Sentences with phrase «imaginary spaces in»

If only one were able to creat maps of imaginary spaces in this way...
The model and mini exhibition are fictional, and thus reference the way in which buildings operate in imaginary spaces in the minds of architects, clients, and communities until they come to physical fruition.

Not exact matches

I have no need for some imaginary space - pixie to stand in his stead.
It's a powerful moment in a parent's life when they suddenly see their sweet little one as a separate, intelligent, worthy human being who can plan, make decisions, snap out orders, and lead other humans on a journey through an imaginary rainforest or on a trip through outer space.
So at the level of public space the polity as an «imaginary institution» (to misuse Castoriadis) more or less disappeared, leaving «society» as a sort of pre-biotic soup in which all that really mattered was the number of wealthy good Samaritans per head of population, or something of that sort.
The 2D Mandelbrot set is a set of points in the complex plane, a mathematical space where ordinary numbers run from «east» to «west» and «imaginary» numbers, based on the square root of -1, run from «south» to «north».
The Philpott is both independent and imaginary, because, although she wanted the story set in her hometown of Cambridge, Goodman strove to create «a fictional space» rather than getting distracted by having to recreate the details of life at Harvard or MIT.
Keep the body actively engaged by pressing the heels back toward an imaginary wall and the chest forward into space in front of you.
The little creature personifies every child's dream of the ultimate imaginary playmate, but it is no game when government agents close in on and try to capture the lost space visitor.
Collaborative imaginaries and multi-sited ethnography: Space - time dimensions of engagement in an afterschool science programme for girls.
His right hand, thick and muscular, floating in the space between us, tips forward and aft, moving around an imaginary pivot point.
Imaginary Games was founded in 2009 under the name Deadbug Games and our last two games were Space Boss that placed second in the Swedish Mobile Game Awards and Swing the Bat, published by Chillingo.
People may feel that the imaginary characters they «created» exist in a different space, that one's online persona along with the online others live in an make - believe dimension, a dream world, separate and apart from the demands and responsibilities of the real world.
Build your own imaginary world using felt shapes in a hands - on space inspired by Roy De Forest's paintings.
Her use of mirrors in conjunction with sculptural elements made from a silvery insulation board, known commercially as Rmax or Thermax, allows the illusion of space to expand in multiple directions; creating imaginary depth below the gallery floor, for instance, or suggesting adjacent rooms that do not actually exist.
Oakland artist Amy Ho has a practice based in conceptual spaces, building maquettes to stage photographs of imaginary architectural sites.
2012 Hue & Cry, Space S2, Sotheby's, New York, NY News from Chicago and New York City, Fiebach Minninger, Cologne, Germany Raw, Ille Arts, Amagansett, NY Idealizing the Imaginary: Invention and Illusion in Contemporary Painting, Oakland University Art Gallery, Rochester, MI
This intimate, immersive film hub space will feature three chambers; beginning with an extensive library, engaging in film history and theory, curated attentively by participating artists from their personal book collections and intended for browsing and perusing; leading further on to a single screen darkroom, a pulsating digital heart, showcasing a sequence of 115 imaginative short films programmed to play on a continuous loop; and on to the final imaginary space, the Virtual Reality port which will evolve over time in collaboration with various artists.
