The most recent presentation, Tales of Our Time (2016 — 17), was a group exhibition that included a robot - operated installation of monumental scale, a public tea gathering in an indoor garden setting, and
immersive video works to explore and challenge the notion of place.
Boyce's exhibition «Scat: Sound and Collaboration,» presented by Iniva in 2013, focused on the significance of sound in art bringing together two
immersive video works along with artefacts from the Devotional Collection, Boyce's archive of CDs, cassettes, vinyl records and other ephemera charting the history of black women in the music industry.
That immersive video work is birthed from the worlds of the «Mountain» and the «Waves,» but has its own life.
Not exact matches
By ebook, Tom doesn't mean a PDF but a fully
immersive work with audio,
video, animation and user interactivity.
Claire de Lune is an artist
working in ceramics, painting and
video to create an
immersive world of characters and symbols, little talismanic islands of love and hope for the viewer.
Blending the personal with the political, McMillian has
worked in a range of mediums and materials, including sculpture, painting,
video, performance, and
immersive environments, to explore themes of class, gender, race, social history, and culture.
Among other
works, the exhibition includes a 24» high x 114» long photograph on raw wood that spans the length of MASS MoCA's tallest gallery and an
immersive installation of animated
video on twelve separate 24» high screens.
You Are Here features
immersive art installations by 15 contemporary artists, including large - scale light
works, sound installations,
video works, mixed - media room - size environments, and site - specific projects.
«NATE YOUNG: The Unseen Evidence of Things Substantiated» @ Fabric Workshop and Museum (FWM) Philadelphia Minneapolis - based conceptual artist Nate Young is presenting new
work including an
immersive video installation from which the exhibition takes it title.
Still, yet, else, further, again features two
works, «Hole,» an
immersive sculptural installation in the main gallery and «794 mph,» a single channel
video projection.
Her
work explores new technologies to create
immersive digital environments with
video and sculpture.
Opening: «Janet Biggs: Within Touching Distance» at Cristin Tierney Gallery A celebrated and prolific
video artist for the past 20 years, Janet Biggs brings her latest
works — a four - channel
video installation and a dual - channel
video — to the
immersive exhibition «Within Touching Distance,» which deals with memories in relation to identity.
The exhibition presents contemporary
work in dialogue with historical objects from the collections of the Seattle Art Museum and the Brooklyn Museum within an
immersive and lively installation of
video, digital, sound, and installation art, as well as photography and sculpture.
Contemporary heir to the pop artists, Da Corte combines these common consumer objects with pop cultural references, personal family narratives — and even other artists»
work — in vibrant sculptures, paintings,
videos, and
immersive installations.
Performance and
video artist Jacolby Satterwhite has made a name for himself with his
immersive, idiosyncratic
works, many of which involve family history and personal mythologies in fantastical animated environments that update the innovations of Surrealism and Dada.
One of the strongest
works in the show comes from Cécile B Evans, an American artist living between London and Berlin, whose
immersive video installation What the Heart Wants offers a rare dose of ambition and seriousness.
For his solo show at the South London Gallery (SLG), three
video works are housed in an
immersive architectural environment in the main gallery characterised by an absurdist sense of humour and provocative questioning of the role of art and artists in society.
«What's fascinating about Rafman's
work is the way he uses the very familiar visual language of the internet, social media, and computer games to create
immersive narratives that reveal the anxieties and desires of contemporary life,» says Maitreyi Maheshwari, program director at Zabludowicz Collection and curator of the exhibition, which also offered up a waterbed, ball pit, massage chair, and filing cabinets streaming
video games in first - person shooter.
The exhibition will be an ambitious installation in which Grasso transforms the gallery into an
immersive environment, a multimedia labyrinth that includes new sculpture, paintings, photographs, neon
works and
video (the eponymously titled film will make its US debut in this exhibition).
ARTIST STATEMENT My
work explores the space of
video installation through the use of often large scale projections that incorporate the physical space, creating
immersive environments that trigger an experiential relationship between the viewer and the piece.
Anchoring the exhibition is the stunning Black Mat Oriole
video, an ambitious
work five years in the making, in which Kang has created an
immersive narrative influenced by the flow and movement found within classical Korean poetry, calligraphy, and dance but is firmly rooted in the contemporary landscape.
The exhibition will feature new sculptural installations by Karla Black and Claire Barclay; paintings by Victoria Morton, Alison Watt and Callum Innes;
immersive room - sized installations by Ross Sinclair, Graham Fagen and Martin Boyce; a room of sculptures and prints by David Shrigley; and film and
video works by Douglas Gordon, Luke Fowler and Rosalind Nashashibi.
Thus the gallery is not only a platform for the artists» new
video works but also an
immersive environment in which once can encounter them.
Tatiana Trouvé is well known for the large - scale spatial installations integrated with architecture and her paintings, while Laure Prouvost mainly
works on
video and
immersive installations combined with
video.The exhibitions are named for the titles of their
works: «The Sparkle of Absence» is from Trouvé's conceptual series, consisting of
works that have never been materialized and that are only in the existence of titles; «Into All That Is Here» comes from the latest
work of Prouvost's most representative series «Granddad».
The artist also presented a new
immersive installation featuring his
work in music and
video in the south Tank at the museum.
Drawn from the collection of the National Gallery of Victoria, Melbourne, and featuring a number of recent acquisitions, The Kaleidoscopic Turn resonates with references to various artistic legacies of the 20th century from Op art to colourfield painting, offering a range of multi-sensory experiences including
immersive installations, kinetic sculptures,
video art,
works on paper and painting in its diverse and expanded forms.
