aid measure.
Not a little of the everlasting new curriculums that are issued from the boards of Christian education is, at some level not clearly conscious, aimed at qualifying the motherly - person image in the direction of masculinity and the intellect — without getting rid of Mom altogether.
If this is true, then only the vision of the eschatological banquet could be an image of the good, whereas the image of dying for the other — though it is the advent of the good in fallen time — can not itself be the final good, without once more subordinating the person to an impersonal totality, in this case an abstract moral principle.
If Jesus's image appeared in the clouds before a million people on the Capital Mall and Fox filmed it many more millions of Americans would believe it was actually him without question, but if Ganesh appeared to the same crowd instead almost everyone would just assume that it was some kind of holographic trick.
I think not being able to look at ANY nude images, including those made to reveal beauty (not porn) without having a knee jerk sexual response is a sign of illness in someone's sexuality, because above all things, people are a soul and they HAVE a body.
Instead of beating itself over the head with its own concocted image issue, maybe they can let these guys who spend 40 hours a week crashing into the strongest, fastest, most armored 1 percent of people in the world smoke pot after a game without worrying about being labeled a «thug» or a «locker room cancer.»
You can't use an image of a famous person lawfully without the permission of the celebrity concerned.
Like a person who can read someone else's penmanship without studying lots of handwriting samples, next - gen image recognition AI can more easily identify familiar sights in new situations.
Other new social media platforms, such as programs that allow volunteers to produce more detailed maps of disaster zones using donated satellite imagery or to match photos of lost pets to older images provided by their owners, also provide opportunities for people to help without putting themselves in harm's way, she says.
Here, we investigated unfamiliar face matching, showing participants two unconstrained faces of strangers, with and without glasses, and asked whether the images are the same person or two different people
A new study coming from Uppsala University, Sweden, demonstrates that a particular brain area that leads to a person's desire for food is far more stimulated in response to images of food after a night without sleep than after a good night sleep.
Such a small percentage of people is hard to image these lives, I mean, how did people live their lives without being able to Instagram their dinners and share funny cat videos?
This should make sense because it is exactly the type of image that the site owners want people to have of single parents rather than some outdated stigma attached to raising a child alone with whispers asking why you are without a companion.
Meanwhile, without a means of verifying the real image of the woman you are talking to, you may be shocked to see an entirely different person from the photos you used to see online when you finally meet in person.
You can't show a ghost without making people think, at least in some small corner of their mind, about how the image was created.
The closed beta came and went without stirring up any trouble, and on April 3, 2013 The Behemoth's next game will stop being a series of cool images and awesome ideas and actually be available for people to play.
Winstead has an awesome monologue about her life, the affect sobering up can have on a person's life without only positive outcomes, and the image of Alcoholics Anonymous that encapsulates what makes this film one of the best presentations of alcoholism captured on film.
Solo: A Star Wars Story has just released a flood of new images, revealing a few more details about Paul Bettany's villainous gangster, the highly - publicized Vandor heist, and what the «clean» Millennium Falcon looks like without people.
While many civil society groups were competing to build their own image at the side events in the official Rio Centro tents and other locations, the so called Peoples Summit in the Flamingo Park was a chaotic demonstration that lead to thousands of civil society representatives from across the world being stranded and lost without any sense of direction or coordination.
If your course is set up as a list of files to open and links to read — without dialogue, images, activities, or engagement from you — then no matter what you contend, your online body language says that the students as individuals — people who have ideas and experiences to contribute to the learning experience — are not very important to you.
This means that several people can comfortably crowd around the tablet without seeing a dull, poor - contrast image, as you'd get with the lesser TFT LCD panels of many cheaper tablets.
Some of these organizations can been very aggressive in suing people who use their images or themes without permission.
Ten percent of all sexually suggestive images that have been sent online or via text message have been sent without consent of the person who originally sent the message.
The reason that Rottweilers and Dobermans, for example, have such a «bad reputation» is because a lot of ignorant people, drawn to their «tough» image, go ahead and adopt one without the faintest idea of the amount of work necessary to handle such intelligent, strong dogs.
