Sentences with phrase «images of public sculpture»

Wikimedia Sweden has lost a court case over its rights to exhibit images of public sculpture against the Visual Copyright Society in Sweden, saying that digitally shown images of public art and sculpture should be protected by copyright law.

Not exact matches

Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY

Leda Catunda (based in Sao Paulo) has long explored the use of colour in painting and sculpture, creating kitschy images that invite the public to deconstruct concepts as high and low culture.

Having traveled numerous times in his life through this town to visit family in Peru, the artist recalled his own experiences there through found - images of the city in an online travel blog and began to marry these candid photographs with his interest in Latin American modernist and public sculpture.

For each that she studies, Olivier will create a sculpture, installation, image or video that will join the original site in conversation, as well as a book of propositions for imagined public art in Rome.

His paintings, prints, sculpture and installations incorporate the graphic elements of public signage and corporate logos, as well as images from art history.

His paintings, sculptures, prints, and installations subvert the graphic language of public signage and corporate logos while often referencing images from art history.

My recent paintings and sculptures focus on the African - American experience of navigating public spaces while remaining buoyant within them... Working beyond the physical image of the body, objects of buoyancy, and navigation become metaphors for selfhood, resilience, and the sanity required in the turbulent oceans of contemporary America.»

On view concurrently in ICA Miami's second floor galleries during Art Basel Miami Beach, Shannon Ebner: A Public Character offers a comprehensive presentation of over 50 photographs, new sculpture, installation, and video, demonstrating the artist's efforts to build a catalogue of images, and to locate them at the intersection of the poetic, graphic, and photographic.

Here the room is inhabited by Rowland's sculpture containing the image of nearby public housing development Marble Hill Houses.

«She Who Sees the Unknown» includes new 3D sculptures, text, moving image and a public research program that takes the shape of a reading room and online public archive.

The Iranian - born, US - based artist presents a new body of work — including 3D sculptures, text, moving image and a public research program in a reading room and online public archive — as part of an ongoing activism practice concerned with «Digital Colonialism and «re-Figuring» as a Feminism and activism practice».

Following the enthusiastic public response to Balloon Flower (Blue), the large mirror - polished stainless steel sculpture installed in Potsdamer Platz in Berlin in 1999, the Deutsche Guggenheim commissioned the first seven of the Easyfun - Ethereal paintings: mural - sized tableaux that combine cut - out photographs of packaged foods, fragments of faces, limbs, and hair, amusement park scenes, and paradisiacal landscapes into images of convulsive beauty.

Imagined in a realm where relationships share equal footing in the virtual and real world — one strung between online stalking, love letters, sexts, and selfies — Perry's sculptures and images incubate the public performance of private relationships.

From 1985 through 1991 Anne Doran made slyly narrative wall - based sculpture from appropriated public images in wide circulation, using them to speak of the commodification of desire, the loss of self, and the dynamics of power relations in modern culture.

Coinciding with both the inclusion of Thomas» sculpture Liberty in Public Art Fund's group exhibition Image Objects in City Hall Park and his solo show, The Truth is I See You in Downtown Brooklyn's MetroTech Center, the artist will speak about his repeated engagement with the public and outdoor Public Art Fund's group exhibition Image Objects in City Hall Park and his solo show, The Truth is I See You in Downtown Brooklyn's MetroTech Center, the artist will speak about his repeated engagement with the public and outdoor public and outdoor space.

Inspired by public observation, magazine images and historic sculpture, Price — who was included in 10 Magazine's Ten Sculptors You Should Meet and an invited artist at the Royal Academy Summer Show — is fast gaining a reputation for his consideration of identity and mastery of representing contemporary subjects with traditional techniques.

Andrews's first sculpture, Sunbathers I, is a towering box - like structure, silkscreened with a black - and - white stock image of a public beach sign that announces, «Beyond This Point You May Encounter Nude Sunbathers.»

With the aim of keeping the words and images made and deployed by human rights advocates who took to the streets of cities around the country this past January circulating within the public sphere, FemFour, a group of Cincinnati - based artists and arts advocates, put together a traveling, ever - evolving archive of posters and placards, sculptures, textiles, and photo documentation from the day collected by the arts philanthropist and collector Sara M. Vance Waddell.

Image: Russell Young Event curators The Future Tense have assembled an eclectic roster of 30 original works valued at over $ 1m from some of the world's most exciting, dynamic and sometimes controversial artists, including painting, photography, sculpture and a large - scale public installation in downtown Dallas by streetartist Ben Eine.

Votives also shows «Turbo Sculpture» (2010 — 13), a moving image work underscoring the artist's concern with the public life of sSculpture» (2010 — 13), a moving image work underscoring the artist's concern with the public life of sculpturesculpture.

There's a quality of William Burroughs's cut - ups to his remorseless, frantic hybrid works of art, like his Soundsystem, which splices together fragments of high and low culture and everyday life, and his brilliant video The March of the Big White Barbarians, which weaves images of London's 20th - century public art - all those clunking metal sculptures by Eduardo Paolozzi - into a hypnotic, endlessly fascinating dream of the city's secret life.

Inspired by modernist literature from the likes of Virginia Woolf, Doris Lessing, and Gertrude Stein, Barker begins by making lively drawings, then translates the images into welded structures, which range from painterly wall - based compositions like Sea heaves in a glass (2015), on view at Frieze, to lithe public sculptures of grand proportions.

PART 2: LIGHT AND SHADOW The ESSAY «Light and Shadow» discusses... flicker films, Plato's allegory of the cave, H.P. Robinson's allegorical images, working with the absence of light, Tony Conrad's slow emulsions, photography as fairy magic and sun drawings, Adam Fuss's photograms, Hiroshi Sugimoto's feature - length exposures, Cai Guo - Qiang's explosions, light as cancerous radiation, light and shadow in city planning, contrast and lighting in works by Rineke Dijkstra, Jacob Riis, Weegee, Adrienne Salinger, and others, O. Winston Link's environmental light, darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and more...

Here Cuevas, whose artistic practice makes use of painting, video, sculpture, photography and installations, uses images and objects from everyday consumption and life, which she deliberately changes through critical interventions and actions in the public space.

Public Art Fund curator Andria Hickey states that the exhibition «looks at how artists are consuming images and making sculptures that are reflective of the interface between the viewer, lens, and artwork.»