Imago is a psychoanalytic term designating an idealized or
imaginary figure from childhood which the child comes to use as a behavioral model later in life.
«The truth is that Leave campaigners plucked
an imaginary figure from the air and went around the country misleading the British public.
I don't get where you pull
these imaginary figures from.
Not exact matches
Christian humanistic charity work is greatly appreciated (not sure where your 95 percent
figure comes
from, though), but are they so shallow that they would not help their fellow humans if not for promises and / or threats
from an
imaginary being?
Just a few years removed
from «Toy Story 3,» Pixar once again says goodbye to childhood, only this time the beloved childhood
figure is an
imaginary friend rather than a toy.
Divided into thematic blocks, its journey alternates historically renowned
figures and creators
from recent generations, ranging
from internationally acclaimed Catalan photographers to those who shape the image of everyday life in the city's media, in a narrated series about the social uses of photography in the production of the
imaginaries that make up the visual culture of Barcelona.
The sculptor's imagery hints at the unseen natural world, capturing in metal cycles of growth and decay, accented by
imaginary creatures —
from winged, alien
figures to miniature iron wolves walking on two legs to pastel - colored dinosaurs.
This
figure appeared
imaginary but was actually pulled
from the documentation of a new year performance inside the gymnasium in 1990.
Using photographic images
from newspapers or snapshots as a starting point, Peter Doig recasts everyday imagery to make
imaginary landscapes and
figure scenes.
It presents an «
imaginary museum» containing works
from three of the most prestigious European collections by international
figures including Marcel Duchamp (1887 - 1968), On Kawara (1933 — 2014), Claes Oldenburg (b. 1929), Sigmar Polke (1941 - 2010), Bridget Riley (b. 1931), Dorothea Tanning (1910 — 2012), Andy Warhol (1928 - 1987) and Rachel Whiteread (b. 1963).
De Kooning's drawing Self - portrait with
Imaginary Brother,
from about 1938, may show him with Gorky; the pose of the
figures is that of a photograph of Gorky with Peter Busa in about 1936.
During these early years (1820s), landscape painting was divided into two schools or styles: the Italianate Neoclassical school of Southern Europe which promoted idealized
imaginary views often populated with mythological, or biblical
figures; and a more realistic school derived
from the Dutch Realist tradition - more popular in England and Northern Europe - which remained faithful to the real nature rather than the idyllic version.
The exhibition brings together twelve of his canvases
from this period, which combine spectacularly rendered psychedelic surfaces with provocative imagery
from a staggering array of cultural sources and assemble a cast of characters including religious
figures, political and cultural icons
from across history, and
imaginary heroes.