You will not, and will not allow or authorize others to, use the Services, the Sites or any Materials therein to take any actions that: (i) infringe on PetSmart Charities» or any third party's copyright, patent, trademark, trade secret or other intellectual or proprietary rights, or rights of publicity or privacy; (ii) violate any applicable law, statute, ordinance or regulation (including those regarding export control); (iii) are defamatory, trade libelous, threatening, harassing, invasive of privacy, stalking, harassment, abusive, tortuous, hateful, constitute discrimination based on race, religion, ethnicity, gender, sex, disability or other protected grounds, or are pornographic or obscene; (iv) interfere with or disrupt any services or equipment with the intent of causing an excessive or disproportionate load on PetSmart Charities or its licensors or suppliers» infrastructure; (v) involve knowingly distributing viruses, Trojan horses, worms, or other similar harmful or deleterious programming routines; (vi) involve the preparation and / or distribution of «junk mail», «spam», «chain letters», «pyramid schemes» or other deceptive online marketing practices, or any unsolicited bulk email or unsolicited commercial email or otherwise in a manner that violate any applicable «anti-spam» legislation, including that commonly referred to as «CASL»; (vii) would be or encourage conduct that could constitute a criminal offense, give rise to civil liability or otherwise violate any applicable local, state, national or international laws or regulations; (viii) involve the unauthorized entry to any machine accessible via the Services or interference with the Sites or any servers or networks connected to the Sites or disobey any requirements, procedures, policies or regulations of networks connected to the Sites, or attempt to breach the security of or disrupt Internet communications on the Sites (including without limitation accessing data to which you are not the intended recipient or logging into a server or account for which you are not expressly authorized); (ix) impersonate any person or entity, including, without limitation, one of PetSmart Charities» or another party's officers or employees, or falsely state or otherwise misrepresent your affiliation with a person or entity; (x) forge headers or otherwise manipulate identifiers in order to disguise the origin of any information transmitted through the Sites; (xi) collect or store personal data about other account users or attempt to gain access to other account users» accounts or otherwise mine information about other account users or the Sites, or interfere with any other user's ability to access or use the Sites; (xii) execute any form of network monitoring or run a network analyzer or packet sniffer or other technology to intercept, decode, mine or display any packets used to communicate between the Sites» servers or any data not intended for you; (xiii) attempt to circumvent authentication or security of any content, host, network or account («cracking») on or from the Sites; or (xiv) in PetSmart Charities» sole discretion, are contrary to PetSmart Charities» public image, goodwill, reputation or mission, or otherwise not in furtherance of our Vision of a lifelong, loving home for every pet.
You will not, and will not allow or authorize others to, use the Services or the Sites to take any actions that: (i) infringe on any third party's copyright, patent, trademark, trade secret or other proprietary rights or rights of publicity or privacy; (ii) violate any applicable law, statute, ordinance or regulation (including those regarding export control); (iii) are defamatory, trade libelous, threatening, harassing, invasive of privacy, stalking, harassment, abusive, tortuous, hateful, discriminatory based on race, ethnicity, gender, sex or disability, pornographic or obscene; (iv) interfere with or disrupt any services or equipment with the intent of causing an excessive or disproportionate load on the Animal League or its licensors or suppliers» infrastructure; (v) involve knowingly distributing viruses, Trojan horses, worms, or other similar harmful or deleterious programming routines; (vi) involve the preparation and / or distribution of «junk mail», «spam», «chain letters», «pyramid schemes» or other deceptive online marketing practices or any unsolicited bulk email or unsolicited commercial email or otherwise in a manner that violate the Controlling the Assault of Non-Solicited Pornography and Marketing Act (CAN - SPAM Act of 2003); (vii) would encourage conduct that could constitute a criminal offense, give rise to civil liability or otherwise violate any applicable local, state, federal or international laws, rules or regulations; (viii) involve the unauthorized entry to any machine accessible via the Services or interfere with the Sites or any servers or networks connected to the Sites or disobey any requirements, procedures, policies or regulations of networks connected to the Sites, or attempt to breach the security of or disrupt Internet communications on the Sites (including without limitation accessing data to which you are not the intended recipient or logging into a server or account for which you are not expressly authorized); (ix) impersonate any person or entity, including, without limitation, one of the Animal League's or other's officers or employees, or falsely state or otherwise misrepresent your affiliation with a person or entity; (x) forge headers or otherwise manipulate identifiers in order to disguise the origin of any information transmitted through the Sites; (xi) collect or store personal data about other Animal League members, Site users or attempt to gain access to other Animal League members information, or otherwise mine information about Animal League members, Site users, or the Sites; (xii) execute any form of network monitoring or run a network analyzer or packet sniffer or other technology to intercept, decode, mine or display any packets used to communicate between the Sites» servers or any data not intended for you; (xiii) attempt to circumvent authentication or security of any content, host, network or account («cracking») on or from the Sites; or (xiv) are contrary to the Animal League's public image, goodwill, reputation or mission or otherwise not in furtherance of the Animal Leagues stated purposes.
