Instead, he projects
images on a variety of surfaces such as smoke, cotton balls, antennae, water and mirrors.
Not exact matches
Rendered
on a
variety of coarse fabrics, recognizable
images of human bodies and surfboards in the water pass in and out
of view, subsumed by the water and mists which are created by the textures
of the painted
surfaces themselves.
Reflecting these repetitive rituals, the relentless recording
of self and the multiplicity
of media
images, Brice incorporates offset printing techniques
on a
variety of surfaces in the paintings, allowing for several versions
of the same motif.
The wide
variety of materials that constitute the exhibition (including collections
of photographs, slide projections, periodicals, recent film and video installations, sculptures, and printed works
on paper) create numerous situations within which to consider not only the materiality
of images and the technologies that form their reception, but also the conflicted social history that lies under their
surfaces and is inextricable from their origins.