Sentences with phrase «images of trees painted»

The artist's practice places him within the legacy of Conceptualism, evidenced by works such as his gridded, serial images of trees painted on plexiglass that successively plot the shape of trees on one another.

Gaines» practice places him within the legacy of Conceptualism, evidenced by works such as his gridded, serial images of trees painted on Plexiglas.

Gaines's practice places him within the legacy of conceptualism, evidenced by works such as his gridded, serial images of trees painted on Plexiglas.

Not exact matches

Combined with the vibrant colors of the potted bougainvillea trees and the glistening ocean, Ban Lealay paints a picture perfect image of style that compliments the harmony of the natural world that can be viewed from every angle of this brilliantly designed villa.

The result was an explosion of otherworldly biomorphic and architectural ink washes that evoke images of tree branches, piers and unfinished buildings, and more recently, their counterpoint, huge paintings with big thick tactile lines of color that sweep across the canvas like a roller coaster.

Small paintings of fires are plastered upon images of the trees, whereas a Gothic arch encasing plasticine babies hangs over the marine setting.

So, although Bradford's assemblages initially seem to socialize with abstract painting, I still can't help but come back to Mondrian's trees: a form of image - making that is grounded in concrete realities.

Geva primarily uses bold gestures to propel and push paint over the surface of multilayered canvases, sometimes done in diptychs, which often include recognizable images like birds, tree branches, and flowers.

The title of the exhibition describes the prominent image within each artist's work: Cortese — fur covered lifesize ceramic sculptures of dogs that resemble German Shepherds; Aparicio — a painting that is made from rubber, paint and tree residue that resembles the surface of a flattened tree; and Brackens — weavings that incorporate the image of a catfish.

Hannock's addition of diaristic texts and photographic images to the mountains, trees and fields is his unique contribution to 20th Century landscape painting.

When fellow students who had been on courses at Newcastle — where Tom Hudson, Harry Thubron, Victor Pasmore and Richard Hamilton were among their mentors — began to explain the evolution of Mondrian's work to me, the metamorphosis of his drawings of trees, for instance, towards making an autonomous painting, or Matisse working directly from the nude model but ending with an independent image — then it seemed an exciting possibility, to make a painting that was independent of local colour or illustrative form.

The contrast between his early visionary depictions of mystical trees and beings, and the paintings that stand as some of the most memorable images of war ever made, is emphatic, underlining perhaps that Nash was not a «natural» artist in the way that contemporaries like Stanley Spencer certainly were.

For example, in the book that accompanied her painting Aqueous Flesh (2009), Pundyk reveals that her reference for the human figure was clipped from a newspaper, tree branches from a photo taken out of her family - in - law's New York apartment, facial features from a candid photo of a friend on vacation in Paris, and an abstracted version of two women sourced from an image in a waiting room magazine.

Running until 29 March, the collated writings and images of poets such as Katherine Mansfield and Iris Tree provide inspiration for the show, as the gallery explains: «The narratives within the paintings are given structure by an almost visceral sensation of light that outlines and gives intensity to their surfaces, evoking a poetic image.

Other paintings from the period are landscapes or images derived from landscapes, like a courtyard with a swathe of green representing trees and a corner where two walls meet.

Untitled (1993) by Jack Goldstein is large format painting transposing a photographic image of a night sky with different colored concentric light circles over a landscape whose silhouette hints at tree tops and a red lava stream.

Ivan Comas» hybrid paintings combine UV - printed images of the shadows of trees with his own painterly gestures.

