Doing a long series
of arithmetical calculations or working all day entering data at a computer terminal may result in almost total «an - aesthesia,» while proving a new mathematical theorem or writing a complex computer program may bring about intense involvement and the enjoyment
of vivid
immediate experience.8 «
Aesthetic»
experience in the more usual sense
of tile term can also y ~ ry fi - om trivial to highly intense, even when it relates to a single object; one is reminded
of the cliche situation in which one member
of a couple listens in rapture to a concert while the other writhes in boredom.
Yet if we are to judge purely on the basis
of immediate aesthetic quality,
of «intensity» in a Whiteheadian sense, on what grounds are we to prefer the
experience of «passive» contemplation to that which comes from the active exercise
of instrumental reason?