Sentences with phrase «imagine being in a relationship with»

She's three years younger than me, and I can't imagine being in a relationship with a woman any younger.

Not exact matches

Imagine I was in your accountability group and I felt my smoking habit was getting in the way of my relationship with God, so you decided to help me beat it.

One task that needs to be done within this overarching assignment is to imagine in some detail and depth the relationship between God and the world in a way not only consonant with these criteria, but in a fashion that would help it to come alive in people's minds and hearts.

This image, radical as it may seem (in light of the dominant metaphor of a king to his realm) for imagining the relationship between God and the world, is a very old one with roots in Stoicism and elliptically in the Hebrew Scriptures.

He is «grasped» by an imagined ideal with such force that it becomes an important motivating principle in his life, particularly in his relationships with other people in whom he seeks to produce a similar reaction, as he may or may not do in varying degrees depending upon their preparation for the message.

I would imagine a lot of the Jews sitting there were quite astonished at this shift in relationship with Yahweh and Elohim.

But you are not alone imagining real relationships with imaginary people in your head.

If we can not know God, then it is understandable that good people who yearn for asustaining relationship with Him turn in desperation to weird, and frankly kooky, forms of spirituality in order to fill the void left, so they imagine, by God's unattainability.

That's why in the universal Church, my relationship with Jesus can not merely be a «personal» one, but must take into account the entirety of the Body of Christ — those who have gone before me, those to come, and even those to whom I can not imagine having responsibility or need of at all.

I think Lander imagines that he has a better relationship with JFC than he did with MMV, and that he will take on a more significant leadership role in the next Council if she is speaker.)

What if we told you that your overeating challenges are actually an opportunity — a wonderful doorway into deepening your relationship with food and your body and a chance to transform your life in ways you may never have imagined?

Experience peace in the presence of the Savior who is closer than you can imagine A rich relationship with Jesus is so much more than presenting Him with a list of requests.

How Big Is The Online Dating Business Dating — Wikipedia — Dating is a stage of romantic relationships in humans whereby two people meet socially with the aim of each assessing the other's suitability as a prospective partner... Africa — Just imagine your industry right now, the big names that you dread referring their customers... Let me explain whatIs The Online Dating Business Dating — Wikipedia — Dating is a stage of romantic relationships in humans whereby two people meet socially with the aim of each assessing the other's suitability as a prospective partner... Africa — Just imagine your industry right now, the big names that you dread referring their customers... Let me explain whatis a stage of romantic relationships in humans whereby two people meet socially with the aim of each assessing the other's suitability as a prospective partner... Africa — Just imagine your industry right now, the big names that you dread referring their customers... Let me explain what I

After spending years and years living with one person, you may not be able to imagine yourself loving anyone else again and it's difficult to look to the future in terms of relationships.

Imagine yourself in the following situation: you are sitting with your friends, talking about relationships, when someone asks: «And how's your love life?

Experience peace in the presence of the Savior who is closer than you can imagine A rich relationship with Jesus is so much more than presenting Him with a list of requests.

Now, if a social networking site like Facebook (which is free) can have fake profiles, imagine the number of fake profiles on free mature woman dating websites which promote engaging with each other in either sex, a causal relationship or a long term one.

2018-04-08 12:56 Dating is a stage of romantic relationships in humans whereby two people meet socially with the aim of each assessing the other's suitability as a Imagine a story that starts in 1987.

Dating is a stage of romantic relationships in humans whereby two people meet socially with the aim of each assessing the other's suitability as a Imagine a story that starts in 1987.

Casting Hader and Wiig opposite one another was a risky move, given that anyone familiar with the two could go in expecting the kind of romp that you'd imagine two recent Saturday Night Live alums to be heading together, but it's one that paid off incredibly well thanks to their long history that has developed their relationship in a way perfect for actors playing brother and sister.

Zach, as written and portrayed, is such a naive simpleton, it's hard to imagine him having even one relationship, much less twelve with what might be the hottest babes in the small town he lives in.

