Sentences with phrase «images on a screen while»

The study involved dogs viewing both static images and video images on a screen while undergoing fMRI.

Like the cameras on most phones, the current iPhones use digital zoom, which just magnifies the image on your screen while degrading the quality of the final picture.

Not exact matches

An image of the jar was projected on the screens while we listened to Radiohead's «The Tourist,» with the lyric, «Hey man, slow down,» projected over the image of the jar.

Pearson, who described himself at the time as a «fundamentalist, Pentecostal, evangelical» Christian, asked God what he could do to help while images of human suffering flashed on the TV screen.

The video presents a segment from the «Fred Dicker Show» where Murphy defended his position opposing the death penalty in all cases, while images of the 9/11 attackers flash on screen.

A celebrity's face would appear on one screen, while a different image appeared on the other.

On the massive screen, images are controlled by a Wii remote that interacts with a Kinnect - like Bluetooth device (called SmartTrack), while 3D glasses worn by the user create dizzying added dimensions.

They found they could reliably safeguard sensitive regions while still delivering 24 frames per second, fast enough for human eyes to perceive a smooth moving picture rather than a flickering image on a screen.

Dogs» eye movements were measured while they watched facial images of familiar humans and dogs (e.g. dog's owner and another dog from the same family) being displayed on the computer screen.

Dramatic images of out - of - control wildfires in western North American forests have appeared on our television and computer screens with increasing regularity in recent decades, while costs of fire suppression have soared.

Presented in widescreen and fullscreen on the same side of a dual - layer DVD, the film's image lacks depth here — there's a muted, Seventies quality to Barry Stone's cinematography that no doubt looked smashing on the big screen and probably would've been marginally improved at home by dispensing with the fullscreen version (thus lessening the compromise of compression), which lops a significant amount of visual information from the right side of the frame (while restoring a negligible amount to the bottom — in one shot literally a pinkie toe).

While many parts of the film have minimalist tendencies — few images on screen, slower camera movements, decreased sense of timing and pace, accentuation of what is on screen — the pace of the film is not constant.

During the show, music from various Metal Gear games is performed live, with tracks like Snake Eater, Father & Son, Encounter and Sins of the Father, while images projected on a large screen accompany the music.

Traditional images of history on the pages of history books have been replaced by archived or real time cries of Syrian youth being murdered by their government on a TV screen right behind the counter while we purchase our Dunkin Donuts.

Rear visibility is pretty terrible, and while we're glad the C - HR has a standard - fit rearview camera, we wish it displayed on the stereo screen; instead, it's a tiny image on the rearview mirror.

The Encore's Rear Vision Camera produces a live image of what's behind you on the Color Touch Radio screen to help you better navigate while driving in reverse.

The Rear Vision Camera produces a live image of what's behind you on the Color Touch Radio screen to help you better navigate while driving in reverse.

Other features also make texting and messaging life a lot easier, including: being able to review your messaging history across all of your devices (which is especially nice on a larger screen for those with a lot to say), easily send items from your computer (potentially giving you access to all of your documents and images, not just those that happen to be on your smartphone or tablet), save attachments to your computer where they are most useful (while not losing them on your other devices as well), and my favourite — universal copy and paste (copy text from one device and paste it on a different one).

While impressive, I fear we've reached «peak pixel» and the color fidelity and smoothness of the on - screen images and text are on par with other tablets I've seen.

While you can't unlock the tablet using an image of your face (as you can with ICS phones such as the Galaxy Nexus), the Acer Ring on the lock screen has been preserved.

At other intervals the image would look blurred out, less contrasted; while the jetbook pretty much looks the same no matter how you hold it (save for the reflection of the light source on the screen).

While it doesn't make much of a difference when viewed on screen, if a reader decides to print your ebook, high - quality images will make sure the book come out in tip - top shape.

From the company's own press kit, the object of SnapKeys is clear: to free up the screen for images while still enabling accurate, comfortable typing on the four shape - specific keys.

While it's not as vivid as the AMOLED display on some of Samsung's Galaxy phones, the Galaxy Tab's 7 - inch screen provides bright, colorful images at a high resolution.

This enables the 256 GB UFS memory to support seamless 4K video playback and multitasking functionality on large - screen mobile devices, like watching a 4K movie on a split screen, while also searching for image files or downloading video clips.

In our brief hands - on time, colors were accurate if not overly rich while images were bright as we swiped through home screens.