Adopted dog surprised his owner by rescuing two people caught in a riptide The Bermese mountain dog, named Nico, bounded into the water without hesitation to save a couple who were struggling in the water This dog playing the drums to White Stripes» Seven Nation Army will blow you away The cute canine lies next to its bass - playing owner as she taps out the iconic beat on the percussion instrument A dog playing the bass drum to Seven Nation Army is the best thing you'll see today This Vine is everything it promises to be, a beautiful golden retriever pup takes the role of Meg White, going thud thud thud on a bass drum whilst her owner plays one of the most famous guitar riffs in rock history Watch feisty feline take on pack of wild dogs in epic turf war battle - the winner might surprise you This is one cat that wasn't about to let five canines get the better of him - no matter how loud they barked Labrador has tumour the size of a human baby removed from his stomach WARNING: This story contains graphic images.
Starting today, Monday September 19, 2016, use the hashtags #HarnessTheLove, #HTL and #academyfordogtrainers to help us flood the interwebz with images of happy dogs and people enjoying walks without the use of precise heels or painful collars.
When people think about animal cruelty, their minds usually start with an image of a dog chained up outside in the cold without any food, or some kind of dog fighting ring where pit bulls are raised to viciously attack one another.
The three paintings that were on view during his show — Peekaboo, Prom Night (For Bigger Thomas), and Window Painting — combine collaged materials that the artist hand - stitched into the canvas, with printed images of his family he pulled, without permission, from Facebook, to form works that create tension between formal aspects of painting and the ways in which people live online.
Tatiana Kronberg's work is created from and is a document of an interactive performance involving both persons and material, resulting in a photogram — an image created directly onto light - sensitive photo paper exposed by a series of light flashes without the use of a camera.
Working without sketches or concepts, these images are come directly and undisturbed from his memory and heart, slowly building an image of a person he is painting.
@CoryHuff I'm sure Flickr also gets a lot of flack for people using images without crediting the owner too.
Jess Fuller Born 1972, Portland, Maine, US Lives and works in Brooklyn, NY Education University of Iowa, Master of Fin e Arts, Painting, Iowa City, US Boston University, Bachelor of Fine Arts, Painting, Boston, US Solo Exhibitions 2017 Canada, New York, US 2015 Fairy Smoke, Herald St, London, UK Planet without a body, Martos Gallery, New York, US 2012 NADA Miami, Martos Gallery, Miami, US Jellie, organized by Mary Grace Wright, Martos Gallery, New York, US 2011 Washed up and bleached out, organized by Jens Peter Brask, Galleri Tom Christoffersen, Copenhagen, DK Group Exhibitions 2016 Fort Greene, curated by Adrianne Rubenstein, Venus, Los Angeles, US Re-Planetizer, curated by The Pit, Regina Rex, New York, US Inside Out, Berthold Pott Gallery, Cologne, DE 8 Femmes, Office Baroque, Brussels, BE 2015 BFA Boatas, Sao Paulo, BZ Call and Response, Gavin Brown?s Enterprise, New York, US I Can?t Wait to GetOff Work, Bannerette, New York, US 2013 The Fruit Loop, Soloway, New York, US Beach Painting Club, Paddle 8 Silent Auction, NY Limits of Desire, 7 Dunham, New York, US A la Carte, Minimal Art, Shoot The Lobster, New York, US 2012 Temperature, curated by Hillary Doyle and Reid Hitt, Projekt722, New York, US Made with Mustard, East Hampton Shed, East Hampton, US Slowed and Throwed, Chinatown Arcade, New York, US Bred and Fed, organized