Sentences with phrase «imagined landscapes in»

[7][13] Like other artists searching «for the uniqueness of their souls on the canvas,» [5] Schueler traveled to Europe where he discovered his imagined landscapes in Mallaig, Scotland.

Not exact matches

Past olive groves forming an animal print of the landscape, eventually giving way to gleaming wheat fields and haystacks seemingly still wet from van Gogh's brush and assembled with Cezanne's eye, it is hard to imagine any city in the world ensnaring your heart with more force of raw beauty.

For any sound mind with basic knowledge of Nigeria's democracy, it is easy to conclude that Churchill Okonkwo is a man of selective memory or limited information which actually leads one to imagine what his status would have been in 1993 when Atiku Abubakar jostled with the late M.KO Abiola on the political landscape for Presidency.

«The simulations showed that the only way to account for the proven increase in volcanic activity was that the level (and thus the weight) of the Mediterranean Sea dropped by about two kilometres,» explains Sternai, before adding: «I leave it to you to imagine what the landscape looked like.»

In the desolate landscape of Antarctica's Dry Valleys, it is nearly impossible to imagine life could exist, much less thrive.

Imagine a bowling ball sitting on a water bed; the ball's weight creates a valley in the flat landscape of the bed.

In the certain way you can imagine, or look at it like if you recall the epigenetic landscape of wanting that the valley gets deeper and deeper, and it gets more and more complicated to overcome the hill that then is building up and prevents to change the cell identity.

«When we imagine the landscape of astronomy in the decade of 2030, we realize it is at last within our grasp to make a monumental discovery that will change mankind forever.

When Japanese designer Shigetaka Kurita sketched out the first ever batch of 176 emojis in 1999, he could hardly have imagined the current landscape.

Imagine how much the digital dating landscape will change in the next ten or twenty tears as smart tech continues to evolve and become integral to everyday life.

I've studied in both Asia and Australia, I currently live in the greatest city in the world New York and couldn't imagine a better place to work and play or a more beautifully inspiring landscape to fuel my creative outlets.

Imagine rolling across a faded yellow Indian landscape in a blue train.

Its pleasures are based on dicks and tits, while alcohol and fisticuffs are confused with the possibility for chivalry and romance in a landscape so ravaged and improbable that it imagines the suddenly shut - up!

Timothée Chalamet, «Call Me by Your Name» It's now difficult to imagine our current film landscape without the charming Chalamet, who stole hearts with his naturalistic performance in Luca Guadagnino's «Call Me by Your Name.»

Environments and creations are brought to life in any way fans can imagine, either by building brick by brick, placing down enormous prebuilt LEGO structures, or by using wondrous tools that let you paint and shape the landscape.

This phenomenon in child - led play design, initially known as «junk playgrounds», was first imagined in the 1930s by landscape architect, Carl Theodor Sorensen.

But I have to tell you that the market is changing so quickly, five years ago it was hard to imagine that the market and landscape in publishing would look as it does today.

As the hero in his alien landscape, he finds the strength to deal with his own life and to stand up to demons both real and imagined.

Proponents imagined a pastoral landscape where charity and punishment were doled out in equal measure, but from its outset, it was a site of barely contained chaos.

In tales set in India and the United States, she illuminates the transformations of personal landscapes, real and imagined, brought about by the choices men and women make at every stage of their liveIn tales set in India and the United States, she illuminates the transformations of personal landscapes, real and imagined, brought about by the choices men and women make at every stage of their livein India and the United States, she illuminates the transformations of personal landscapes, real and imagined, brought about by the choices men and women make at every stage of their lives.

Looked in the manual (imagine that) and in landscape mode, even the page turn regions on the Voyage are a bit wonky.

Imagine a stay in a beautiful, modern beachfront resort sitting on 20 acres of powdery sand, surrounding by mountains, jungle, and meticulous landscaping.

In a word, Cinque Terre is just the picturesque, scenic landscape that everyone imagines about a hilly island town with traditional architecture.

Imagine shimmering turquoise seas, powdery pink sand beaches, exotic tropical gardens and spectacular sunsets, and you have envisioned the breathtaking landscape surrounding The Fairmont Southampton resort in Bermuda.

Imagine fairytale palaces, towering gorges carved through millennia, and tiny villages nestled in the still preserved beauty of the landscape.

Just imagine setting off and knowing that, for the next 53 days, you will be taken 23,000 miles round the entire globe on famous international rail networks, by air and by coach, not only visiting, but actually getting to know, a vast diversity of countries and being able to experience, as you pass through or stop to explore them, all the astounding differences in landscape and culture of each one.

Imagine celebrating the most magical day of your life surrounded by wildflowers, next to a landscaped pond, in the middle of the forrest.

Standing in the yard at China Beach, a visitor can imagine the agony and glory of that 4000 - mile trek, and the landscape of those first years of the nineteenth century.

Imagine meandering through the Australian landscape on horse back, feel the breeze in your hair and the sun on your face.

It's easy to imagine a supernatural creature in the colorful terrain that surrounds the hotel — a landscape full of exotic flowers and animals you won't find anywhere else.

Environments and creations are brought to life in any way fans can imagine, either by building brick by brick, placing down enormous prebuilt LEGO ® structures, or by using powerful tools that let them paint and shape the landscape.

Imagine a 2D side - scrolling Mario game with a behind - the - shoulder third person perspective, showing the landscape «rolling» over a hill towards you in a manner similar to recent Animal Crossing games.

