Not exact matches
Ad - based models are not
working, even for large digital players, because «publishers enjoy far less pricing power, and even the largest
of us are dwarfed by those who dominate the field, players like Facebook and Google whose
immense scale allows them to undercut everybody else.»
Yet the domestic and figurative roots
of his
work afford visual intimacy, even when he is
working on a public
scale, which he does with
immense if wry conviction.
Iva Gueorguieva
works on an
immense scale and with a boundless energy and busy range that seem to encapsulate the whole history
of abstract painting.
The
scale of these
works is vastly expanded from those
of the 1960s, and the objects are fashioned to mediate the
immense natural landscape in which they are situated.
Featured among the large -
scale works is Vertigo (sotto en su) from 2007, comprised
of layers
of precision - cut, highly polished metal woven into a reflective and intricate arboreal pattern suspended high above the viewer, not unlike an
immense, cascading tree branch.
Featuring
works from the 1950s to the present, the show takes a look at his studies in oil, his large -
scale paintings, his collages and cut - outs in an impressive display
of colour,
scale and
immense skill.
Her «
work process and focus on a synthetic quality — amplified at a large
scale» continues to «imbue a sense
of ease and spontaneity from a distance, yet at closer view, captures the
immense abstraction
of speed, density, and signal that traverse space and time.»
«I've responded very strongly to the sensuality
of Anish's forms and to his ability to remain lyrical even when he
works on an
immense scale» says Rushdie:
Beyond the ways in which photographs can not capture the minute detail inseparable from the
immense scale of Pindell's
work, the exhibition builds a complex understanding
of a way to view her
work that draws us in by asking us to look deeply and closely at and beneath its surface.
Often
working at
immense, room - filling
scale, the British artist Karla Black undercuts the imposing size
of her installations by making them as light and sweet as can be — all cotton - candy pastels, diaphanous drapery, and powders, strewn with cosmetics and other diminutive objects seemingly sourced from her medicine cabinet.
Of this work, Gregory Volk writes, ``... [c] onflating inside and outside space, nearness and distances, architecture and nature, a domestic setting and the vast world, contemporaneity and an immense scale of time, this is a risky, breathtaking work, and the apartment seems like a time - travelling capsule of sorts, visiting «remote pasts» as Robert Smithson once wrote, and also, perhaps, «remote futures» long after this current city has changed.&raqu
Of this
work, Gregory Volk writes, ``... [c] onflating inside and outside space, nearness and distances, architecture and nature, a domestic setting and the vast world, contemporaneity and an
immense scale of time, this is a risky, breathtaking work, and the apartment seems like a time - travelling capsule of sorts, visiting «remote pasts» as Robert Smithson once wrote, and also, perhaps, «remote futures» long after this current city has changed.&raqu
of time, this is a risky, breathtaking
work, and the apartment seems like a time - travelling capsule
of sorts, visiting «remote pasts» as Robert Smithson once wrote, and also, perhaps, «remote futures» long after this current city has changed.&raqu
of sorts, visiting «remote pasts» as Robert Smithson once wrote, and also, perhaps, «remote futures» long after this current city has changed.»
For a double exhibition across London's Mayor Gallery and Wilmotte Gallery, he is expanding his Méta - cities project to create an
immense interactive installation in the latter architectural space and a more domestic representation
of the same ideas in the Mayfair space, exploring the many potential
scales and instantiations
of a digital
work.