Sentences with phrase «immersive video installations by»

Quayola is an Italian visual artist, who creates immersive video installations by employing software, computational functions and algorithms.

STEVENSON is pleased to present Black Power, an immersive video installation by Lyle Ashton Harris.

Exhibiting in the downstairs gallery, INFINITE (2014) is an immersive video installation by Liu Chang and Miao Jing, with a soundtrack by Gan Jian.

Not exact matches

The exhibition opens on May 23, 2015, with a reception for the artist, followed by a second phase beginning June 26, 2015, which launches the immersive outdoor video installation and the augmented reality experience.

You Are Here features immersive art installations by 15 contemporary artists, including large - scale light works, sound installations, video works, mixed - media room - size environments, and site - specific projects.

Purple is an immersive six - channel video installation addressing man's relationship to nature and to the planet, created by the British artist and filmmaker John Akomfrah.

Visitors explore the interactive immersive video installation «Self on The Shelf» by Laia Cabrera and Isabelle Duverger with interactivity by Nicole Carpeggiani at Spring / Break Art Show 2018.

Among the highlights of its first eight years are: Bernd Alois Zimmermann's harrowing Die Soldaten, in which the audience moved «through the music;» the unprecedented six - week residency of the Royal Shakespeare Company in their own theater rebuilt in the drill hall; a massive digital sound and video environment by Ryoji Ikeda; a sprawling gauzy, multi-sensory labyrinth created by Ernesto Neto; the event of a thread, a site - specific installation by Ann Hamilton; the final performances of the Merce Cunningham Dance Company across three separate stages; the New York Philharmonic performing Karlheinz Stockhausen's sonic masterpiece Gruppen with three orchestras surrounding the audience; WS by Paul McCarthy, a monumental installation of fantasy, excess, and dystopia; a sonic environment that blurred the boundaries between artist and audience created by the xx; an immersive Macbeth set in a Scottish heath and henge by Rob Ashford and Kenneth Branagh; tears become... streams become..., a genre - defying collaboration between artist Douglas Gordon and pianist Hélène Grimaud, which flooded the Armory's drill hall with an installation of water, light, and music; and HABEAS CORPUS, a performance and installation by Laurie Anderson based on the story of a former Guantanamo Bay detainee that examines lost identity, memory, and the resiliency of the human body and spirit.

However, this exhibition aims to illuminate both the positive and negative aspects of evolution through a variety of media such as immersive video, large - scale painting, sculpture and installation by artists including Doug Aitken, Andreas Gursky, Patrick Bernatchez and Tom Sachs.

The exhibition will feature new sculptural installations by Karla Black and Claire Barclay; paintings by Victoria Morton, Alison Watt and Callum Innes; immersive room - sized installations by Ross Sinclair, Graham Fagen and Martin Boyce; a room of sculptures and prints by David Shrigley; and film and video works by Douglas Gordon, Luke Fowler and Rosalind Nashashibi.

Curated by Jean Crutchfield and Robert Hobbs, Tavares Strachan conceived an immersive installation that includes different media such as neon signs, video, sculpture, and painting, and surrounds the viewer by documentation of a reenactment of a historic narrative: the 1909 polar expedition of Robert Peary and Matthew Alexander Henson.

Motion Within Motion, a two - channel video installation with immersive sound, is inspired by Persian - Islamic philosophy of change.

Encompassing paintings, sculpture, video, photography, drawing and immersive installations by almost thirty leading artists including David Batchelor, Ceal Floyer, Raphael Hefti, Runa Islam, Anish Kapoor, L S Lowry, Ivan Navarro, Julian Opie, Katie Paterson, Peter Sedgley, Rachel Whiteread and Cerith Wyn Evans.

Touch Museum at Young Projects (West Hollywood) November 12, 2015 — February 20, 2016 Julie Weitz's Touch Museum first premiered in the cavernous project space of Young Projects as an immersive experience combining multiple video installations, an original soundscape by LA - based composer Deru and a Youtube channel featuring videos examining the perceptual phenomenon known as Autonomous Sensory Meridian Response (ASMR).

The immersive exhibition featured paintings, drawings, one - off hand - finished prints, installations, sculptural work (with the help of Gustavo Ponce), and video from the Riverside based artist all inspired by his fascination with Hispanic culture in general (bull - fighting, day of the dead, luchadores, etc) and of course, nicotine.

