A new
immersive video exhibition is merging arts and images of nature together at the Brandywine River Museum of Art.
Not exact matches
Teju Cole delivers a powerful
immersive experience within a continuously evolving
exhibition of his own photographs and
videos, accompanied by a score of field recordings and incisive texts, all presented harmoniously as one artwork.
Among other works, the
exhibition includes a 24» high x 114» long photograph on raw wood that spans the length of MASS MoCA's tallest gallery and an
immersive installation of animated
video on twelve separate 24» high screens.
The
exhibition opens on May 23, 2015, with a reception for the artist, followed by a second phase beginning June 26, 2015, which launches the
immersive outdoor
video installation and the augmented reality experience.
An
immersive experience, the
exhibition will include continuous audio along with projected animation and
video to show how Bowie was an innovative artist who revolutionized the way we experience music and inspired people to shape their own identities while challenging social traditions.
«NATE YOUNG: The Unseen Evidence of Things Substantiated» @ Fabric Workshop and Museum (FWM) Philadelphia Minneapolis - based conceptual artist Nate Young is presenting new work including an
immersive video installation from which the
exhibition takes it title.
Opening: «Janet Biggs: Within Touching Distance» at Cristin Tierney Gallery A celebrated and prolific
video artist for the past 20 years, Janet Biggs brings her latest works — a four - channel
video installation and a dual - channel
video — to the
immersive exhibition «Within Touching Distance,» which deals with memories in relation to identity.
The
exhibition presents contemporary work in dialogue with historical objects from the collections of the Seattle Art Museum and the Brooklyn Museum within an
immersive and lively installation of
video, digital, sound, and installation art, as well as photography and sculpture.
Through hand - drawn sketches, interactive sculpture,
immersive video, and a lineup of more than 30 structural models at 1:500 scale, the
exhibition gives insight into SOM's practice, past and present, as it seeks to address physical and environmental challenges with concise and honestly expressed solutions.
Thinking of painting as a form of technology is a very interesting vantage point, because if you consider the whole sweep of different mediums that artists are employing today — from
video and virtual reality to
immersive installation and performance — then painting becomes the least optimized medium for avant - garde curators to engage the kinds of crowds that come to biennials and
exhibitions.
Boyce's
exhibition «Scat: Sound and Collaboration,» presented by Iniva in 2013, focused on the significance of sound in art bringing together two
immersive video works along with artefacts from the Devotional Collection, Boyce's archive of CDs, cassettes, vinyl records and other ephemera charting the history of black women in the music industry.
«What's fascinating about Rafman's work is the way he uses the very familiar visual language of the internet, social media, and computer games to create
immersive narratives that reveal the anxieties and desires of contemporary life,» says Maitreyi Maheshwari, program director at Zabludowicz Collection and curator of the
exhibition, which also offered up a waterbed, ball pit, massage chair, and filing cabinets streaming
video games in first - person shooter.
However, this
exhibition aims to illuminate both the positive and negative aspects of evolution through a variety of media such as
immersive video, large - scale painting, sculpture and installation by artists including Doug Aitken, Andreas Gursky, Patrick Bernatchez and Tom Sachs.
The
exhibition will be an ambitious installation in which Grasso transforms the gallery into an
immersive environment, a multimedia labyrinth that includes new sculpture, paintings, photographs, neon works and
video (the eponymously titled film will make its US debut in this
exhibition).
Luckily, NMWA's summer
exhibition, Total Art: Contemporary
Video, can help you beat the heat with an immersive journey into the world of video
Video, can help you beat the heat with an
immersive journey into the world of
videovideo art.
The
exhibition features one of Scharf's
immersive installations, filled to the brim with day - glo toys and trinkets, along with paintings and
videos the artist made during that time period.
Anchoring the
exhibition is the stunning Black Mat Oriole
video, an ambitious work five years in the making, in which Kang has created an
immersive narrative influenced by the flow and movement found within classical Korean poetry, calligraphy, and dance but is firmly rooted in the contemporary landscape.
