Sentences with phrase «images of their art in»

For Wikiart I advise you to view the art - images of his art in chronological order.

For Wikiart I advise you to view the art - images of his art in a chronological order.

iArtView is an app created expressly for artists looking to increase their sales by using high quality images of their art in personalized settings.

Practitioners from Africa are now sharing and interpreting the stories and images of the arts in their respective countries.

Not exact matches

She has clearly mastered the art of image, and it has served her well, both in selling herself and in moving real estate during her 23 years at the top of her New York City brokerage, Corcoran Group.

(All four once worked together at Image Club Graphics, a developer of fonts and clip art, in the 1990s.)

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For the next two years, the newly chosen America's Road Team Captains will tour North America in ATA's Interstate One Image Truck, an American flag emblazoned Volvo VNL 780 with a state - of - the - art truck driving simulator.

Frank Hartley paused with his small tour group in the Mayan wing of the Metropolitan Museum of Art to admire the images on an ornately carved eighth - century cup and read the translation aloud: «Burn your head, smell your?»

Announced in private preview at RSNA, Project InnerEye uses state - of - the - art machine learning and computer vision to turn medical images into measurement devices, to amplify a clinician's ability to personalize treatment, spend more time with their patients, and for hospitals to save costs.

Facing fully real things, we render them knowable in the images of language, art, and mathematical science.

Gregory Wolfe, editor of Image: A Journal of the Arts and Religion and author of Malcolm Muggeridge and The New Religious Humanists, has discovered in the relative obscurity of Loveland, Ohio, an artist of genuine spirituality who is showing the way towards such a primitive simplicity.

In those two words we give the reason for our longing for the most expensive language and images we can create, for we know this child's glory calls forth every possible beauty of utterance, image, art and song.

is the author of Finding Divine Inspiration (Destiny Image) and The Creative Church Handbook: Releasing the Power of the Arts in Your Congregation (InterVarsity Press).

(You can purchase a fine art reproduction of this image from my online gallery here) Eugen Rosenstock - Huessy, in his book «I Am An Impure Thinker ``, suggests that there are the four fronts: Buddha, representing...

I wouldn't be so bold as to name the purpose of art, but I think one thing that unifies its many forms is the desire to distill the chaos of existence, in all its wonder and tragedy, into a single, unified image of beauty.

Can we imagine how much of the Catholic tradition has been forgotten when it is said by a Catholic theologian that God - images have never been very important in Christian art?

Images and objects can symbolize a personal search for meaning, and in the sanctuaries of museums people may almost genuflect before such art works.

In this sense, many of the images we encounter every day can be regarded as religious images, even as examples of religious art.

Around 1915 a local artist, Thomas O'Shaughnessy, who had studied Celtic decorative arts in Dublin and learned the art of stained glass at the Art Institute of Chicago, transformed the windows and stenciled the walls with images from the Book of Kelart of stained glass at the Art Institute of Chicago, transformed the windows and stenciled the walls with images from the Book of KelArt Institute of Chicago, transformed the windows and stenciled the walls with images from the Book of Kells.

And yet, when the gifted musician / author Jeremy Begbie reviewed art historian Dan Siedell's book God in the Gallery in the current issue of Image, Begbie appeared - ever so subtly - to take issue that Dan Siedell, in a book about art, limited himself to «one particular current within the Nicene river, the Eastern Orthodox tradition... and the council of Niceae (787 CE), the conference which established the orthodoxy of icons.»

In understanding the work of art as a language - event, an image - event, the hermeneutics of Hans - Georg Gadamer and Paul Ricoeur offered a critique of the formalists» tendency to make «meaning» a static object.

«They could not seem to understand that besides the visible representation of a visible reality (the portrait), there is a completely different art in which the image presents what is visible of the invisible.»

(CNN)- A statue resembling the goddess Athena and jewelry bearing images from Greco - Roman mythology may not be objects you'd expect to see in a museum exhibit of Buddhist art from Pakistan.

Life imitates art, as we increasingly see in our crafted mediaworld of images and symbolic gestures.

The images and conventions of the art forms (e.g. the editing technique involving long shots, close - ups, panning and montage in cinema, TV and radio) have one meaning in some cultures and a different or no meaning in others.

Sacred images in Christian art are finally images of a community's search to understand its relation to its past, present and future; it is in these images that the community experiences its relationship with God.

In time it came to involve art forms of all kinds, (heiroglyphics, drawings and carvings, images, tools, etc.) and for all purposes (ranging from what we would call economic (making a living) to what we could call religious (giving him a sense of meaning in life)-RRBIn time it came to involve art forms of all kinds, (heiroglyphics, drawings and carvings, images, tools, etc.) and for all purposes (ranging from what we would call economic (making a living) to what we could call religious (giving him a sense of meaning in life)-RRBin life)-RRB-.

God's Word tells us the secret of our life, created of God art thou, in His image, fallen from God hast thou, into sin!