by Mary Grace Wright, Shoot The Lobster, Iowa City, US The Cat Show, Tomato House, Brooklyn, US Dallas Art Fair, Martos Gallery, New York, US New Traditionalists, organized by Mary Grace Wright, Martos Gallery, New York, US 2011 Text / Image, SOUTHFIRST, Brooklyn, US The Idea of the Thing..., organized by Rachel Uffner, Halsey McKay, East Hampton, US BNA: From Brooklyn to Nashville, ZieherSmith pop - up gallery, Nashville, US Tensile Strength, ZieherSmith, New York, US Monochrome, The Journal Gallery, Brooklyn, US Group Expo, The Armory Show, Canada Gallery, New York, US The Balloon, SOUTHFIRST, Brooklyn, US A PERSON OF COLOR: a mostly orange exhibition, organized by Jose Lerma, The Green Gallery, Milwaukee, US 2010 SALAD DAYS, The Journal Gallery, Brooklyn, US Material Issue and Other Matters, organized by Wallace Whitney and Michael Mahalchick, Canada Gallery, New York, US Selected Press 2015 Steer, Emilyof Iowa, Master of Fin e Arts, Painting, Iowa City, US Boston University, Bachelor of Fine Arts, Painting, Boston, US Solo Exhibitions 2017 Canada, New York, US 2015 Fairy Smoke, Herald St, London, UK Planet without a body, Martos Gallery, New York, US 2012 NADA Miami, Martos Gallery, Miami, US Jellie, organized by Mary Grace Wright, Martos Gallery, New York, US 2011 Washed up and bleached out, organized by Jens Peter Brask, Galleri Tom Christoffersen, Copenhagen, DK Group Exhibitions 2016 Fort Greene, curated by Adrianne Rubenstein, Venus, Los Angeles, US Re-Planetizer, curated by The Pit, Regina Rex, New York, US Inside Out, Berthold Pott Gallery, Cologne, DE 8 Femmes, Office Baroque, Brussels, BE 2015 BFA Boatas, Sao Paulo, BZ Call and Response, Gavin Brown?s Enterprise, New York, US I Can?t Wait to GetOff Work, Bannerette, New York, US 2013 The Fruit Loop, Soloway, New York, US Beach Painting Club, Paddle 8 Silent Auction, NY Limits of Desire, 7 Dunham, New York, US A la Carte, Minimal Art, Shoot The Lobster, New York, US 2012 Temperature, curated by Hillary Doyle and Reid Hitt, Projekt722, New York, US Made with Mustard, East Hampton Shed, East Hampton, US Slowed and Throwed, Chinatown Arcade, New York, US Bred and Fed, organized by Mary Grace Wright, Shoot The Lobster, Iowa City, US The Cat Show, Tomato House, Brooklyn, US Dallas Art Fair, Martos Gallery, New York, US New Traditionalists, organized by Mary Grace Wright, Martos Gallery, New York, US 2011 Text / Image, SOUTHFIRST, Brooklyn, US The Idea of the Thing..., organized by Rachel Uffner, Halsey McKay, East Hampton, US BNA: From Brooklyn to Nashville, ZieherSmith pop - up gallery, Nashville, US Tensile Strength, ZieherSmith, New York, US Monochrome, The Journal Gallery, Brooklyn, US Group Expo, The Armory Show, Canada Gallery, New York, US The Balloon, SOUTHFIRST, Brooklyn, US A PERSON OF COLOR: a mostly orange exhibition, organized by Jose Lerma, The Green Gallery, Milwaukee, US 2010 SALAD DAYS, The Journal Gallery, Brooklyn, US Material Issue and Other Matters, organized by Wallace Whitney and Michael Mahalchick, Canada Gallery, New York, US Selected Press 2015 Steer, Emilyof Fin e Arts, Painting, Iowa City, US Boston University, Bachelor of Fine Arts, Painting, Boston, US Solo Exhibitions 2017 Canada, New York, US 2015 Fairy Smoke, Herald St, London, UK Planet without a body, Martos Gallery, New York, US 2012 NADA Miami, Martos Gallery, Miami, US Jellie, organized by Mary Grace Wright, Martos Gallery, New York, US 2011 Washed up and bleached out, organized by Jens Peter Brask, Galleri Tom Christoffersen, Copenhagen, DK Group Exhibitions 2016 Fort Greene, curated by Adrianne Rubenstein, Venus, Los Angeles, US Re-Planetizer, curated by The Pit, Regina Rex, New York, US Inside Out, Berthold Pott Gallery, Cologne, DE 8 Femmes, Office Baroque, Brussels, BE 2015 