The second presentation of Blackbox will be an
exhibition entitled Phantasmagoria, an
immersive video experience of «hybrid films» by Ranu Mukherjee.
The gallery
exhibition is an
immersive installation including wallpaper, carpeting, furniture, sculpture,
video, photography and other surprises.
Anchored by a large body of new paintings, this
immersive exhibition will also include sculpture, floor coverings,
video and an accompanying book entitled «You Owe Me a Feeling» with text by David Berman.
The
exhibition will feature new sculptural installations by Karla Black and Claire Barclay; paintings by Victoria Morton, Alison Watt and Callum Innes;
immersive room - sized installations by Ross Sinclair, Graham Fagen and Martin Boyce; a room of sculptures and prints by David Shrigley; and film and
video works by Douglas Gordon, Luke Fowler and Rosalind Nashashibi.
Tatiana Trouvé is well known for the large - scale spatial installations integrated with architecture and her paintings, while Laure Prouvost mainly works on
video and
immersive installations combined with
video.The
exhibitions are named for the titles of their works: «The Sparkle of Absence» is from Trouvé's conceptual series, consisting of works that have never been materialized and that are only in the existence of titles; «Into All That Is Here» comes from the latest work of Prouvost's most representative series «Granddad».
Earlier this year, his multi-floor
exhibition inaugurating Gavin Brown's new Harlem mega-gallery, which featured uncanny - valley - born CGI
videos of men falling into sinkholes or other forms of unusual misery, seemed to announce a new era of
immersive art experience that can compete with TV, film, and the other attention - devouring screen - based sirens.
airport, Annka Kultys Gallery, construction, cyber, cyberspace, digital, Digital Art, ephemera,
exhibition, hyper - real, identity, imagination,
immersive, installation, metaphysics, microcosm, narrative, nomad, parody, perception, projection, reality, Stine Deja, technology, transience, traveller,
video, virtual, virtuality
The
immersive exhibition featured paintings, drawings, one - off hand - finished prints, installations, sculptural work (with the help of Gustavo Ponce), and
video from the Riverside based artist all inspired by his fascination with Hispanic culture in general (bull - fighting, day of the dead, luchadores, etc) and of course, nicotine.
The
exhibition features a range of media, including painting, sculpture, drawing, photography, installation and
video; never - before - seen works from the 1980s; new large - scale sculptures; and the artist's most ambitious architectural installation to date: a vast and
immersive mirrored labyrinth that will go on view in ICA Miami's Atrium Gallery.
This
exhibition is a site - specific
immersive installation of Michael's thesis artwork, including audio -
video projections, use of virtual reality and the incorporation of organic elements such as live grass.
Inspired by Tarek Atoui's current
exhibition The Ground: From the Land to the Sea at NTU CCA Singapore, this screening series features artist
videos, documentaries, and filmic essays that examine how the image and the sonic create
immersive ways for multiple sensorial elements to come together and form a singular space.
The prize is awarded for an outstanding
exhibition or other presentation in the year preceding 24 April, and up for consideration this year are Spartacus Chetwynd's «carnivalesque» installation at Sadie Coles HQ; Luke Fowler's
immersive film exploring the life and work of Scottish psychiatrist RD Laing; Paul Noble's painstakingly crafted drawings of the fictional cityscape Nobson Newtown; and Elizabeth Price's trilogy of
video installations at BALTIC.
Future programs include a major presentation of works by Toronto native Megan Rooney; the first showing in Canada of Chantal Akerman's
immersive video installation NOW; an
exhibition with Basma Al Sharif in collaboration with Consortium Commissions initiated by Mophradat, an international non-profit association supporting artists from the Arab world; and an
exhibition formed in dialogue with Shumon Basar, Douglas Coupland and Hans Ulrich Obrist.
The
exhibition will transform the Pavilion of Finland into an
immersive environment through a multimedia installation comprising
video, sculpture and a talking egg.