Selected Exhibitions 2009 Zenith Gallery, Washington, DC, For Real, group exhibit 2008 Zenith Gallery, Washington, DC, What Remains: The American Landscape Portfolio Edition, solo exhibit Zenith Gallery, Washington, DC, Trees of Life, 30th Anniversary Show, group exhibit 2007 Zenith Gallery, Washington, DC, What Remains: The American Landscape, solo exhibit 2006 Zenith Gallery, Washington, DC, 28th Anniversary Exhibition, group exhibit 2005 Zenith Gallery, Washington, DC, Into the Minds of Nine, group exhibit Zenith Gallery, Washington, DC, La vie quotidienne: Scenes from Paris to Provence, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 22nd Annual Portrait Show 2004 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes 2004, group exhibit Parker Gallery, Washington, DC, Beyond Brittany: 1977 - 1979, group exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 21st Annual Portrait Show Zenith Gallery, Washington, DC, Zenith Style: Art & Craft for Home & Office, group exhibit Zenith Gallery, Washington, DC, This Land is Your Land, This Land is My Land, group exhibit 2003 Bermuda National Gallery, Hamilton, Bermuda, Inside & Out, House & Home, group exhibit Zenith Gallery, Washington, DC, Near and Far: Recent Landscape Paintings, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 20th Annual Portrait Show 2002 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes Zenith Gallery, Washington, DC, The Dog Days of Summer Zenith Gallery, Washington, DC, New Artists... New Space, Summer Show 2002 2002 Hilligoss Galleries, Chicago, IL, Oil Painters of America, Eleventh Annual National Juried Exhibition of Traditional Oils Francesca Anderson Fine Art, Portraits North, Lexington, MA, 19th Annual Portrait Show 2001 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Northern Virginia Fine Arts Association, Alexandria, VA, Contemporary Realism: A Survey of Washington Area Artists Zantman Art Galleries, Palm Desert, CA, Oil Painters of America, Tenth Annual National Juried Exhibition of Traditional Oils Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Francesca Anderson Fine Art, Portraits North, Lexington, MA, 18th Annual Portrait Show 2000 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Rock Creek Gallery, Washington, DC, Studio 310 Reunion Francesca Anderson Fine Art, Portraits North, Lexington, MA, 17th Annual Portrait Show Spectrum Gallery, Washington, DC, Spectrum Plus Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Zenith Gallery, Washington, DC, Zenith Gallery at 22 1999 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour, recipient of the Steven L. Aschenbrenner Collector's Award Zenith Gallery, Washington, DC, New Works for the Millenium Francesca Anderson Fine Art, Portraits North, Lexington, MA, 16th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1998 Byrne Gallery, Middleburg, VA, Lightmotifs, solo exhibit Mystic Maritime Gallery, Mystic, CT, 19th Annual International Marine Art Exhibition Francesca Anderson Fine Art, Portraits North, Lexington, MA, 15th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1997 Arts Club of Washington, Washington DC, Luminous Journeys, solo exhibit Ballantyne & Douglass Fine Art Gallery, Cannon Beach, OR, featured artist The Artists» Museum, Washington, DC Francesca Anderson Fine Art, Portraits North, Lexington, MA, 14th Annual Portrait Show Morgan Peyton Fine Arts, Charleston, WVA, Journeys through the Virginias, solo exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit Howard / Mandville Gallery, Edmonds, WA, Paintings of the American Landscape 1996 Howard / Mandville Gallery, Kirkland, WA, Pleasures of the Garden Francesca Anderson Fine Art, Portraits North, Lexington, MA, 13th Annual Portrait Show Howard / Mandville Gallery, Edmonds, WA, 2nd Annual Paintings of the American Landscape Gallery 4, Alexandria, VA, Landscapes Cudahy Gallery, Richmond, VA, 15th Anniversary Celebration Charles County Community College, La Plata, MD, Landscapes, solo exhibit 1995 Cudahy Gallery, Richmond, VA, Landscapes 1994 Hollis Taggart Gallery, Washington, DC, Portraits Montgomery County College, Rockville, MD, George Washington Faculty Exhibit DeMatteis Gallery, Annapolis MD, The Figure Fine Arts Gallery, Georgetown University, Washington, DC, Portraiture, co-curator 1993 Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1992 Fine Arts Gallery, Georgetown University, Washington, DC, faculty exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1991 Fine Arts Gallery, Georgetown University, Washington, DC Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1989 Plum Gallery, Kensington, MD, Capital Image 1989 Cudahy Gallery, Richmond, VA, National Portrait Exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1988 Fine Arts Gallery, Georgetown University, Washington, DC, Images of Georgetown, A Bicentennial Celebration 1986 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition 1985 Gallery 4, Alexandria, VA, Washington Landscapes Plum Gallery, Kensington, MD, The Capitol Image Today 1985 The Times Journal Co., Springfield, VA, In and Around Washington 1984 St. Petersburg Historical Society, St. Petersburg, FL 1984 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition Strathmore Hall, Rockville, MD, Metro Art Fairfax County Council of the Arts, Fairfax, VA, juried exhibit curated by Michael Botwinick, director, Corcoran Gallery of Art, Washington, DC World Bank Art Society, Washington, DC 1983 Arlington Arts Center, Arlington, VA, Areawide Painting Exhibition, juried by Frederick Brandt, curator, Virginia Museum of Fine Arts, Richmond, VA American Artists Professional League, New York, NY, Juried Grand National Exhibition Twentieth Century Gallery, Williamsburg, VA

