Sentences with phrase «immateriality in»

Q: Yves Klein worked with an immateriality in his works, claiming that there is no representation in for example colour.

The group show «Immateriality in Residue» subtly deals with the consequences of economic and political decisions on society.

«Immateriality in Residue», (9 November — 26 December 2015), installation view at Experimenter.

His work addresses the question of immateriality in art, as well as the logic induced by the computer, such as hybridisation, generativity and interactivity.

Scholarship by Yve - Alain Bois revisits the power of Sandback's immateriality in the context of the vertical constructions while Lisa Le Feuvre, a longtime scholar of sculpture, offers a more historical treatment of the show in relation to the artist's writings and other works from the 1980s.

Not exact matches

But although atheists might argue that a «disbelief in the immateriality or immortality of the soul» would not «make a person less caring, less moral, less committed to the well - being of everybody on Earth,» A. F. Christian is quick to point out the evidence to the contrary.

The dominant motive which led to it was neither curiosity about the creation of the world nor philosophic interest, as in Greece, about the divine immateriality and interior unity, but faith that the social justice for which Yahweh stood would conquer.

Their immateriality and insignificance in the world's populace strongly proves it.

The human ability to know all of material reality, precisely as manifest in rational activity, reveals the immateriality of the human soul.

Yves Klein (1928 — 1962), was a conceptual artist par excellence, a radical, utopian dreamer described by the French critic, Pierre Restany as «a painter, but also infinitely more: a believer living in his own sense of the divine», whose diverse practice included ephemeral works in his quest for immateriality.

Stressing the social, cultural, and aesthetic value of labor - intensive handicraft as a restorative antidote to digital immateriality and hyperspeed web information overload, Labour & Wait examines the penchant for intricate detailing and craft - intensive construction in the work of 16 artists.

Distinguishable by a number of components and forms — including sinuous lines of laser - cut PETG plastic resin that surround a central light fitting, and lengths of the same material, sometimes perforated with rectangular or triangular motifs, that hang in fringed formations — Pardo's lamps offer an extended consideration of physicality and immateriality, the visible and invisible.

New scholarship by Yve - Alain Bois revisits his leading argument that was put forth in his essay for the 2005 Kunstmuseum Liechtenstein catalogue about the power of Sandback's immateriality — its ability to linger in our memories — in the context of the vertical constructions.

Surpassing the physicality of its materials, Concetto spaziale, Attese creates a transcendental experience, both existing in the tangible world and extending, like a portal, into the immateriality of a mysterious further realm.

By interacting with the photographed shadows in the image, the real cast shadows of the salient frame create a coalescence of figurative and real spaces, activating the symbolic tension between materiality and immateriality.

Brooklyn - based artist Hugh Scott - Douglas similarly considers questions raised by the immateriality of digital photography in his solo exhibition at Jessica Silverman Gallery in San Francisco.

Their work, in common, explores boundaries between personal and cosmic dimensions, between physicality and immateriality, the man - made and the natural, and between tradition and modernity.

The video installation Factory of the Sun by Hito Steyerl adopts the metaphors of a computer game and of a motion capture studio to represent concepts like reality, freedom, immateriality and information in the contemporary society.

His earliest cross-disciplinary work, Twenty Minutes for the Twentieth Century (2000), a harbinger of the concerns the artist would explore in his later works in relation to the immateriality of performance and the museum, was presented in 2001 in the exhibition I'll Never Let You Go, organized by the Moderna Museet in Stockholm, Sweden.

While for example Minimal Art focused on the specific characteristics of the used material, today's phenomena of digitization bring about a new tension between materiality and immateriality that is reflected in contemporary art practices.

It thus understands itself as the product of an economy in which privacy and immateriality have been fully commodified.

Rendered in stainless steel and black gloss paint, Fiona Banner's Full Stops Scrift and Century Gothic investigate the supposed immateriality or insignificance of this mark.

In search of personal healing and artistic inspiration, Marina Abramovic travels through Brazil experiencing sacred rituals and exploring limits between art, immateriality and consciousness.

2016 Lecture, «Material and Immateriality; negotiating the role of the maker in the 21st century», Wimbledon College of Art, UAL, London

5 day Seminar, «Material and Immateriality; negotiating the role of the maker in the 21st century», Camberwell College of Arts, UAL, London

«There are a few artists who are making live action that is based in sculpture, but what sets him apart is his purist insistence on the immateriality — or ephemeral materiality — of the work, so it crystallizes and disperses again, so there is no trace left at all.»

In this sense, Things That Tumble Twice is not about materiality or immateriality, it is about complexity.

In 1972 he turned to words and their immateriality to explore the relationship between abstract categories of thought, such as general and particular, finite and infinite, culture and nature, the passing of historical time and the hypothesis of the eternity of universal physical laws, the routine of experience and the abstraction of philosophical principles.

Known for his interest in musical scores and physicality, the artist captured immateriality on three dimensional levels, with mundane objects placed in often unfamiliar forms.

As with Richard Tuttle, his rejection of the seductions of weight and thickness, his insistence on immateriality, were an open criticism of physical size and mass as the measures of Modernist progress, best exemplified then in Frank Stella's and Richard Serra's work.

501 «Reasonableness Transformed (in Canada)» [2008] 13 J.R. 214 «Complicating Simplicity: the «Court First Seised» and «Related Actions» in Article 28» [2008] 27 C.J.Q. 454 «Monkeying Around with Free Speech» (2008) 124 L.Q.R. 560 «Judicial Review — Ten Years On» [2008] 13 J.R. 214 «Clarifying Immateriality» [2008] 13 J.R. 111 «Of Coups and Compensation Claims: Mbasogo Reassessed» [2008] 19 King's L.J. 176 «Independent and Impartial Tribunals: Another One Bites the Dust» [2008] 13 J.R. 46 «Proportionality, the Decision - Maker and the House of Lords» [2007] 12 J.R. 221 «Au Revoir to Renvoi?»