Reference: Bijutsu Techo «Feature: Ryan McGinley» February 2012 (featuring a long interview on McGinley's first solo exhibition in Japan at Tomio Koyama Gallery, and a conversation between McGinley and Gus Van Sant): IMA Vol.1, Autumn, 2012 issue (featuring a long interview on McGinley's first solo exhibition in Japan at Tomio Koyama Gallery, and
images of the works presented in the exhibition)
Here are
some images of the work presented.
Not exact matches
Surely, however, the basic affirmation
of Christian theism, founded (once we have got behind the
images in which often it was phrased) on the biblical witness to the faithfulness and consistency
of God and to his unfailing maintenance
of the creation in being, is that all things at all times and in all places are
present to God, that he is always at
work in them, that he constantly energizes through them, that he never ceases to move in the creation towards the accomplishment
of his holy will and the revelation
of his holy purpose.
If the earlier liberals were guilty
of distortion in their attempt to make Jesus over in the
image of a historical evolutionist, Albert Schweitzer's
work made it impossible for liberal scholarship ever again to ignore the authentically apocalyptic theme which is
present in Jesus» teaching.
A century ago, T. S. Eliot
presented the
image of a self - organizing literary culture in «Tradition and the Individual Talent,» one in which «[t] he existing monuments form an ideal order among themselves, which is modified by the introduction
of the new (the really new)
work of art among them,» which alters «the whole existing order... if ever so slightly.»
In the act
of doing the
work that leads to the development
of persons, the intimation
of reality that is the driving
image behind it makes reality
present, just as Mecca becomes
present in the midst
of a pilgrim's journey.
Moltmann also wishes to keep the distinction between theology and politics clear, but he does provide powerful
images of the society for which we are to
work and direction for our
present practice.
I myself
worked on Tony Blair's historic election campaign
of 1997, joining the «Projection Taskforce» — which
presented the public
image of the party — as its administrator, exactly twelve months before the election itself.
In Maleki's most recent
work,
presented in June at the International Headache Congress, her team
imaged the brains
of migraineurs and healthy people between the ages
of 20 and 65, and it made a discovery that she characterizes as «very, very weird.»
Details
of this
work were
presented in March in a technical paper «Thermal to Visible Synthesis
of Face
Images using Multiple Regions» at the IEEE Winter Conference on Applications
of Computer Vision, or WACV, in Lake Tahoe, Nevada, which is a technical conference comprised
of scholars and scientists from academia, industry and government.
They
presented the latest version
of the
work at the International Conference on
Image Processing in Orlando, Florida, this month.
But although GANs can produce
images that are «realistic - looking at a glance,» they still have a long way to go before achieving true photo - realism, says Alec Radford, a researcher now at AI research company OpenAI and lead author
of a study (
presented at the international AI conference in 2016) that Facebook's
work is based on.
The
present work is a follow - up to a 2010 study, led by Dr. David Martínez - Delgado (University
of Heidelberg), which used small robotic telescopes to
image eight isolated spiral galaxies, and found the signs
of mergers — shells, clouds and arcs
of tidal debris — in six
of them.
I use these
images as cues for my students all the time — they often have no clue how their own body
works under the skin, and
presenting a posture this way gives them an opportunity to start to connect the wonder
of their mind with the possibility
of their body.
Fashionable hairstyles 2017, the
images of which are
presented in this article, show an interesting combination
of older trends and innovative decisions that transform simple hairstyles into extremely interesting
works of art Fashionable hairstyles on short hair This year's favorites are
It's an interesting film because Crowe's usual strengths — command
of tone, dialogue — are some
of the weaknesses here, and yet the director shows what an impressive visual helmer he's become with some genuinely haunting
images, and there's a darkness, and genuine eroticism, that isn't
present elsewhere in his
work.
On the occasion
of Museum
of the Moving
Image's Tsai Ming - liang retrospective,
presented with support from Taipei Cultural Center
of TECO in New York, we created this short film about the
work of the great Taiwanese director.