Since Ritchie exhibited «The Universal Adversary» at Andrea Rosen Gallery in 2006, his work has been included in numerous exhibitions including: the Venice Architecture Biennale; the Seville Biennale; the Havana Bienal; «Matthew Ritchie, The Iron City,» St. Louis Art Museum; «Wunderkammern» Museum of Modern Art, New York; «The Guggenheim Collection,» Guggenheim Bilbao, Spain; «Not For Sale» PS1, New York; «Confines,» IVAM, Valencia, Spain; «The Shapes of Space,» Guggenheim Museum, New York; «Between Art and Life,» San Francisco Museum of Modern Art; «The Kaleidoscopic Eye,» Mori Art Museum, Tokyo; «In the Beginning: Artists Respond to Genesis,» Contemporary Jewish Museum, San Francisco; «Experimental Marathon Reykjavik, Reykjavik Art Museum; «The Last Scattering, Phase Two,» London, «To the Milky Way by Bicycle,» Staatliche Kunstsammlungen Dresden, Germany; «The Architectural Imaginary in Contemporary Art,» Museum of Contemporary Art, San Diegin 2006, his work has been included in numerous exhibitions including: the Venice Architecture Biennale; the Seville Biennale; the Havana Bienal; «Matthew Ritchie, The Iron City,» St. Louis Art Museum; «Wunderkammern» Museum of Modern Art, New York; «The Guggenheim Collection,» Guggenheim Bilbao, Spain; «Not For Sale» PS1, New York; «Confines,» IVAM, Valencia, Spain; «The Shapes of Space,» Guggenheim Museum, New York; «Between Art and Life,» San Francisco Museum of Modern Art; «The Kaleidoscopic Eye,» Mori Art Museum, Tokyo; «In the Beginning: Artists Respond to Genesis,» Contemporary Jewish Museum, San Francisco; «Experimental Marathon Reykjavik, Reykjavik Art Museum; «The Last Scattering, Phase Two,» London, «To the Milky Way by Bicycle,» Staatliche Kunstsammlungen Dresden, Germany; «The Architectural Imaginary in Contemporary Art,» Museum of Contemporary Art, San Diegin numerous exhibitions including: the Venice Architecture Biennale; the Seville Biennale; the Havana Bienal; «Matthew Ritchie, The Iron City,» St. Louis Art Museum; «Wunderkammern» Museum of Modern Art, New York; «The Guggenheim Collection,» Guggenheim Bilbao, Spain; «Not For Sale» PS1, New York; «Confines,» IVAM, Valencia, Spain; «The Shapes of Space,» Guggenheim Museum, New York; «Between Art and Life,» San Francisco Museum of Modern Art; «The Kaleidoscopic Eye,» Mori Art Museum, Tokyo; «In the Beginning: Artists Respond to Genesis,» Contemporary Jewish Museum, San Francisco; «Experimental Marathon Reykjavik, Reykjavik Art Museum; «The Last Scattering, Phase Two,» London, «To the Milky Way by Bicycle,» Staatliche Kunstsammlungen Dresden, Germany; «The Architectural Imaginary in Contemporary Art,» Museum of Contemporary Art, San DiegIn the Beginning: Artists Respond to Genesis,» Contemporary Jewish Museum, San Francisco; «Experimental Marathon Reykjavik, Reykjavik Art Museum; «The Last Scattering, Phase Two,» London, «To the Milky Way by Bicycle,» Staatliche Kunstsammlungen Dresden, Germany; «The Architectural Imaginary in Contemporary Art,» Museum of Contemporary Art, San Diegin Contemporary Art,» Museum of Contemporary Art, San Diego.
An expression of neutrality, grey and its «in - between» status enable the artists to navigate the physical space occupied by the viewer and the imaginary or fictitious state driving their creative ambitions.
These media form a threshold through which Jasper explores the dissonance between imaginary and fragmented cinematic space and the physical experience of architecture, and in his work he also excavates history through postcolonial and experimental anthropological lenses.
Arin Runjang's interests lie in the imaginary and symbolic meanings found in everyday spaces, objects and exchanges.
Thomas's «Interiors and Landscapes» series, depicting imaginary environments (at left, Landscape With Ocean, 2012), was inspired by her residency last year at Giverny, Claude Monet's home and gardens, and is influenced by vintage books on modern décor as well as the artist's interest in how we «decorate our spaces to make us feel like a particular character or person.»
By using various art techniques, the art works presented in this project immerse the viewer in a surreal space of fantasy illusions, wonderful or terrible dreams, imaginary worlds and other - worldly «civilizations»...
He calls the bus stop a «liminal / inceptive space in the sense that it is the starting point to a destination both in a physical sense and the imaginary
In our Pop - Up Studio, you can draw places from memory, use observational skills and sketch the PMA gallery spaces, or design an imaginary place.
2018 Grey Area, The Harrison Center for The Arts, Indianapolis, IN 2017 Color Correction, Jonathan Ferrara Gallery, New Orleans, LA 2016 Shifting Perspectives, Gallery 924, Indianapolis, IN Wherever and Ever, The Rose Gallery, Jackson, WY 2015 untitled solo exhibition, Frost Todd Brown, 19th Floor, Indianapolis, IN 2015 Usual Places, Unusual Spaces, Jonathan Ferrara Gallery, New Orleans, LA 2014 Searching the Imaginary, Harrison Center for The Arts!
