Sentences with phrase «images on the cloth»

The shroud of Turin is irrefutable proof of the Crucifixion and resurrection of Jesus Christ, I am not going to state all the facts about this shroud but all the evidence is out there proving it is real and that to this day we do not posses the technology to reproduce a image on cloth with the same physical characteristics.

The print quality of the images on the cloth is actually surprisingly nice — I've bought plenty of shirts at conventions that didn't look as nice or as smooth as these did.

Not exact matches

It first came to truly global attention in 1898, when photographer Secondo Pia produced a negative black and white image of it, and suddenly the shape and features of the crucified man on the cloth leapt out for the whole world to see.

Miller contends that none of these theories account for the elements of the image that continue to defy naturalistic explanations: that the image is singed only on the surface of the cloth, and that its three - dimensional nature and the prints of the flowers and coin that Whanger believes are present remain unexplained.

Rain Without Thunder: The Ideology of the Animal Rights Movement by Gary L. Francione Temple University Press, 366 pages, $ 59.95 cloth, $ 22.95 Anyone whose image of the animal rights movement is one of nasty - tempered radicals who bomb laboratories and spray paint on fur coats will be in for a....

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Impressions of images, text and patterns are made on cloth using wooden blocks.

When the child described above wrapped his arms around the teachers forearm and rubbed his face on her sleeve, the image that came to mind was of baby monkeys and their terry cloth mothers.

McElheny's installation uses translucent projection cloth, mirrors and film to present a very contemporary take on abstraction, while Rodriguez's depiction of a tongue, with an acupuncturist's diagnoses scrawled over the image, explores society's obsession with health, and the competing claims of traditional and modern medicine.

Sterling and Nicoll placed images of her collages on a fluid crêpe de Chine dress shape that he calls Stella — the arms and torso of the original body positioned to coincide with that of the body beneath the thin cloth.

Bourgeois in her Chelsea home with the same three pink cloth figures visible on the upper left ramp of the installation image above

TOP IMAGE: From Prospect 3 New Orleans — Hew Locke, Details from «The Nameless,» 2010 - 2014 (black beads, cord, glue on cotton cloth).

His poetic use of found materials, printed and reproducible images, his unconventional and inventive mark - making, and his embrace of chance operations (whether dragging a canvas on the ground, allowing a drop cloth to absorb stains of nature and of the studio, or exposing the paintings to the forces of weather) can be seen echoed within Schnabel's entire body of work as well as in the work of a subsequent generation of artists.

Image: Molly Zuckerman - Hartung, Adulterate, 2013, acrylic, bleach, enamel, latex, and paper collage on cut, draped, and sewn cloth and canvas; oil and spray paint on two leaning canvases; found objects, 95 x 167 x 12 inches (hanging)

(Image above: Katherine Bernhardt, Sarah Crowner, TM Davy, Michelle Grabner, Joanne Greenbaum, Sara Greenberger Rafferty, David Kennedy Cutler, Michael Mahalchick, Eddie Martinez, Yuri Masnyj, Sam Moyer, Ian Pedigo, Kate Shepherd, B. Wurtz; untitled; 2013; acrylic, yarn, collage, cloth, colored pencil, string, inkjet print, ink, insult, and band - aid on canvas; 16 ″ x 20 inches.)

Ryan Mosley, Smoking Pilgrimage, 2014, oil on canvas backed with sail cloth, 215 x 145 cm, © the artist, image courtesy Alison Jacques Gallery, London.

Roman Catholics, apparently, believe that a woman called Veronica, later canonised, wiped the face of Jesus when he fell under the weight of the cross on the way to Calvary, leaving an image of his face on the cloth, thus creating the first example of image transfer.

These images are printed on cloth, cut, and reassembled on a canvas.

[Image at top: Katherine Bradford, Fathers, 2016, acrylic on drop cloth, 70 x 96 inches.

Whether dragging a canvas on the ground, allowing a drop cloth to absorb environmental stains, or using printed images as supports for his paintings, Schnabel's formally and conceptually wide - ranging work can be connected through the notion of the palimpsest.

Featured image: «thoughtful businesswoman in casual cloth sitting on the chair at office» from Shutterstock.