Originally commissioned by the Pérez Art Museum in Miami, Hiller's video installation continues her practice of changing the register of contemporary museum and gallery spaces, creating immersive and haunting environments in which the viewer succumbs to a multi-sensory experience.

Future programs include a major presentation of works by Toronto native Megan Rooney; the first showing in Canada of Chantal Akerman's immersive video installation NOW; an exhibition with Basma Al Sharif in collaboration with Consortium Commissions initiated by Mophradat, an international non-profit association supporting artists from the Arab world; and an exhibition formed in dialogue with Shumon Basar, Douglas Coupland and Hans Ulrich Obrist.

Isaac Julien is joined by Giuliana Bruno, Professor of Visual and Environmental Studies, Harvard University and author of the upcoming book Surface: Matters of Aesthetics, Materiality, and Media, for a discussion of Julien's prolific and diverse moving - image work, and its active migration from cinema screen to gallery installation in such recent works as Vagabondia (2000) and Baltimore (2003), both of which take as their subject the space of the museum; the immersive video installation Ten Thousand Waves, on view in the Museum's atrium through February 17; and his most recent installation, the seven - screen PLAYTIME.

Encompassing paintings, sculpture, video, photography, drawing and immersive installations, it features artworks created from the 1960s to the present day by almost thirty leading artists including David Batchelor, Ceal Floyer, Raphael Hefti, Runa Islam, Anish Kapoor, L S Lowry, Katie Paterson, Peter Sedgley, Rachel Whiteread and Cerith Wyn Evans.

In The Colonies (2016), his first solo exhibition at MoMA, Beloufa presents an immersive installation of kinetic sculptures and video projection; CCTV cameras with Raspberry Pi mounts (small inexpensive CPUs) and speakers; walls made from foam and resin; plastic bags with crushed beer and soda cans; seating areas made from steel, pleather, and wood; and two videos — centered around his 2011 video People's Passion, lifestyle, beautiful wine, gigantic glass towers, all surrounded by water.

Lineament (2012), the central installation, is an immersive video and sound piece originally commissioned by the Shiseido Gallery, Tokyo.

Immersive installations, paintings, sculptural objects, photographs and videos by forty artists reveal how the universal language of this transnational game can define beauty, make social statements, create a sense of community and express a shared passion.

Here, the immersive installation, titled Casa de Cambio (2016), sees walls festooned with paintings of fruit and exotic travel posters, a glass column filled with hand - made jewelry, and wall - mounted monitors streaming commissioned videos by Latin American artists.

Stand - outs at the highly successful and well - attended 7th edition of abc included: Daniel Steegmann Mangrané's immersive aluminum chain sculpture presented by Esther Schipper; Douglas Coupland's installation of painted globes entitled Optimism vs. Pessimism, which the artist showed with Daniel Faria Gallery; Beijing - based artist Guan Xiao's electrifying three - channel video installation Kraupa - Tuskany Zeidler and Antenna Space's shared booth drew droves of onlookers who often stayed for multiple rotations of the video loop; and at Johann König, Camille Henrot presented her video Coupe / Decalé alongside Desktop Series, a series of small bronze sculptures that reflect on the tension between immateriality and the universal creative space provided by the computer desktop.

At The Knockdown Center, an immersive video and sound installation by Caroline Woolard and Alexander Rosenberg reverberates throughout the former glass factory; glass weights by Lika Volkova rest on the chests of performers on the floor; the sound of waves crashing is produced mechanically by a thousand small glass marbles, held in a glass frame that see - saws above; a sculpture by Helen Lee.

However, even as this presentation in some ways limits the power of individual videos, the immersive space becomes the realization of a new and greater master work, one that is completed by Acconci Studio's careful design of installation elements, such as the floating hall of poetry or the metal arabesques that house archival materials of performances.

This unprecedented exhibition gathers together almost fifty captivating film, video, and immersive installations created during the past twenty - five years by more than three dozen artists from nearly twenty nations, filling the galleries of the 1905 Building and its Sculpture Court as well as the Gallery for New Media and the Auditorium.

«A Very Long Line» by artist collective Postcommodity is an immersive four - channel video and sound installation comprised of four screens of moving images featuring desert landscapes, framed by the constant presence of a fence.

Dylan Gauthier: highwatermarks, the first US solo museum project by the Brooklyn - based artist Dylan Gauthier (b. 1979, Los Angeles), centers on an immersive video and audio installation that was planned, filmed, and edited during the artist's year - long residency at the Brandywine River...