The House of Yes, as you can imagine, was a bit of a mind - fuck to my 15 - year - old psyche when I was finally able to rent it (from the larger video store two towns over that actually kept some interesting movies in stock), as I had not quite considered a sexual relationship between siblings (one with an obsessive love for Jackie O, no less) to be a thing, much less something I wasn't even that disgusted by.

The film imagines Edward's growing unease with the business he's in, and his increasingly tense relationships with higher ups at the NSA.

Tony, a father in a long - term relationship with Felicia (Maya Rudolph), whose young son sports an oversized «Imagine there's no fracking» badge, gently mocks her request.

An interesting story with an interesting background, although it took me some time to get used to the time period and imagine people wearing wigs... but the characters were entertaining, in their own way, and the thriller - mystery element made it entertaining, because then it wasn't just the development of a relationship that you looked for but also «who's the bad guy?».

It is difficult to imagine how a novel that deals with the sterile formality of relationships in 19th - century China could also bring to light the poignant tale of two young girls from very different backgrounds who build a friendship that exceeds even their love for their own families.

The relationship between material and abstraction has been a longstanding concern in the work of Sean Raspet, particularly as it relates to what he calls «revisable materiality» — i.e. a paradigm of thought prevalent today wherein material substances are increasingly imagined as malleable with qualities that are fully adjustable and severable.

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greateIn 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein its lesser relationship to the greater.

The same forces that direct our aesthetic impulses in life also circumscribe our death, and if Lum's newer work is more grim and difficult, it is of a piece with, and a logical conclusion to, the previously mischievous, sweet way of investigating our imagined relationships to our real conditions of existence.

It is through this proposal that the exhibition imagines a future museum which is made by and with audiences and in which their relationship to the works of art is as important as the works themselves.

Psychological disorder, the relationship between mass media and the human mind, youth culture and wireless communication are among the themes evoked and explored with humor and irony in Oursler's vividly surreal imaginings.

My wife wishes that I had the sort of relationship with Bill Gates and Nathan Myhrvold that your reader imagines, in which personal enrichment is a likely outcome of me making utterances that they find pleasing.

Also, I realize that everyone is different but I can't imagine having a decent marital relationship in a tiny house with school aged children a curtain away.

Just as the Taliban arrested people in possession of music, televisions and radios for their corrupting influence on society's relationship with God, Juniper imagines engineered solutions to climate change to be corrupting our relationship with nature.

Kraft says it won't be any different than the relationship you'd have with a smartphone today, but developers need to monetize apps, and it's not hard to imagine a future where personalized ads are routinely shot in your ears.

Experience peace in the presence of the Savior who is closer than you can imagine A rich relationship with Jesus is so much more than presenting Him with a list of requests.

Next, the client is instructed to imagine the differences in their life with or without the substance in terms of their relationships with family and other loved ones.

In this study, 456 heterosexual college undergraduates were given a list of 27 interpersonal behaviors and were asked to imagine that someone in a long - term relationship engaged in that behavior with a person of the other sex [2In this study, 456 heterosexual college undergraduates were given a list of 27 interpersonal behaviors and were asked to imagine that someone in a long - term relationship engaged in that behavior with a person of the other sex [2in a long - term relationship engaged in that behavior with a person of the other sex [2in that behavior with a person of the other sex [2].

Detachment begins, and you imagine a fresh start, a new relationship, before you've even attempted to fix what's wrong with the one you're in.

It is easy to imagine how holding a grudge or being upset with your partner for a prolonged time would make it difficult to engage in affectionate, positive interactions that build happy relationships.

Can you imagine ever feeling happy in your relationship or wanting to be close or intimate with your partner in spite of their actions?

You can imagine why as adults these people aren't sure what to do with their strong emotions — they never learned that it was safe to explore them in a relationship where they were seeking love in return.

«Included in this fantasy could be an imagined sexual relationship, in which intimacy with you feels like an emotional betrayal to the other person.»

«Imagine having a solid connection in your relationship and feeling as if you are going through life with someone supportive by your side.

I will complete my first year in April and I am also finding more success than I imagined (although nothing to the scale of the Rookie) because of honesty, history with past relationships and community involvement in our little town where I was born and raised.