That is what some of these were like, and once again
the imagination of the human mind can be astonishing.
Not exact matches
In the face
of the marvel
of what can be called the immensely small world
of the atom, and the immensely great world
of the cosmos, the
human mind feels itself completely surpassed in its possibilities
of creation and even
of imagination, and understands that a work
of such quality and
of such proportions demands a Creator whose wisdom is beyond all measure, and whose power is infinite.
The third danger to preaching caused by an overwhelmed
imagination is that
of allowing the
mind and therefore the sermons to dwell on the more spectacular, the more newsworthy images
of the
human condition.
The source
of the Bible's power to stir men's
minds and fire their
imaginations is no secret, except as all things
human are ultimately clothed in deepest mystery.
Look up «Psychological Projection» and then you'll get a hint at the total made - up absurdities that
humans have created over thousands
of years in order to understand something that is beyond understanding along with their
minds over rationalizing events that in a time without the understandings
of basic science, they used
imagination to ease their fear based cognitive dissonance.
Does the order
of the timeless universe and your part in it reflective
of the unfathomable
Mind which makes and sustains it in ways
human mentation can not perceive have any relevance to you or are you so bland and blah, so gray in your
imagination that you are blocked by your senses from seeing and knowing the real nature
of the present and the beyond which are One?
I believe in a Creator and Father, who desired man [and woman] as co-Creators and who gave (them) intelligence and a creative
imagination to dominate the universe and to complete the Creation... and he constantly sends his Spirit to make the
human mind fruitful, even as he made the waters fertile at the beginning
of Creation.
... that no matter how wide the perspectives which the
human mind may reach, how broad the loyalties which the
human imagination may conceive, how universal the community which
human statecraft may organize or how pure the aspirations
of the saintliest idealist may be, there is no level
of human moral or social achievement in which there is not some corruption
of inordinate self - love.
But it is shameful when lack
of imagination, failure
of insight, and narrowness
of mind produce such a parody
of what might well be the most glorious
of human occasions
of meeting: the worship
of God the «altogether lovely» (as an old phrase has it) and the altogether loving One.
The vivid
imagination and the sharp observation
of men and nature that marked his
mind; his acquaintance with common speech and his joy in the use
of proverbs; indeed, his capacity to express in creative speaking with a skill that only a poet and genius possesses the whole range
of human emotions from awe in the presence
of the numinous to the feelings
of the body — all are reflected in his sermons (as also in the commentaries, his work
of the lecture room), not consistently,
of course, and not every time, yet most impressively in the Church Postil Sermons, one
of the products
of his exile on Wartburg Castle, written in order to furnish to the preachers
of the Reformation examples
of Biblical preaching.
That's just one revelation from journalist Jonah Lehrer's latest venture into the
human mind, which explores both the science
of imagination and the ingenuity - boosting policies
of today's most innovative companies.
Rather, it emerged from the
imagination of novelist Allegra Goodman, whose recent book, Intuition, may scant the details
of inks used in lab notebooks and the appropriateness
of statistical measures but probes instead the far more complex and mysterious domain
of the
human mind and heart.
And Roald Dahl's
imagination seems to have given us a glimpse into the future early - on, by delving into the
human mind and withdrawing its capabilities in terms
of a story.
With Jurassic Paint, Barsch and Hornig invite the participants to combine painting as a «creative act
of the
imagination» with the construction
of the dinosaurs, whose likeness «emerges from fanciful and narrative processes
of the
human and scientific
mind».
The narrative represents intensity and density
of Afro - Cuba religions and, on one side, it seems as if it celebrates the openness
of human mind, as well as the dark corners
of imagination which can be a direct comment on the global political state
of the time.
and the actual meaning
of what could the manipulation
of the
human imagination be, in the regard
of a goal or aim
of manipulating the
human mind and the
human intellect.
We have no choice but to prepare for this new in age in which the key to success will be continuous education and development
of the
human mind and
imagination.