BFA Boatas, Sao Paulo, BZ Call and Response, Gavin Brown?s Enterprise, New York, US I Can?t Wait to GetOff Work, Bannerette, New York, US 2013 The Fruit Loop, Soloway, New York, US Beach Painting Club, Paddle 8 Silent Auction, NY Limits of Desire, 7 Dunham, New York, US A la Carte, Minimal Art, Shoot The Lobster, New York, US 2012 Temperature, curated by Hillary Doyle and Reid Hitt, Projekt722, New York, US Made with Mustard, East Hampton Shed, East Hampton, US Slowed and Throwed, Chinatown Arcade, New York, US Bred and Fed, organized by Mary Grace Wright, Shoot The Lobster, Iowa City, US The Cat Show, Tomato House, Brooklyn, US Dallas Art Fair, Martos Gallery, New York, US New Traditionalists, organized by Mary Grace Wright, Martos Gallery, New York, US 2011 Text / Image, SOUTHFIRST, Brooklyn, US The Idea of the Thing..., organized by Rachel Uffner, Halsey McKay, East Hampton, US BNA: From Brooklyn to Nashville, ZieherSmith pop - up gallery, Nashville, US Tensile Strength, ZieherSmith, New York, US Monochrome, The Journal Gallery, Brooklyn, US Group Expo, The Armory Show, Canada Gallery, New York, US The Balloon, SOUTHFIRST, Brooklyn, US A PERSON OF COLOR: a mostly orange exhibition, organized by Jose Lerma, The Green Gallery, Milwaukee, US 2010 SALAD DAYS, The Journal Gallery, Brooklyn, US Material Issue and Other Matters, organized by Wallace Whitney and Michael Mahalchick, Canada Gallery, New York, US Selected Press 2015 Steer, Emilyof Fine Arts, Painting, Boston, US Solo Exhibitions 2017 Canada, New York, US 2015 Fairy Smoke, Herald St, London, UK Planet without a body, Martos Gallery, New York, US 2012 NADA Miami, Martos Gallery, Miami, US Jellie, organized by Mary Grace Wright, Martos Gallery, New York, US 2011 Washed up and bleached out, organized by Jens Peter Brask, Galleri Tom Christoffersen, Copenhagen, DK Group Exhibitions 2016 Fort Greene, curated by Adrianne Rubenstein, Venus, Los Angeles, US Re-Planetizer, curated by The Pit, Regina Rex, New York, US Inside Out, Berthold Pott Gallery, Cologne, DE 8 Femmes, Office Baroque, Brussels, BE 2015 BFA Boatas, Sao Paulo, BZ Call and Response, Gavin Brown?s Enterprise, New York, US I Can?t Wait to GetOff Work, Bannerette, New York, US 2013 The Fruit Loop, Soloway, New York, US Beach Painting Club, Paddle 8 Silent Auction, NY Limits of Desire, 7 Dunham, New York, US A la Carte, Minimal Art, Shoot The Lobster, New York, US 2012 Temperature, curated by Hillary Doyle and Reid Hitt, Projekt722, New York, US Made with Mustard, East Hampton Shed, East Hampton, US Slowed and Throwed, Chinatown Arcade, New York, US Bred and Fed, organized by Mary Grace Wright, Shoot The Lobster, Iowa City, US The Cat Show, Tomato House, Brooklyn, US Dallas Art Fair, Martos Gallery, New York, US New Traditionalists, organized by Mary Grace Wright, Martos Gallery, New York, US 2011 Text / Image, SOUTHFIRST, Brooklyn, US The Idea of the Thing..., organized by Rachel Uffner, Halsey McKay, East Hampton, US BNA: From Brooklyn to Nashville, ZieherSmith pop - up gallery, Nashville, US Tensile Strength, ZieherSmith, New York, US Monochrome, The Journal Gallery, Brooklyn, US Group Expo, The Armory Show, Canada Gallery, New York, US The Balloon, SOUTHFIRST, Brooklyn, US A PERSON OF COLOR: a mostly orange exhibition, organized by Jose Lerma, The Green Gallery, Milwaukee, US 2010 SALAD DAYS, The Journal Gallery, Brooklyn, US Material Issue and Other Matters, organized by Wallace Whitney and Michael Mahalchick, Canada Gallery, New York, US Selected Press 2015 Steer, Emilyof Desire, 7 Dunham, New York, US A la Carte, Minimal Art, Shoot The Lobster, New York, US 2012 Temperature, curated by Hillary Doyle and Reid Hitt, Projekt722, New York, US Made with Mustard, East Hampton Shed, East Hampton, US Slowed and