Though Nintendo has its ups and downs more than any other console developer in the gaming industry, and even if Nintendo has left a bad taste in your mouth for years, it'd still be pretty difficult to imagine a gaming landscape without Shigeru Miyamoto.

Environments and creations are brought to life in any way fans can imagine, either by building brick by brick, placing down enormous prebuilt LEGO structures, or by using wondrous tools that let you paint and shape the landscape.

Of course, you can imagine Solongo drew lots of inspiration from her childhood, growing up amidst the beautiful natural landscapes of Mongolia before moving to the United States to pursue a career in illustration.

In this exhibition, these fragments tell stories of a post-tsunami landscape and allow us to imagine the activity in these areas before the tsunami.&raquIn this exhibition, these fragments tell stories of a post-tsunami landscape and allow us to imagine the activity in these areas before the tsunami.&raquin these areas before the tsunami.»

It's hard to imagine a better opportunity for someone interested in landscape painting than to go work from the same sites that Corot used to make such pivotal paintings.

The landscapes in my paintings are a sort of invented / imagined / remembered combination of places that hold personal significance, specifically water and woods in Maine and Vermont.

Fichou succeeds in «imagining» through a series of maps, complex diagrams; a purely ontological landscape.

The imagined landscape is greatly influenced by time spent in the woods of Maine and Vermont, as well as time spent daydreaming about those places while living and working in New York City.

When Western painters in the mid-late 1800s imagined the exotic landscape of the East, it was filled with caricature and hyperbole.

During the residency Sam Nightingale will go in search of these imagined landscape to make a new body of work that will build on his practice that enlivens cinematic spectral spaces.

From the lyric, dark grisaille of Gorky's inner landscapes it grew to epic stature: In 1952 art critic Harold Rosenberg observed that «at a certain moment the canvas began to appear to one American painter after another as an arena in which to act, rather than as a space in which to... «express» an object, actual or imagineIn 1952 art critic Harold Rosenberg observed that «at a certain moment the canvas began to appear to one American painter after another as an arena in which to act, rather than as a space in which to... «express» an object, actual or imaginein which to act, rather than as a space in which to... «express» an object, actual or imaginein which to... «express» an object, actual or imagined.

The appearance of Albert Bierstadt's landscape Mountain Scene (1880 - 90) in both The Age of Innocence (1993) and The Hunger Games (2012) serves as the basis for Mathis Gasser's Grasshopper (Mountain Scene)(2015 - 16), in which he reproduces the original painting twice and hangs the pair beside a screen playing footage from the 2015 - 16 TV adaptation of Philip K. Dick's Man in the High Castle, a series that deals with the role of cultural artefacts in imagining counterfactual histories.

In «Ardent Nature,» prompted by the exhibition's title, we began to read these unstable images as landscape allusions, now imagining ourselves confronted by echoes of trees and distant, rolling fields, now by an ant's - eye view among blades of grasses and leaves.

They include issues concerning land and landscape (in Brooklyn and beyond); the body as nexus of cultural identity and depiction in imagined narratives; notions of history and memory; and abstraction.

Working in parallel to Western pictorial traditions of landscape, Clare uses precise combination artist - made and collected sculptural objects, photographic images, event and documentation as vehicles to re-access, re-experience, re-stage, identify, imagine.

Although it pays due attention to the early imagined landscapes (traumatic, compressed worlds of pulsating vegetation and fearful beasts, products of an artist who punned his name with Kraken) the true weight of the exhibition rests in the larger, later canvases — in the ecstatic pantheism of Landscape with the Elements (1973 — 5), or the tessellated calm of Landscape, Hydra (1963 — 7).

As artists respond to the possibility of global environmental chaos, Mark Rappolt examines Tomás Saraceno's Aerocene project, one of the artist's most ambitious imaginings yet The Truth about «Cultural Appropriation» With controversies over cultural appropriation regularly in the headlines, Kenan Malikargues that trying to control what culture artists can and can not use is bad news for political interaction and artistic imagination Power in Black and White In an America where the dividing line of race is now a cultural and artistic flashpoint, Jonathan T.D. Neil searches for a path beyond both pluralism and white privilege Carol Rhodes «Rhodes's landscapes are unlocatable because they are fantastical... They are «nowhere places».&raquin the headlines, Kenan Malikargues that trying to control what culture artists can and can not use is bad news for political interaction and artistic imagination Power in Black and White In an America where the dividing line of race is now a cultural and artistic flashpoint, Jonathan T.D. Neil searches for a path beyond both pluralism and white privilege Carol Rhodes «Rhodes's landscapes are unlocatable because they are fantastical... They are «nowhere places».&raquin Black and White In an America where the dividing line of race is now a cultural and artistic flashpoint, Jonathan T.D. Neil searches for a path beyond both pluralism and white privilege Carol Rhodes «Rhodes's landscapes are unlocatable because they are fantastical... They are «nowhere places».&raquIn an America where the dividing line of race is now a cultural and artistic flashpoint, Jonathan T.D. Neil searches for a path beyond both pluralism and white privilege Carol Rhodes «Rhodes's landscapes are unlocatable because they are fantastical... They are «nowhere places».»

The final group of work in this exhibition includes small paintings in which food assumes the form of body and landscape: Imagine Saul and Erik Parker tag teaming to readdress the legacy of Giovanni Arcimboldi.