Here's a picture of where that is while watching the movie, Penelope (no image of the actual video is shown in this example since you can't take a screen capture of videos on your Kindle Fire):

The VGA camera that located above the screen allows users to make video chats, while on the back, there is a 5.0 Mega Pixel rear camera with Led Flash, digital zoom, image stabilization, geo - tagging and support video recording.

While it's not as vivid as the AMOLED display on some of Samsung's Galaxy phones, the 7 - inch screen provides bright, colorful images at a high resolution.

In this way, Mirasol displays are similar to E Ink in that they require little to no power while displaying an image on - screen.

Next comes the issue of instructing the display to draw an image, text, or complex graphics and menus on screen; while there is limited support with drivers under Linux — though very different from regular graphics card support — using Linux will negate the low power aspect of the e-paper and take some time to implement.

I want to be able to ensure that an important image can take up as much screen real estate as possible while still having a caption that can re-size and stay on the same screen as the image.

While turned off or in lock mode the eReader will display an image on its screen.

The images shown on the screen are of various destinations and while the screen is bright, I found that the reflections off the mirrors and water sort of had a hypnotic effect at night when going for a relaxing swim.

While the second character has no actual images of their in - game model to show, their name is visible on the character select screen, which reveals that Gears of War anatagonist General Raam (pictured at the top of this post) will be joining the likes of Halo's Arbiter and Battletoads» as guest characters in Killer Instinct.

During the show, music from various Metal Gear games is performed live, with tracks like Snake Eater, Father & Son, Encounter and Sins of the Father, while images projected on a large screen accompany the music.

The camera is used at various points to capture real - life images in order to wallpaper different objects and environments, while the microphone allows you to blow on the screen and see the wind you've created affect the environment underneath it.

* Can now change wheels from quick play lobby * Fixed avatar image loading that sometimes failed * Fixed crashes * Improved visual quality on high - resolution screens * Improved text input for account info and chat * Changed to immersive full - screen mode * Fixed UI scale for tablets: buttons are now smaller * Added confirmation dialog before quitting game with back button * Added support for Intel CPUs * Fixed issue where the screen would dim or turn off while the game was running

Unless, of course, the images on that screen are anything like those from the newest tech demo for Sony's virtual reality headset, Summer Lesson, which looks to be mostly about leering at a schoolgirl in her bedroom while pretending to study.

To write about a painting from a painter's perspective, I would ideally be looking right at it while I wrote, and not at a photograph or an image on a screen.

This screening series, which forms part of a larger research process, focuses on artists who engage with the infrastructural through the moving image, while also often working with other media.

Random Internet Cats Robotically - fabricated drawings on paper, these series formally deal with mediation from screen image to «drawing» while using a computer - controlled pen plotte...

While researching the Screen Tests, I learned that they were based on images of the «most wanted» on police leaflets.

The works include reenactments of Vito Acconci's Seedbed (1972), in which the artist occupied the space under a false floor, masturbating and speaking through a microphone to visitors above; Valie Export's Action Pants: Genital Panic (1969) in which Export walked through a movie theater in crotchless pants, challenging the audience to turn from the images of women on the screen to a real female body; and Abramovic's own Lips of Thomas (1975), in which she ate a kilogram of honey and drank a liter of red wine before breaking her glass with her hand, incising a star in her stomach with a razor blade, whipping herself until she «no longer felt pain,» then lying down on an ice cross while a space heater suspended above her caused her to bleed even more profusely.

«Ashes» is a two - part exhibition; the darkened gallery at 3 Duke Street, is filled with McQueen's short film; the on - screen image of a young black man sitting on the prow of a small boat, basking in the glory of the sun, while at 11 Duke Street a black marble column stands resplendent, but broken.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artformon, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artformon - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London ArtformOn the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

Salvaged decorative pieces from the site's current restoration are presented as sculptural interventions while filmed images of a Buddha figure, originally from the 3rd - century Kushan Empire in what is now Pakistan, are projected onto layered screens on the top floor.

Only after shooting this image, while watching it on a bigger screen, I noticed a newlywed couple in the frame kissing for their wedding photoshoot.

I think there can always be something that surfaces visually in an abstract painting, if it's not a grid it will be a landscape, a still life, a garden, a face, especially when reduced to a small image on a screen, which can sometimes encapsulate the main properties in a work which might not be so evident while up against the canvas painting.

Recycled plastic iceberg sculptures cover the floor and glow eerily under black light while scents waft through the air and videos documenting collisions between the natural and manmade world stream continuously on two glass screens that reflect images onto the walls.