Utilizing a wide array of artistic approaches, Doug Aitken's
immersive works lead us into a world where time, space, and memory are fluid concepts.
Not exact matches
Her groundbreaking
work Atlas in silico is a physically interactive and
immersive virtual reality art + science installation that is driven by data from the Global Ocean Sampling Expedition, a survey of marine microbial communities
led by the J.
The Appendices — The Appendices Parts IX and X showcase an
immersive multi-part history of the filming of The Hobbit: The Desolation of Smaug, covering pre-production in the various departments of the film in the months
leading up to the start of principal photography, training, the
work done on set and in the world of its digital effects.
A trailblazing figure on New York's underground art scene, she organised political protests, wild outdoor happenings and body - painting «orgies» — a true radical who
led the charge for
immersive installation
work.
Featuring 10 powerful audio - visual
works by artists including Martin Creed, Jeremy Deller, Rachel Rose, Cyprien Gaillard and Kendrick Lamar - collaborator Kahlil Joseph, The Infinite Mix will
lead visitors on an
immersive journey through multi-screen installations, holograms and cinema - style 3D projections.
Featuring hologram installations, 3 - D projections and
immersive multi-screen
works, visitors to The Infinite Mix will journey above and below ground to discover 10 audio - visual installations from
leading international artists: Martin Creed, Jeremy Deller and Cecilia Bengolea, Stan Douglas, Cyprien Gaillard, Dominique Gonzalez - Foerster, Cameron Jamie, Kahlil Joseph, Elizabeth Price, Ugo Rondinone and Rachel Rose.
Boldly patterned flooring, referencing the famous hotel carpet in The Shining — the
work of artists Adam Broomberg & Oliver Chanarin —
leads us into a maze of
immersive installations (some of them quite mind - bending), some conceptual art (largely so - so) and some paintings by artists I'd never heard of (most of them truly awful).
Bonalumi is most recognised for his Picture - Objects, created through «extroflection» — a process using frames fixed to the backs of canvases to deform them, which
led to later
work including sculptures and
immersive environments.
The second book offers a photographic interpretation of the multiple ways of experiencing Höller's
immersive work, accompanied by an extensive interview with the artist,
led by Ralph Rugoff, Hayward Gallery Director and curator of the show.