Sentences with phrase «imagined spaces between»

Contemporary artist Raqib Shaw will have a solo exhibition at the Whitworth that will examine real and imagined spaces between the East and West (opening 15 June 2017).

Not exact matches

Imagine deploying a giant cable vertically from ground to space, perfectly balanced between the gravity pulling it down and the Earth's centrifugal force holding it up.

Imagine pouring a liquid into the jar to fill the interstitial space between the marbles.

Imagine sharing with your partner that you need more space and independence in the relationship and finding the balance between your needs and theirs.

We find the most extension we can in our spine, imagining we can create more space between our vertebrae.

A cue to help you with this is to ensure you keep space between your chin and chest (imagine a baseball under your chin) and allow your head to rest back onto your hands like dead weight and keep your elbows as far back as possible.

Lace is formed from the absence of substance; it is imagined in the spaces between the threads.

I hope the new school year's negotiations for space, sharing the dump truck, or imagining the bridge - and tunnel - building partnership between young Imogene and Max will be the most enriched, powerful, and far - reaching learning possible — achievements we'll expect to celebrate in future rituals.

, 2009 2008 — Inclusion in Publication of Artists, Studio Visit, Volume 2, 2008 2007 — Artner, Alan, Art: Reviews, Chicago Tribune, June 22, 2007 2007 — Nance, Kevin, Art Review, «How it all happened, or not; New exhibit blurs the line between fact and fantasy» Chicago Sun - Times, June 6, 2007 2007 — Featured Artist CHI # 140, Flavorpill: Chicago, May 22, 2007 2007 — «Gallery Shorts», F News Magazine: The School of the Art Institute of Chicago, May 2007 2007 — «Galleries and Museums: Featured Artists», Chicago Reader, May 18, 2007 2007 — Rose, Joshua, «Persistence of Memory», American Art Collector, Issue 19, May 2007 2006 — Duffy, Heather, «Creative Imaginings: The Howard A. and Judith Tullman Collection», The Vanguard, USA, Nov. 20th, 2006 2006 — Harrison, Thomas, «Artwork, Imagery Provocative in Tullman Show», Mobile Register, Nov. 2006 2003 — Krenz, Marcel, «Space Invaders: Six Painters & Two Sculptors Reconstruct Representation», Contemporary, Issue 55

Exquisitely crafted, frequently witty, and always thought - provoking, Prosek's work invites viewers to engage with realms that science can not quantify or solve — those spaces in between fact and folklore, science and myth, real and imagined.

Her sculptural models of interior spaces comprise wood, Styrofoam, plaster, and fabric, which translate in photographs as representing the absence of a person who might have just left the space, and the ensuing, inevitable loneliness that exists between the real and imagined.

The installation uses projection mapping to conceive a constantly changing virtual landscape — an imagined environment that attempts to merge the space between the physical and the virtual.

This is my observed (and imagined) interpretation of their interest in blurring the lines between architecture, art, design, interior and exterior space.

Having lived in many different places throughout her life, she is interested in creating a space where the imaginary and the observed world meet; a dialogue between imagined and experienced places.

Although inspired by a photograph of her great, great - uncle who was a sailor, and therefore autobiographical, the piece creates a new, imagined actuality based upon memory and henceforth studies the space between reality and fiction.

Austin's takeover of the large warehouse - style space, formerly an African church, took the form of seductively beautiful installation and performance that pushed the boundaries between real and imagined invention.

Dark Fiber traces a different approach to network representation, drawing lines that hop between systems and scales, through vast landscapes, industrial infrastructure, media apparatuses, walls and conduits, lived space and imagined worlds.

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,

New dynamics are realized between existing architectural elements and details inserted in the space create new stories; some that before where not be imagined.

Loosely inspired by the liminality — the interfacing of the threshold between two planes — of such an imagined space, Indian artist Surendran Nair's new body of work in «Cuckoonebulopolis: (Flora and) Fauna,» presented in the artist's first solo exhibition at Aicon Gallery, explores notions of indeterminacy and ambiguity, while intending to push the viewer to consider new hypothetical realms of possibilities.»