Despite being based in Ireland, the publisher hopes to
work with authors from across the globe and says that its «editors
work with authors on a one - on - one basis to ensure each book
presented is
of the highest quality... the publisher
works side - by - side with authors to develop effective marketing plans and promotional programs, advising on career choices and forward career planning, and assist in setting up the author's overall
image.»
Some
of the theories SergioM3
presents have merit based on the
images he shows, but it should be noted developer Dimps is still
working on Dragon Ball Xenoverse so what we see here based on hidden data in the network test client may not be what's in the the retail release.
Though it was not
present at Gecco's SDCC booth, the collectible manufacturer will be adding one more statue to their Dark Souls line in the near future; teased in the promotional announcement
image included below, Gecco is presently
working on a 1 / 6th scale statue
of the «Knight
of Astoria, Oscar».
Pictures at an Exhibition
presents images of one notable show every weekday.Today's show: «Trenton Doyle Hancock: Skin and Bones, 20 Years
of Drawing» is currently on view at the Studio Museum in Harlem, and brings together more than 200
works in mediums... Read More
Your new vocabulary
of forms is more abstract — bodies are now represented by parts
of bodies — in many
works the body is
presented as an integrated
image / action.
The idea is that audio and visual channels
work separately in the brain, so when content is
presented simultaneously by way
of audio and visual channels — say, on - screen
images and voice over — the information is processed faster and with greater ease.
Pictures at an Exhibition
presents images of one notable show every weekday.Today's show: «THEM» is currently on view at Schinkel Pavillion in Berlin and features the
work of seven artists — Alina Szapocznikow, Alisa Baremboym, Aleksandra Domanović, Sarah Lucas, Katja Novitskova, Carolee Schneemann,... Read More
The show «Mario Testino: In Your Face» (until 26 July 2015)
presents the full range
of his photographic
work, in 125
images, placing particular emphasis on its provocative contrasts.
All
of the artists have started making their mature
work, if not lived their entire lives since the advent
of Postmodernism; the interaction between the history
of images and
present production is ingrained in how they approach the canvas.»
Their
work has been
presented in major international exhibitions including the Biennale
of Moving
Image, Centre d'art / Mamco, Geneva, Switzerland (2016); Gwangju Biennale, Gwangju, South Korea (2016); 5th Thessaloniki Biennale
of Contemporary Art, State Museum
of Contemporary Art, Thessaloniki, Greece (2015); CAFAM Biennial, CAFA Art Museum, Beijing, China (2014); and the Swiss Off - Site Pavillon, 54th Venice Biennale, Venice, Italy (2011).
«LATOYA RUBY FRAZIER: Performing Social Landscapes» @ Carré d'Art - Musée d'Art Contemporain Nimes, France Photographer LaToya Ruby Frazier «s first solo institutional exhibition in France
presents selections from several
of her documentary projects, including the video «Frazier Take on Levi's» and photographs from «Pier 54,» and the foundation
of her
work,
images that examine the decline
of the population and steel industry
of her hometown
of Braddock, Pa. («Campaign for Braddock Hospital» and «The Notion
of Family»).
The BMA
presents Front Room: Adam Pendleton, a dramatic installation
of new and recent
work by the New - York based artist that examines the relationship between abstraction and representation through layered and fragmented texts and
images sourced from the artist's personal library.
The overview
of her
image - based sculptural practice includes
works from 1989 to the
present, including Vanity Mirror III (Edwardian) from 1989, pictured here.
Anyone familiar with the
work of Alice Neel (1900 - 1984) has seen her portraits
of people
of color, but to realize the depth
of this aspect
of her practice and view more than 30
of these
images presented together was a moving experience.
The starting point for many
of her recent
works and research has for instance been the eco-cinematic question: how and with what kind
of technology, drama and expressive devices can we build the
image of our world in this
present moment
of ecological crisis?
