Sentences with phrase «immersive video exhibition»

A new immersive video exhibition is merging arts and images of nature together at the Brandywine River Museum of Art.

Not exact matches

Teju Cole delivers a powerful immersive experience within a continuously evolving exhibition of his own photographs and videos, accompanied by a score of field recordings and incisive texts, all presented harmoniously as one artwork.
Among other works, the exhibition includes a 24» high x 114» long photograph on raw wood that spans the length of MASS MoCA's tallest gallery and an immersive installation of animated video on twelve separate 24» high screens.
The exhibition opens on May 23, 2015, with a reception for the artist, followed by a second phase beginning June 26, 2015, which launches the immersive outdoor video installation and the augmented reality experience.
An immersive experience, the exhibition will include continuous audio along with projected animation and video to show how Bowie was an innovative artist who revolutionized the way we experience music and inspired people to shape their own identities while challenging social traditions.
«NATE YOUNG: The Unseen Evidence of Things Substantiated» @ Fabric Workshop and Museum (FWM) Philadelphia Minneapolis - based conceptual artist Nate Young is presenting new work including an immersive video installation from which the exhibition takes it title.
Opening: «Janet Biggs: Within Touching Distance» at Cristin Tierney Gallery A celebrated and prolific video artist for the past 20 years, Janet Biggs brings her latest works — a four - channel video installation and a dual - channel video — to the immersive exhibition «Within Touching Distance,» which deals with memories in relation to identity.
The exhibition presents contemporary work in dialogue with historical objects from the collections of the Seattle Art Museum and the Brooklyn Museum within an immersive and lively installation of video, digital, sound, and installation art, as well as photography and sculpture.
Through hand - drawn sketches, interactive sculpture, immersive video, and a lineup of more than 30 structural models at 1:500 scale, the exhibition gives insight into SOM's practice, past and present, as it seeks to address physical and environmental challenges with concise and honestly expressed solutions.
Thinking of painting as a form of technology is a very interesting vantage point, because if you consider the whole sweep of different mediums that artists are employing today — from video and virtual reality to immersive installation and performance — then painting becomes the least optimized medium for avant - garde curators to engage the kinds of crowds that come to biennials and exhibitions.
Boyce's exhibition «Scat: Sound and Collaboration,» presented by Iniva in 2013, focused on the significance of sound in art bringing together two immersive video works along with artefacts from the Devotional Collection, Boyce's archive of CDs, cassettes, vinyl records and other ephemera charting the history of black women in the music industry.
«What's fascinating about Rafman's work is the way he uses the very familiar visual language of the internet, social media, and computer games to create immersive narratives that reveal the anxieties and desires of contemporary life,» says Maitreyi Maheshwari, program director at Zabludowicz Collection and curator of the exhibition, which also offered up a waterbed, ball pit, massage chair, and filing cabinets streaming video games in first - person shooter.
However, this exhibition aims to illuminate both the positive and negative aspects of evolution through a variety of media such as immersive video, large - scale painting, sculpture and installation by artists including Doug Aitken, Andreas Gursky, Patrick Bernatchez and Tom Sachs.
The exhibition will be an ambitious installation in which Grasso transforms the gallery into an immersive environment, a multimedia labyrinth that includes new sculpture, paintings, photographs, neon works and video (the eponymously titled film will make its US debut in this exhibition).
Luckily, NMWA's summer exhibition, Total Art: Contemporary Video, can help you beat the heat with an immersive journey into the world of videoVideo, can help you beat the heat with an immersive journey into the world of videovideo art.
The exhibition features one of Scharf's immersive installations, filled to the brim with day - glo toys and trinkets, along with paintings and videos the artist made during that time period.
Anchoring the exhibition is the stunning Black Mat Oriole video, an ambitious work five years in the making, in which Kang has created an immersive narrative influenced by the flow and movement found within classical Korean poetry, calligraphy, and dance but is firmly rooted in the contemporary landscape.
The second presentation of Blackbox will be an exhibition entitled Phantasmagoria, an immersive video experience of «hybrid films» by Ranu Mukherjee.
The gallery exhibition is an immersive installation including wallpaper, carpeting, furniture, sculpture, video, photography and other surprises.
Anchored by a large body of new paintings, this immersive exhibition will also include sculpture, floor coverings, video and an accompanying book entitled «You Owe Me a Feeling» with text by David Berman.
The exhibition will feature new sculptural installations by Karla Black and Claire Barclay; paintings by Victoria Morton, Alison Watt and Callum Innes; immersive room - sized installations by Ross Sinclair, Graham Fagen and Martin Boyce; a room of sculptures and prints by David Shrigley; and film and video works by Douglas Gordon, Luke Fowler and Rosalind Nashashibi.
Tatiana Trouvé is well known for the large - scale spatial installations integrated with architecture and her paintings, while Laure Prouvost mainly works on video and immersive installations combined with video.The exhibitions are named for the titles of their works: «The Sparkle of Absence» is from Trouvé's conceptual series, consisting of works that have never been materialized and that are only in the existence of titles; «Into All That Is Here» comes from the latest work of Prouvost's most representative series «Granddad».
Earlier this year, his multi-floor exhibition inaugurating Gavin Brown's new Harlem mega-gallery, which featured uncanny - valley - born CGI videos of men falling into sinkholes or other forms of unusual misery, seemed to announce a new era of immersive art experience that can compete with TV, film, and the other attention - devouring screen - based sirens.