In The Colonies (2016), his first solo
exhibition at MoMA, Beloufa presents an
immersive installation of kinetic sculptures and
video projection; CCTV cameras with Raspberry Pi mounts (small inexpensive CPUs) and speakers; walls made from foam and resin; plastic bags with crushed beer and soda cans; seating areas made from steel, pleather, and wood; and two
videos — centered around his 2011
video People's Passion, lifestyle, beautiful wine, gigantic glass towers, all surrounded by water.
The resulting piece was most recently shown in New York as part of the Whitney Museum
exhibition of
video work, Dreamlands:
Immersive Cinema and Art, 1905 — 2016.
The most recent presentation, Tales of Our Time (2016 — 17), was a group
exhibition that included a robot - operated installation of monumental scale, a public tea gathering in an indoor garden setting, and
immersive video works to explore and challenge the notion of place.
For the artist's London
exhibition, «Worry Will Vanish», Rist has transformed the gallery into a fully
immersive, and sensory
video environment.
Last year he had his first solo
exhibition, The Seth Bogart Show, in Los Angeles at 356 S. Mission Rd.. He likes creating
immersive worlds filled with paintings,
video, sculpture, and music.
The
exhibition highlights the medium of
video as a critical tool for expanded narratives and
immersive imagery, in addition to painting, photography, sculpture and works on paper.
Exhibitions that made our list highlight contemporary charcoal drawing,
immersive sound - and -
video installations, paintings that delve into nature, contemporary photographers and the historic ones who inspired them along with retrospectives that consider New York art scenes of the past.
In his first solo
exhibition in the United States, Kiluanji Kia Henda will show «A City Called Mirage» at ISCP, which features an
immersive four - channel
video installation as well as three interconnected series of photographs.
The
immersive exhibition features a
video by Simona Prives accompanied by a musical piece by Shiuan Chang.
The
exhibition will feature new works including a massive black and white negative print of Colorado's Mount Sopris, printed on wood and an
immersive version of Ross» Harmonium
video world, accompanied by live music ranging from the classical canon to indie rock.
For the
exhibition, Attie is creating an
immersive multi-media environment comprised of a large - scale sculpture surrounded by a six - channel
video projection and audio soundtrack.
In her first solo
exhibition in Miami, Àsdís Sif Gunnarsdottir explores altered reality in an
immersive evening through interactive performance, live projection,
video, and sound.
This unprecedented
exhibition gathers together almost fifty captivating film,
video, and
immersive installations created during the past twenty - five years by more than three dozen artists from nearly twenty nations, filling the galleries of the 1905 Building and its Sculpture Court as well as the Gallery for New Media and the Auditorium.
The
exhibition combines works in film and
video with an extensive presentation of Graham's signature
immersive light - box photographs.
A new
exhibition at Los Angeles» Sprüth Magers pairs pioneering
immersive filmmaker Stan VanDerBeek and experimental
video artist Jon Rafman.
«An
immersive exhibition, Peter Campus —
Video ergo sum, on view at Jeu de Paume, Paris until May 28, 2017 is the first solo exhibition dedicated to American artist Peter Campus (born 1937, New York), one of the most influential pioneers of video art whose seminal work has inspired generations of artists.&r
Video ergo sum, on view at Jeu de Paume, Paris until May 28, 2017 is the first solo
exhibition dedicated to American artist Peter Campus (born 1937, New York), one of the most influential pioneers of
video art whose seminal work has inspired generations of artists.&r
video art whose seminal work has inspired generations of artists.»
The
exhibition features paintings from the artist's most recent series, My Eternal Soul, as well as sculptures,
videos, and installations, including
immersive mirrored infinity rooms.
The most successful and mesmerizing use of technology in this
exhibition is Hockney's multi-screen
video works, and in a room at Tate Britain titled «The Four Seasons», visitors can enjoy a truly
immersive experience surrounded by 4 screens, each made up of several smaller screens, and each showing carefully edited footage of a different season in the same stretch of road at Woldgate, near Bridlington in Yorkshire in 2002.