In the 1993 painting «Gold and Black No. 2,» the same yellow expands to a width of nearly 13 feet, framing a few shadowy tree trunks — a nearly abstract image that also points us out of the woods, toward the blinding openness just ahead.

The first exhibition celebrating British history painting will include the haunting image of a tree once used to hang slaves in the US, taken by artist and director Steve McQueen when scouting locations for his Oscar - winning film 12 Years a Slave.

His current show, Analogue Future at DCKT Contemporary on the Lower East Side, is his second solo in New York; the first was at Freight + Volume in 2010, but the images available on the gallery's website — loosely rendered paintings of cartoonish monsters, including Christmas trees sprouting human legs — could be, if not for the thickness of the impasto, the work of a different painter.

His paintings draw from his own childhood: a barbershop interior decorated with images of Malcolm X and Martin Luther King, and an image of his brother scrumping for apples displayed alongside a child climbing a mango tree in Jamaica.

Just as a view from a window of a group of trees in a park would never produce the exact same image, these paintings are fluid and variable.

Kaye Donachie's paintings distil and redeem historical images of specific female protagonists, often imbued with a sense of place.In Silent as Glass the collated writings and images of poets such as Katherine Mansfield and Iris Tree provide inspiration.

Trees in Contemporary Art Altana Kulturstiftung, Bad Homburg Animal Mineral Vegetable Andrew Kreps Gallery, New York Allegory of the Cave Painting Extra City Kunsthal, Antwerp Alchemy NEST, The Hague Size Matters Foundation for Art Fort at Vijfhuizen, Vijfhuizen Picture This SALTS, Birsfelden Halftone: Through the Grid Galerie Max Hetzler, Berlin Beating around the bush Episode # 1 Bonnefantenmuseum, Maastricht Objects in mirror are closer than they appear Lugar a Dudas, Cali RE: Painted S.M.A.K., Ghent video screening 25 Zero, Milan Amnesia Nadácia - Centrum súčasného umenia, Bratislava 2013 Behind Images Garage Rotterdam, Rotterdam (catalogue) Traces Stedelijk Museum, s - Hertogenbosch Agora 4th Athens Biennale, Athens On the Road to... Tarascon, Adrian Ghenie and Navid Nuur Plan B, Berlin Passion de l'Art en Finistère / Collection # 4 Centre d'art contemporain de Quimper (T) HERE Bonnefanten Hedge House, Wijlre Flex - Sil Reloaded Kunst Halle St. Gallen, St. Gallen Casey Kaplan, New York The Image in the Sculpture Centre Pompidou, Paris (curated by Christine Macel and Navid Nuur) Time, Trade and Travel Stedelijk Museum Bureau, Amsterdam Small Gestures MU / Strijp S, Eindhoven Mesures et disparition / Over maat en verdwijning Institut Néerlandais, Paris It wasn't there yesterday Raster Gallery, Warsaw 2012 This Title is an Artwork of Mine Motto Charlottenborg, Copenhagen (curated by Mikkel Carl) The Castle in the Air.

He took pictures, shot films, and painted images of tree trunks, the fronds of ferns growing out of their central stalk, and the tangle of trees decomposing on the ground.

The paintings on view combine the chaotic characteristics of nature — jumbled masses of trees, water and vegetation — frequently juxtaposed with images of tattooed and painted body parts.

This week we walked through the flea market «Place du Jeu de Balle» in Brussels, announced an exciting new exhibition of Ray Johnson Designs currently on view at MoMA, shared photographs of Betty Davenport Ford's ceramic sculptures, took a tour through Joshua Tree National Park, shared images of Alex Katz's paintings at Thaddaeus Ropac in -LSB-...]