Sentences with phrase «imbued ordinary»

Stephanie Haboush Plunkett, chief curator of the Norman Rockwell Museum in Stockbridge, Mass., wrote that: «His intricately conceived narratives imbued ordinary activities with a sense of historical importance, seizing the moment almost as it was about to fade.»
The Christian task is to imbue Ordinary Time with the love we saw in the stable, when every «It» — that guy who cut me off, my nagging boss, my petulant child — is a «You.»
The film is intentionally funny, even though it is not a comedy, and Refn has fun toying with the viewer, imbuing ordinary moments with an aura of menace.
Just as the young protagonist Shimek (Yevheniy Kogan) sees princesses and palaces in his tiny impoverished shtetl, writer - director Eva Neymann imbues ordinary -LSB-...]
Eva Neymann imbues ordinary moments and domestic tasks with a magical quality.
Thus he succeeds in imbuing the ordinary with the inspired spectacular.
In painting the American landscape as it is — not as it's been idealized — Downes imbues ordinary subjects with extraordinary power» — MacArthur Foundation.
According to the exhibition's press release, «drawing from mass media, local environment, and subculture, Colen's art imbues the ordinary, the disenfranchised, and the tribal with provocative new status.»
Her paintings, drawings, and mixed media sculptures reconstruct and reinterpret the lives of the people profiled, bridging materiality and immateriality by imbuing the ordinary with the occult.

Not exact matches

The modern tendency to deconstruct and demythologize religion has deprived it of its rich myths, symbols and rituals — and of a sense of the sacred imbued in the ordinary.
«Ordinary astronomical phenomena are imbued with a sense of threat by people who already think the world is going to end.»
But Mr. Lombardi imbues Keith with an ordinary likability...
Two worker women stroll by a river, their ordinary clothes and chatter imbued with grace by the orange sky above them.
A haunting teenage odyssey set on the streets of Manila, Eduardo Roy Jr's Ordinary People is a humanist drama imbued with a deep compassion for people living on the margins.
It gives us men of very ordinary goals with whom to relate and further imbues them with the most honorable of motives: to provide a tolerable life for one's family, to stay loyal to old friends, and to find a reason to wake up every morning.
Notions of negation — which he alternately refers to as «dematerialization,» «anti-concept,» and «non-sculpture» — structure his approach, by which he transforms ordinary objects, imbuing them with multiple meanings and affects.
By continually returning to these motifs, DeFeo imbues seemingly ordinary objects with a heightened sense of ritualized creative process.
Notions of negation — which the artist calls dematerialization, non-sculpture, and anti-concept — are central to Seung - taek Lee's approach, and indicate the process by which ordinary or mundane objects are transformed to be imbued with metaphysical meaning.
The artist dedicated his later studio practice to the consideration of simple and ordinary objects, often in sparsely composed table studies, imbuing his subjects with symbolic content and an unexpected complexity.
The resulting works - including painting, sculpture, photography, drawing, and video - transform the ordinary into something beguiling, loaded with narrative and metaphor, and imbued with an arresting sense of humanity.
In Gober's hands, ordinary objects become imbued with poetic qualities like love, loss and redemption, and Untitled, like the sinks before it, is a signifier of these and the many compelling themes that underpin his work.
The work combines both image and spoken narrative with the intent of changing how these ordinary objects might be perceived and imbue them a sense of the «abnormal».
This ordinary door has emotion imbued into it by the signatures left by the band and that of the subsequent fan tributes, the door originally stood at the entrance to Manchester studios where Joy Division performed.
The resulting works — including painting, sculpture, photography, drawing, and video — transform the ordinary into something beguiling, loaded with narrative and metaphor, and imbued with an arresting sense of humanity.
His art includes sculpture, installation, performance and Land art and is guided by the notion of «negation» where ordinary objects are imbued with metaphysical meanings, according to Lévy Gorvy.
Expanding on Marcel Duchamp's concept of the readymade, Rauschenberg imbued new significance to such ordinary objects as a patchwork quilt or an automobile tire by combining unrelated items and incorporating them into the context of art.
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