Suppose an attempt were made to exegete Gregory of Nazianzus's bold assertion on which the title draws: «The scope of our art is to provide the soul with wings, to rescue it from the world and give it to God, and to watch over that which is in His image.»

It is questioning art, probing the secrets of human consciousness with and seeking through symbols and images to awaken honesty in others.

That is to say, expressionism had the power to communicate forcefully the images and the feeling of the artist; therefore, the great German expressionists, such as Emil Nolde, whose «Head of a Prophet» is one of the most powerful statements of the haunting and mysterious sense for Christ of modern art, evoke in us a response that is not the response of immediate and instant recognition.

Isn't interesting this guy could make a image of Jesus in a negative act and the art world and some athiest declare its «expressive» and it should be up.

1) What benefit does a piece of art bring, if all it does is defame an image of a religious figure (Jesus Christ in this case)?

Almost every department of theological study is involved at this level, and this means not only attention to the symbols and images of the Christian faith; it also means attention to the symbols and images and art forms of the contemporary world, as they are encountered in literature and the fine arts, but also in popular expressions, community rituals, social ideologies, and not least in the mass media of the time.

For example, Gerlach noted four images of redemption which have emerged and recurred in her art: «survivors» who refuse to die or give up; the «friends» who make it possible to go on; those «older and wiser» on whom she leans; and images of the need to «comfort and care for ourselves.»

The sacramental principle, in which created matter and form can be apprehended in some authentic way as images of God, and as ways towards union with Him, is fundamental to the Catholic and Orthodox attitude to art, whereas the Protestant theological system relies on the priority of the word over the image as the medium through which God communicates Himself to us, and by means of which we apprehend Him.

A century ago, T. S. Eliot presented the image of a self - organizing literary culture in «Tradition and the Individual Talent,» one in which «[t] he existing monuments form an ideal order among themselves, which is modified by the introduction of the new (the really new) work of art among them,» which alters «the whole existing order... if ever so slightly.»

Many examples are given — in images, icons, art, music, hymns and others — of how we confuse our culture with the gospel.

The vice of the media - processed image in covering politics, art, education — most of the world in which we live and act — is that it strips away the moral - historical context to leave the citizen - viewer with Brute Event as Truth.

Others, like Professor Mowinckel of the University of Oslo, find the image of God to be the Old Testament version of it in the Eighth Psalm: «What is man that thou art mindful of him, and the son of man that thou dost care for him?

And it is discovering the value of images in art as well (e.g. Odin 1984).

In so doing he perhaps had in mind the words of the Catechism of the Catholic Church, which reminds us that, «Created «in the image of God», man also expresses the truth of his relationship with God the Creator by the beauty of his artistic works» before further explaining that, «To the extent that it is inspired by truth and love of beings, art bears a certain likeness to God's activity in what he has createIn so doing he perhaps had in mind the words of the Catechism of the Catholic Church, which reminds us that, «Created «in the image of God», man also expresses the truth of his relationship with God the Creator by the beauty of his artistic works» before further explaining that, «To the extent that it is inspired by truth and love of beings, art bears a certain likeness to God's activity in what he has createin mind the words of the Catechism of the Catholic Church, which reminds us that, «Created «in the image of God», man also expresses the truth of his relationship with God the Creator by the beauty of his artistic works» before further explaining that, «To the extent that it is inspired by truth and love of beings, art bears a certain likeness to God's activity in what he has createin the image of God», man also expresses the truth of his relationship with God the Creator by the beauty of his artistic works» before further explaining that, «To the extent that it is inspired by truth and love of beings, art bears a certain likeness to God's activity in what he has createin what he has created.

Hinduism, Islam, Buddhism, Shintoism and numerous smaller religions had their beginning on Asian soil and still exert a powerful influence on society To be Christian artist in such a setting means coming to terms with the art forms and images of other religions.

He was too honest a believer in the spiritual power of creative arts to carve an image not formed in his heart.

In the November issue we said some nice things about Image: A Journal of the Arts and Religion, and gave a phone number for people interested in subscribing, 800-815-299In the November issue we said some nice things about Image: A Journal of the Arts and Religion, and gave a phone number for people interested in subscribing, 800-815-299in subscribing, 800-815-2997.

We get a hint of how to apply this to the arts when Nietzsche observes that Schiller «confessed that before the act of creation be did not have before him or within him any series of images in causal arrangement, but rather a musical mood» (BT 49).

This new practice matches more closely a common image of the Cenacle meal as depicted in influential works of art.

The second commandment, «You shall not make for yourself a sculptured image, or any likeness of what is in the heavens above, or on the earth below, or in the waters under the earth,» has greatly restricted the role of symbolism in Jewish art.

As the folks at the Michael Kohn Gallery in L.A. explain it, the art exhibit that opened last Saturday «takes the idea of the object — in this case the seductive shape of the surfboard — and attempts to trap the image beneath the fiberglass and resin surface.