Throwed, Chinatown Arcade, New York, US Bred and Fed, organized by Mary Grace Wright, Shoot The Lobster, Iowa City, US The Cat Show, Tomato House, Brooklyn, US Dallas Art Fair, Martos Gallery, New York, US New Traditionalists, organized by Mary Grace Wright, Martos Gallery, New York, US 2011 Text / Image, SOUTHFIRST, Brooklyn, US The Idea of the Thing..., organized by Rachel Uffner, Halsey McKay, East Hampton, US BNA: From Brooklyn to Nashville, ZieherSmith pop - up gallery, Nashville, US Tensile Strength, ZieherSmith, New York, US Monochrome, The Journal Gallery, Brooklyn, US Group Expo, The Armory Show, Canada Gallery, New York, US The Balloon, SOUTHFIRST, Brooklyn, US A PERSON OF COLOR: a mostly orange exhibition, organized by Jose Lerma, The Green Gallery, Milwaukee, US 2010 SALAD DAYS, The Journal Gallery, Brooklyn, US Material Issue and Other Matters, organized by Wallace Whitney and Michael Mahalchick, Canada Gallery, New York, US Selected Press 2015 Steer, Emilyof the Thing..., organized by Rachel Uffner, Halsey McKay, East Hampton, US BNA: From Brooklyn to Nashville, ZieherSmith pop - up gallery, Nashville, US Tensile Strength, ZieherSmith, New York, US Monochrome, The Journal Gallery, Brooklyn, US Group Expo, The Armory Show, Canada Gallery, New York, US The Balloon, SOUTHFIRST, Brooklyn, US A PERSON OF COLOR: a mostly orange exhibition, organized by Jose Lerma, The Green Gallery, Milwaukee, US 2010 SALAD DAYS, The Journal Gallery, Brooklyn, US Material Issue and Other Matters, organized by Wallace Whitney and Michael Mahalchick, Canada Gallery, New York, US Selected Press 2015 Steer, EmilyOF COLOR: a mostly orange exhibition, organized by Jose Lerma, The Green Gallery, Milwaukee, US 2010 SALAD DAYS, The Journal Gallery, Brooklyn, US Material Issue and Other Matters, organized by Wallace Whitney and Michael Mahalchick, Canada Gallery, New York, US Selected Press 2015 Steer, Emily,?
[12] Fragmento Brasil (1977 - 2005), a synchronized multi-projection piece without sound, is made up of paired sequences of 648 images [13] from three sources: details from Albert Eckhout's mid-17th-century paintings of Brazilian birds set in idealized landscapes of European provenance; the abstract drawings of Yãnomãmi people from Venezuela and Brazil, 1978 — 80; and in conjunction, black & white landscape photographs of the Rio Caroni, Rio Uraricoera and Rio Branco regions in Venezuela and Brazil taken by the artist on a five - month walk in 1977.
HOUSTON — Lots of soul searching has been done around questions of it means to be a photographer — or an artist whose practice includes photography — in an image - saturated era when few people are ever without a camera close at hand.
Best known for her portraits of India's urban middle and upper classes, her images of people working, celebrating or resting depict everyday life without embellishment, capturing insights that often challenge exotic stereotypes in the West.
It is hard to hear the word «fracking» without recalling images of people at their kitchen sink, setting fire to the gases emanating from their tap along with the flowing water.
A Release for Use of Likeness is an important way of legally protecting yourself; reproducing the likeness of someone without their permission may be a violation of that person's right, especially if the image is captured in a setting where they would expect privacy (this includes public spaces).
Since image blocking is probably employed by at least some of your subscribers, the number of actual opens for a particular campaign will always be higher than your software indicates (that is, there will be people who opened your email and read it without displaying the image that would record their open).
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