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The immersive exhibition featured paintings, drawings, one - off hand - finished prints, installations, sculptural work (with the help of Gustavo Ponce), and video from the Riverside based artist all inspired by his fascination with Hispanic culture in general (bull - fighting, day of the dead, luchadores, etc) and of course, nicotine.
The exhibition features a range of media, including painting, sculpture, drawing, photography, installation and video; never - before - seen works from the 1980s; new large - scale sculptures; and the artist's most ambitious architectural installation to date: a vast and immersive mirrored labyrinth that will go on view in ICA Miami's Atrium Gallery.
This exhibition is a site - specific immersive installation of Michael's thesis artwork, including audio - video projections, use of virtual reality and the incorporation of organic elements such as live grass.
Inspired by Tarek Atoui's current exhibition The Ground: From the Land to the Sea at NTU CCA Singapore, this screening series features artist videos, documentaries, and filmic essays that examine how the image and the sonic create immersive ways for multiple sensorial elements to come together and form a singular space.
The prize is awarded for an outstanding exhibition or other presentation in the year preceding 24 April, and up for consideration this year are Spartacus Chetwynd's «carnivalesque» installation at Sadie Coles HQ; Luke Fowler's immersive film exploring the life and work of Scottish psychiatrist RD Laing; Paul Noble's painstakingly crafted drawings of the fictional cityscape Nobson Newtown; and Elizabeth Price's trilogy of video installations at BALTIC.
Future programs include a major presentation of works by Toronto native Megan Rooney; the first showing in Canada of Chantal Akerman's immersive video installation NOW; an exhibition with Basma Al Sharif in collaboration with Consortium Commissions initiated by Mophradat, an international non-profit association supporting artists from the Arab world; and an exhibition formed in dialogue with Shumon Basar, Douglas Coupland and Hans Ulrich Obrist.
The exhibition will transform the Pavilion of Finland into an immersive environment through a multimedia installation comprising video, sculpture and a talking egg.
In The Colonies (2016), his first solo exhibition at MoMA, Beloufa presents an immersive installation of kinetic sculptures and video projection; CCTV cameras with Raspberry Pi mounts (small inexpensive CPUs) and speakers; walls made from foam and resin; plastic bags with crushed beer and soda cans; seating areas made from steel, pleather, and wood; and two videos — centered around his 2011 video People's Passion, lifestyle, beautiful wine, gigantic glass towers, all surrounded by water.
The resulting piece was most recently shown in New York as part of the Whitney Museum exhibition of video work, Dreamlands: Immersive Cinema and Art, 1905 — 2016.
The most recent presentation, Tales of Our Time (2016 — 17), was a group exhibition that included a robot - operated installation of monumental scale, a public tea gathering in an indoor garden setting, and immersive video works to explore and challenge the notion of place.
For the artist's London exhibition, «Worry Will Vanish», Rist has transformed the gallery into a fully immersive, and sensory video environment.
Last year he had his first solo exhibition, The Seth Bogart Show, in Los Angeles at 356 S. Mission Rd.. He likes creating immersive worlds filled with paintings, video, sculpture, and music.
The exhibition highlights the medium of video as a critical tool for expanded narratives and immersive imagery, in addition to painting, photography, sculpture and works on paper.
Exhibitions that made our list highlight contemporary charcoal drawing, immersive sound - and - video installations, paintings that delve into nature, contemporary photographers and the historic ones who inspired them along with retrospectives that consider New York art scenes of the past.
In his first solo exhibition in the United States, Kiluanji Kia Henda will show «A City Called Mirage» at ISCP, which features an immersive four - channel video installation as well as three interconnected series of photographs.
The immersive exhibition features a video by Simona Prives accompanied by a musical piece by Shiuan Chang.
The exhibition will feature new works including a massive black and white negative print of Colorado's Mount Sopris, printed on wood and an immersive version of Ross» Harmonium video world, accompanied by live music ranging from the classical canon to indie rock.
For the exhibition, Attie is creating an immersive multi-media environment comprised of a large - scale sculpture surrounded by a six - channel video projection and audio soundtrack.
In her first solo exhibition in Miami, Àsdís Sif Gunnarsdottir explores altered reality in an immersive evening through interactive performance, live projection, video, and sound.
This unprecedented exhibition gathers together almost fifty captivating film, video, and immersive installations created during the past twenty - five years by more than three dozen artists from nearly twenty nations, filling the galleries of the 1905 Building and its Sculpture Court as well as the Gallery for New Media and the Auditorium.
The exhibition combines works in film and video with an extensive presentation of Graham's signature immersive light - box photographs.
A new exhibition at Los Angeles» Sprüth Magers pairs pioneering immersive filmmaker Stan VanDerBeek and experimental video artist Jon Rafman.
«An immersive exhibition, Peter Campus — Video ergo sum, on view at Jeu de Paume, Paris until May 28, 2017 is the first solo exhibition dedicated to American artist Peter Campus (born 1937, New York), one of the most influential pioneers of video art whose seminal work has inspired generations of artists.&rVideo ergo sum, on view at Jeu de Paume, Paris until May 28, 2017 is the first solo exhibition dedicated to American artist Peter Campus (born 1937, New York), one of the most influential pioneers of video art whose seminal work has inspired generations of artists.&rvideo art whose seminal work has inspired generations of artists.»
The exhibition features paintings from the artist's most recent series, My Eternal Soul, as well as sculptures, videos, and installations, including immersive mirrored infinity rooms.
The most successful and mesmerizing use of technology in this exhibition is Hockney's multi-screen video works, and in a room at Tate Britain titled «The Four Seasons», visitors can enjoy a truly immersive experience surrounded by 4 screens, each made up of several smaller screens, and each showing carefully edited footage of a different season in the same stretch of road at Woldgate, near Bridlington in Yorkshire in 2002.
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