Selected
works in series, such as The Maori churches
of Northland, community alls and Freemasons lodges, are
presented alongside affecting single
images: a light suspended over a Toowoomba street, the blurred movement
of a child in the dappled shadows
of the undergrowth and the graffiti
of an unknown poet discovered in the dunes.
For West Wall, Dwan Main Gallery (1967), a now classic exhibition
presented in 2008 at Peter Blum, Chelsea, William Anastasi photographed an empty gallery, silkscreened that
image onto a slightly smaller canvas, and installed that
work on the wall, making «the wall... a kind
of ready - made mural,» thus changing «every show in that space thereafter.»
Part
of a series
of stretched photographs
presented as adhesive vinyl murals Lawler began making in 2006 in which she expands her
images to fit the location
of their display, the
work suggests large - scale advertising formats even when viewed in more intimate, interior settings.
Thomas Dane Gallery
presents an exhibition
of new
works by Venezuelan - born artist Arturo Herrera, whose practice combines found
images and objects with drawing, collage, sculpture and paint.
Drawing on
images of familiarity, Manish Nai, known to
work with minimal structures created from ubiquitously found material,
presents the viewer with what resembles a pyramid.
Recent
work combines
images of transsexuals with that
of overtly sexual symbols: snakes, cacti and jellyfish amongst others, highlighting the ever -
present threat
of commodification that commercial media brings to the human body.
With «pattern paintings» intentionally resembling wallpaper, and paintings that capture the
image of viewers on their surface, the
work presents a playful challenge to notions
of gallery space and what constitutes a painting.
«Erik den Breejen, the guy who paints
images of musicians using lyrics from their songs,
presented three small studies on canvas along with some larger
work @ St Nicholas Studios.»
The show
presents more than 75
works chronologically, grouping time periods into five major categories, beginning with «The Sensual Body» — her 1970s feminist explorations through neon colored abstract nudes — and ending with «Landscape: The Power
of Native Place» —
works from the 2000s that pair native designs with
images of the lands that specific tribes have lost to colonization.
In keeping with his then current practice, Warhol took a sequence
of Polaroid photographs
of the German artist, and the
present work results from the distillation
of color and contour
of one
of those
images.
The
works that brought her to international attention, the series Ground and Field,
presented photographic blurs caused by focusing the camera on an unoccupied foreground; these lushly colored
images tested connections between the descriptive clarity
of photography and the haze
of memory.
YARD has been re-invented over 23 times, though unlike many
of his activities or environments, there are no definitive instructions, only hand - written notes and
images of previous versions, allowing the
work to be re-conceived each time it is
presented.
Taking it's cue from the popular hashtag #currentmood, which Cory often uses to share his browsing habits on social media, the show brings together new
works that
present something like a «listicle»
image dump self - portrait
of Arcangel.
The Parrish will
present a selection
of images from this body
of work that conveys the joyfulness in children allowed the freedom to be themselves.
The exhibition will
present selections from Bayrle's most iconic series, including several
of his rarely exhibited «painted machines» — hand - painted kinetic
works inspired by
images of Chinese pageants and other mass demonstrations.
MAY 5 - MAY 20, 2007 Umeå Academy
of Fine Arts
presents an exhibition under the title Projekt ´07 Painting, drawing, digital
images, photography and wall tapestries are blended with audio and video
works.
Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream,
presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School
of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea
of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New
Image, Friedrich Petzel Gallery, New York, NY Exhibition
of Work by Newly Elected Members and Recipients
of Honors and Awards, American Academy
of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition
of Visual Arts, American Academy
of Arts and Letters, New York, NY Battle
of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits
of Silence, Gallery Min Min, Tokyo 2007 Heralds
of Creative Anachronism, D'Amelio Terras, New York, NY The Price
of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to
Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY
In this group
of works she is
presenting a wide range
of silk screen, monoprinting, Chine colle — a unique technique in printmaking in which the
image is transferred to a surface that is recollaged in the printing process - solar etchings and digital prints that echo and evoke variations on all the above.