Beckman makes cinematography itself a medium of performance art in order to address fundamental questions such as the construction of movement and gestures, the regulation of space and time, and the joining of the imaginary and the real.
Entitled Walhalla, after the imaginary Arcadian place in Norse mythology, the show spans the gallery's entire space, encompassing a newly commissioned site - specific installation, as well as recent sculpture and painting.
Her more recent exhibitions and publications include Automatic Cities: The Architectural Imaginary in Contemporary Art (Museum of Contemporary Art San Diego, 2009) and Phenomenal: California Light, Space, Surface, part of the Getty's Pacific Standard Time initiative (University of California Press, 2011).
Having lived in many different places throughout her life, she is interested in creating a space where the imaginary and the observed world meet; a dialogue between imagined and experienced places.
Each one is set out as an imaginary domestic living space in a collector's house during the 1960s and 1970s in America, Europe, Japan and Latin America.
She also writes frequently on art and architecture for international books such as Automatic Cities: The Architectural Imaginary in Contemporary Art (Museum of Contemporary Art, San Diego, 2009), Space (MAXXI Museum for 21st Century Arts, Rome, 2010), and Ruins (MIT Press and Whitechapel Gallery, 2011).
This use of juxtaposition also accentuates the impact of Dan Rizzie's Lotus (lithograph, chine colle, 1989) in the area of the gallery where it shares wall space with Antonia Munroe's delicately elegant portrait of birds, in particular her two pieces An Imaginary Bird and The Blue Grosbeak and Sweet Flowering Bay (both pigment dispersion on panel, 2015).
This new Hatje Cantz publication emphasizes the influence of Arte Povera on Rhode's aesthetic, whose creative dialogue also formed during his meeting with the gallery Tucci Russo and his early collaborative efforts with photographer Paolo Mussat Sartor, in which he transformed urban landscapes and interior spaces into imaginary worlds, as two - dimensional renderings become the subject of three - dimensional interactions by a sole protagonist (usually played by the artist or by an actor inhabiting the role of artist).
People peek in at you through translucent curtains made of silicate — this is a social celebration, and we take strange pleasure being caught somewhere between material and imaginary space.
PETER DOIG — There's a lot of fiction in my paintings — not drawn from my own experience, but more from imaginary spaces and experiences.
Céline Condorelli is an artist who works with architecture, combining a number of approaches from developing structures for «supporting» (the work of others, forms of political imaginary, existing and fictional realities) to broader enquiries into forms of commonality and discursive sites, resulting in projects merging installation, exhibition, politics, fiction, display, public space, sound, writing, and whatever else feels urgent at the time.
Other paintings depict a kind of imaginary space - inside the drawer of an old desk, the folds of a patterned handkerchief in a pocket.
Text: Marlborough Broome Street is pleased to present Walk - ins Welcome, a group exhibition that considers the barbershop as a complex metaphor for social space and imaginary projection.
Like nebulae or spiders» webs, these networks of delicate line and colour hang in space, dissolving all boundaries between real and imaginary, body and soul.
However, space exists where these windows become portals, giving access to a place where the imaginary is in a perpetual state of emerging and dissolving.
Kamholtz observes in the painting «the era's fundamental interest in the nature of imaginary space.
In the landscape paintings by Yuka Kashihara, existing scenery and imaginary inner spaces are woven together like a fine texture.
The imaginary characters are rendered in intricate details frozen in mid-gesture within airless spaces.
Through her delicate treatment of every scene, Dumas destabilizes preconceived notions about what, in fact, is being pictured — exploring the tension between the photographic documentation of reality and the constructed imaginary space of painting.
This honesty is refreshing; you manage to capture a sense of reality in the space of the imaginary.
In the landscape paintings by Yuka Kashihara, existing sceneries and imaginary inner spaces are woven together like a fine texture.
In «War,» Welling created an imaginary landscape that he destroyed and then photographed in virtual spacIn «War,» Welling created an imaginary landscape that he destroyed and then photographed in virtual spacin virtual space.
In his newest body of work, this imagery hangs in the air, suggesting an imaginary space, or a voiIn his newest body of work, this imagery hangs in the air, suggesting an imaginary space, or a voiin the air, suggesting an imaginary space, or a void.
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