Group Exhibitions 2018 Official Selection, Garden State Film Festival, Asbury Park, NJ 2017 Worm's Work, curated by Mild Climate, The Finishing School, Athens GA Unloaded, Marcia Wood Gallery, Atlanta GA Official Selection, 5th Annual Short Shorts, White Space Atlanta GA Official Selection, Best Shorts Competition (Award of Recognition), La Jolla, CA Official Selection, The World's Independent Film Festival, San Francisco, CA 2016 Acts of Sedition: A Group Exhibition, White Box, NYC, NY Transitions: States of Being, Zuckerman Museum of Art, Kennesaw GA Little Things Mean A Lot, Swan Coach House Gallery, Atlanta GA 2015 Drawing Experiment, Chastain Gallery, Atlanta GA Birdwatching, Gallery Walk at Terminus, Atlanta GA 2014 Exquisite Exhibit, curated by Joey Orr, Atlanta Contemporary Art Center, Atlanta GA Score: Artists in Overtime, MOCA GA, Atlanta GA 2013 Ant Linkage, Welch Gallery, Georgia State University, Atlanta GA Drawing Inside the Perimeter, High Museum of Art, Atlanta GA 2012 Paper Moon, Clayton Gallery, Kennesaw State University Museum and Galleries, Kennesaw GA Soltem Os Bichos, Atlelie397, Sao Paulo, SP, Brazil 2011 Watching Hands: Artists Respond to Staying Healthy, David J. Spencer Museum at the CDC, Atlanta GA Something Along The Lines of Rock «N» Roll, Solomon Projects, Atlanta GA New Media from the Permanent Collection, MOCA GA, Atlanta GA 2010 Hand to Hand, AthICA, Athens GA Limitless, Agnes Scott College, Dalton Gallery, Decatur GA Everything and the Space between Everything, Agnus Scott College, McCain Library, Round Wall Gallery, Decatur GA Hand to Hand, Chaffee Art Center, Rutledge VT 2009 More Mergers and Acquisitions, Atlanta Contemporary Art Center, Atlanta GA Accessing the Artist's Brain: Drawing as Metaphor, AVA Gallery, Chattanooga TN Three Small Deaths (film screening), DiverseWorks, Houston TX Everything and the Space between Everything, Jackson - Hartsfeild Airport, Atrium Gallery Atlanta and Agnes Scott College, McCain Library, Round Wall Gallery, Decatur GA Hand to Hand, Western Kentucky University Gallery, Bowling Green KY 2008 The World's Smallest Art Fair, Anna Kustera Gallery, NYC NY Hand to Hand, Spruill Gallery, Atlanta, GA 2007 Little Things Mean A Lot, Swan Coach House Gallery, Atlanta GA Tablet: Contemporary Southern Painting, Tanner Hill Gallery, Chattanooga TN Tenth Annual Arizona State University Art Museum Short Film and Video Festival, ASU Museum of Art, Tempe, AZ Exile From The Land Of Reason, Eyedrum, Atlanta GA The Petrified Man, Welch School of Art and Design Art Gallery, Georgia State University, Atlanta GA 2006 Flamingo Sculpture Garden, Scope Art Fair, Miami FL Run For Your Lives, DiverseWorks, Houston TX Hand to Hand, Ruby Green Gallery, Nashville TN 2005 Toy, Fe Gallery, Pittsburgh PA SouthXeast: Contemporary Southeastern Art, University Galleries, Florida Atlantic University, Boca Raton FL Gas, Food, Lodging: Imagining Escape, Welch School of Art and Design Art Gallery, Ga..

Qatari artist Abdulla Alkuwari's works explore spaces of ambiguity and fantasy, shifting between the real and the imagined.

Christine Kozlov: Information endeavours to create a rapport between her sculptures, their exhibition copies, archival material, photographic documentation and contextual documents to addresses sculpture's concern with objecthood, space, encounter, time, duration, and our experience of an object and its imagined conceptual content.

The space of the exhibition will be treated like the space of a painting — constructed in layers forming a schism between the real and the imagined.

Their works present landscapes that are both real and imagined, and allow the viewer to move between historic and contemporary narrative spaces.

In doing so, Rebetez creates a transitional space, constantly fluxing between the real and imagined, past and present.

In some paintings this contrast is abrupt and irreconcilable; in others, a new sense of space emerges between imagined and lived experience, and not quite either one.

Her themes include redefining the terms: animate and inanimate and questioning established hierarchies, the presentation and disruption of the visual narrative, and the fluid psychological relationship between real and imagined spaces.

The scene in The Dudes depicts a space between the real and the imagined, between the present and the uncertain future, between midnight and dawn.

Pulling from long - standing fascinations with film and television tropes, abstract sculpture, game ephemera, poetry, apocryphic histories, internet esoterica, and philosophies of being, Oneohtrix Point Never's myRiad is a hyperstitial «concertscape» imagined from the perspective of an alien intelligence that explores disorienting relationships between space and sound and mutates forms of live musical performance.

I had seen and studied many of Andersson's works in reproduction and while her muted color palette and references to period interiors sometimes cast a vintage - like shadow over her surfaces, an effect that I might normally find gratuitous or off - putting, her strange way of telling a story with no resolution or creating an in - between space transported me to a timeless realm where I was free to imagine with reckless abandon.

Roger Angel, a professor at the University of Arizona, imagines launching a trillion mirrors into a stable orbit between Earth and the sun, creating a kind of space - based umbrella.