New Yorker Rachel Rose's 2015
video work «Everything and More,» about astronauts and the cosmos, was shown at the Whitney Museum of American Art; Wakefield felt she'd take a mystical approach to Desert X. Images of Smith's LED - illuminated, mirrored shack in Joshua Tree, «Lucid Stead,» went viral in 2013, he'd likely create another colorful, Light and Space Movement - inspired
work for Desert X. Aitken's
immersive video installation «Diamond Sea,» which was presented at the Whitney Biennial in 1997, explores southwestern Africa's Namib Desert.
The
immersive exhibition featured paintings, drawings, one - off hand - finished prints, installations, sculptural
work (with the help of Gustavo Ponce), and
video from the Riverside based artist all inspired by his fascination with Hispanic culture in general (bull - fighting, day of the dead, luchadores, etc) and of course, nicotine.
His
work explores dynamics of perception and awareness, sometimes manifesting as multi-channel sound performances or as
immersive installation
work using
video or lighting.
The exhibition features a range of media, including painting, sculpture, drawing, photography, installation and
video; never - before - seen
works from the 1980s; new large - scale sculptures; and the artist's most ambitious architectural installation to date: a vast and
immersive mirrored labyrinth that will go on view in ICA Miami's Atrium Gallery.
Expect an unpredictable yet thoroughly charming experimental mash - up of
video work, dance,
immersive stage décor, and choral music.
Her creative
work experimental
video and animation, media - enhanced performance, participatory public art, and
immersive installation.
The prize is awarded for an outstanding exhibition or other presentation in the year preceding 24 April, and up for consideration this year are Spartacus Chetwynd's «carnivalesque» installation at Sadie Coles HQ; Luke Fowler's
immersive film exploring the life and
work of Scottish psychiatrist RD Laing; Paul Noble's painstakingly crafted drawings of the fictional cityscape Nobson Newtown; and Elizabeth Price's trilogy of
video installations at BALTIC.
In her
work, Prouvost constructs
immersive environments in which sculptures,
videos and installations become central ploys in the re-enactment of unlikely scenarios, of spatial and temporal impossibility and absurdity.
Through monumental billboards, site - specific environments, sound
works, photography, sculptures, and
immersive video installations the artist investigates the spatial and temporal dislocation of images and the vulnerability of individuals, in a period of massive industrial and environmental changes.
Resonance / Dissonance brings together
works in an
immersive environment to demonstrate the powerful ways in which artists have employed single - channel
video and sound as a platform for formal and conceptual experimentation.
The artist also presented a new
immersive installation featuring his
work in music and
video in the South Tank at the museum.
They make large - scale sculptures like Ventricle alongside other
work such as
immersive digital
video installations.
Future programs include a major presentation of
works by Toronto native Megan Rooney; the first showing in Canada of Chantal Akerman's
immersive video installation NOW; an exhibition with Basma Al Sharif in collaboration with Consortium Commissions initiated by Mophradat, an international non-profit association supporting artists from the Arab world; and an exhibition formed in dialogue with Shumon Basar, Douglas Coupland and Hans Ulrich Obrist.
In addition Nica has
worked with 3 - Legged Dog Media & Theater group in
immersive media design and production and also joins The Joshua Light Show in creating light and
video installations in venues such as the Hayden Planetarium, Performa 11, and Art Basel Miami 2011.
Isaac Julien is joined by Giuliana Bruno, Professor of Visual and Environmental Studies, Harvard University and author of the upcoming book Surface: Matters of Aesthetics, Materiality, and Media, for a discussion of Julien's prolific and diverse moving - image
work, and its active migration from cinema screen to gallery installation in such recent
works as Vagabondia (2000) and Baltimore (2003), both of which take as their subject the space of the museum; the
immersive video installation Ten Thousand Waves, on view in the Museum's atrium through February 17; and his most recent installation, the seven - screen PLAYTIME.
Lives and
works in Philadelphia, USA) combines the glossy aesthetics of commercial culture, personal narratives and re-mixed references to other artists»
works within his vibrant sculptures,
videos and fully
immersive installations.
Smashed hopes, lost love, inevitable decay and social dissolution, all within a seamless Mobius strip of passing time — Doug Aitken's
work in sculpture and
immersive video installations during the past 20 years has taken a romantic view of life's predictable unraveling.
The resulting piece was most recently shown in New York as part of the Whitney Museum exhibition of
video work, Dreamlands:
Immersive Cinema and Art, 1905 — 2016.
Working across performance,
video and «printed image», the show promises an
immersive experience, ultilising online gaming, animation and communication to explore the blurring boundaries between actor, producer and spectator.
Bringing together these
works in an
immersive environment, Resonance / Dissonance demonstrates the powerful ways in which these artists have employed single - channel
video and sound as a platform for formal and conceptual experimentation.
Julien's most recent
work has focused on
immersive single - and multi-channel
video installations.
Artist Statement
Working with themes surrounding identity, forgiveness and social justice, Dodge creates
immersive, interactive environments and installations that incorporate
video, paint and performance.
Richardson's
work explores the «hyper - real» through
immersive video installations, depicting landscapes...
The exhibition highlights the medium of
video as a critical tool for expanded narratives and
immersive imagery, in addition to painting, photography, sculpture and
works on paper.